据《中国美术家人名辞典》载，清顺治十八年（1661年）曾作《文殊洗象图》，另有一幅作于清康熙十一年（1672年）的《昭君琵琶图》。朱彝尊尝谓：“谢彬、沈韶、徐易、张远学曾鲸氏而有得焉者也。” 沈韶为“波臣派”第二代画家中的重要一员，清代著名肖像画家徐璋、鲍嘉皆出自其门下。壬寅纪年为清康熙元年（1662年），是年沈韶57岁。这一年3位画中人均已作古，画家是依据记忆而成此图。“波臣派”画家大多与当时的文人逸士有所交往，沈韶身为嘉兴人，又鬻艺于江浙，对3位画中人当比较熟悉，虽生时必曾谋面，但在他们谢世后数十年仍能画出如此精妙的肖像亦属难得。
“辛酉”为清康熙二十年（1681年），沈韶时年76岁，据此推知沈韶当生于明万历三十三年（1605年）。沈韶具体卒年尚未见记载，但此图是目前所见其最晚的作品。恽寿平创作此图时为48岁，正值其绘画艺术创作鼎盛的时期，而沈韶此时已是晚年，其画艺已臻顶峰。二人配合默契，珠联璧合，通幅给人以清淡雅逸之感，实为一幅精美的山水人物肖像画杰作。
 

《三人像》轴，清康熙，绢本，设色，纵115.8cm，横50.5cm。
本幅右侧中上部款署：“壬寅菊月白岩沈韶写。”下钤“沈韶之印”、“尔调氏”印2方。
此图又称《嘉定三先生像》，绘明末嘉定3位著名文人，即画家唐时升、程嘉燧、李流芳三人群像。图绘松石之下，一老者坐于椅上，身后一小童执竿侍立，竿上系有灵芝。老者右侧有二人，年纪稍轻。前面一人右手执如意，左手自然下垂，戴乌巾，面相端严，其身后一人双手笼袖而立。图中3位主要人物面部刻画非常细腻，衣着均袍服朱履，是典型的明代末期文人装束。图中所绘松石、小童手中木竿上的灵芝、前立者手中的如意，表明此图具有寿意画的涵义。画面中坐者为唐时升，前立者为李流芳，后立者为程嘉燧。
此图裱边处有清毕泷题记，并钤有毕氏藏印1方，故此图在清乾隆年间为毕泷所藏。
《公牧坐听松风图》轴，清康熙二十年（1681年），沈韶、恽寿平合作绘制，纸本，设色，纵128cm，横59.3cm。
本幅右侧中部沈韶款署：“辛酉瑞月华亭七十六叟沈韶。”下钤“沈韶之印”。左上有恽寿平题诗一首，并识：“辛酉秋戏补松石流泉并为公牧先生题照。毗陵南田恽寿平。”下钤“寿平”、“恽正叔”印，首钤“南田小隐”印。
此图由沈韶画人物肖像，恽寿平补绘山水树石。图绘一老者怀抱小童坐于松下石上，身旁两小童侍立，身后一株屈虬古松斜向立于画中。人物安排于松树之下，似在静听松声。此图表现的虽是文人雅逸之态，但多了些世俗的趣味。画中主人公着白袍、朱履，戴儒巾，俨然是明代文人的典型装束，面相慈善而不乏庄重，颌下有须，眉目传神，颇具风彩。三名小童则略显脸谱化，但其玩皮之态仍表现得非常生动，特别是怀中小儿手持拨郎鼓玩耍的形态，刻画得极为生动，使全图于宁静的气氛中显现出一丝动感。

shen shao(1605-?), Qing Emperor Kangxi twenty years (1681) is still alive, word Seoul, Jiaxing, Zhejiang, one said for the Huating (now Shanghai Songjiang) people. Good painting figures Ladies, photo school has whales, famous at the time. Its portrait portraits "as if students." "Lou County" records: Shen Shao, word Seoul tone, Jiaxing, Zhejiang, Jin Shan. Have whale disciples. Work photo, character scholar show Mei vulgar. Junji eighteen years (1661) as the text of special washing as figure, Kangxi eleven years (1672) as Zhaojun lute diagram.
Biography
According to "Chinese Artists Dictionary" set, Qing Shunzhi eighteen years (1661) had "Manjushi as figure", and another for eleven years of Qing Emperor Kangxi (1672) "Zhaojun pipa map." Zhu Yizun said: "Xie Bin, Shen Shao, Xu Yi, Zhang Yuanxue whale's whiskey and those who have Yan." Shen Shao as "Po Chen School" the second generation of important members of the painter, the Qing Dynasty famous portrait painter Xu Zhang, Bogart all from its subglottic. Renyin Annals for the first year of Qing Emperor Kangxi (1662), is the year Shen Shao 57 years old. This year, three paintings in the per capita have passed away, the painter is based on the memory from this map. "Po-chen" painters mostly with the literati at the time have exchanges, Shen Shao as Jiaxing, and vend arts in Jiangsu and Zhejiang, the three paintings when people are more familiar with, although students will have met, but after they died Decades can still draw such a subtle portrait is also rare.
"Xin" for the Qing Emperor Kangxi twenty years (1681), Shen Shao-year-old 76 years old, according to deduce Shen Shao was born in Ming Wanli thirty-three years (1605). Shen Shao specific death has not seen the record, but this figure is currently seen by the latest works. Yun Shou-ping when the creation of this figure is 48 years old, when the peak of its painting art creation period, and Shen Shao at this time is old age, the painting has reached its peak. Two people with tacit understanding, perfect match, the width gives a sense of light elegance, in fact, a beautiful masterpiece of landscape portraits.
 

"Three portraits" axis, the Qing Emperor Kangxi, silk, color, vertical 115.8cm, horizontal 50.5cm.
The right side of the upper section of the Department of the Department: "Ren Yin Ju Shao Yan Shen Shao wrote." Under the seal "Shen Shao of the Indian", "Seoul's" Indian side.
This figure, also known as "Jiading three like", painted at the end of Jiading three famous literati, namely the painter Tang Shisheng, Cheng Jiasui, Li Liufang three crowd. Figure painted turquoise, an old man sitting in a chair, behind a child Zhiliang Shi Li, Gan Department of Ganoderma lucidum. Old man on the right there are two, slightly younger. In front of a person right hand wishful, left hand drooping naturally, wearing a towel, face Duan Yan, a man behind his sleeve cage standing. Three main characters in the figure depict very delicate facial features, clothing Zhu Lu are robes, is a typical late Ming Dynasty scholar attire. The figure painted turquoise, children in the hands of wood Ganoderma lucidum, the former legislature in the hands of wishful, indicating that the map has a meaning of life painting. Screen when sitting for the Tang Shi, Li Li Liufang before the legislator, after the legislator for Cheng Jia Sui.
This figure has been completed at the edge of the complete biography in mind, and seal the seal of a party, so the figure in the Qing Emperor Qianlong years for the Bi-long possession.
"Gongmeng sit Matsukaze" axis, the Qing Emperor Kangxi twenty years (1681), Shen Shao, Yun Shouping co-drawn, paper, color, vertical 128cm, horizontal 59.3cm.
Shen Shao Department of the central section of the right side of the Department: "Xin You Rui Yuet Wah Ting Shenshao seventy-six people." Under the seal "Shen Shao of India." Yun Shouping on the left top of a poem, and knowledge: "Xinyouqiu fill Songshi flow and the title for the husband and animal husbandry, Mr. Pingshan Nan Tian Yun Shouping." "Qian" "India.
This figure by Shen Shao painting portraits, Yun Shou-ping complement the landscape tree. Draw a picture of an old man sitting on a stone sitting on the Matsushita, standing next to the two children standing behind a bend Qiu Gu Song Pine stand in the painting. Characters arranged in the pine under the sound like listening to loose sound. Although this figure shows the literati elegant state, but more of the secular taste. Zhu Lu, Dai Ru towel, is like a typical Ming Dynasty literati dress, face charity and no lack of solemn, under the jaw to be, eyebrows vivid, quite Fengcai. Three children are slightly face, but the play of the state of the skin is still very vivid, especially the arms of children in the form of hand-held play drums, depicts a very vivid, so that the whole picture in a quiet atmosphere showing a trace of Dynamic.