丘鉴 ，清代宫廷画家，字苕南，号大容，画史无考。《芙蓉芦雁图》轴，1958年安徽省博物馆自徽州一位收藏家后人处收购入藏。1987年经国家古字画专家组鉴定为清代后期所作，此图为孤本。
       此图生动地描绘了江南一带的苇塘小景。在芦花芙蓉摇曳生风的沙坡间，栖息着三只美丽的芦雁。此时，只见有两只正引颈仰望，热切呼唤伴侣降临。那只盘悬在空中的雁似乎也正张嘴呼应，正舒展翅膀徐徐地往下降落，而沙坡上另一只似乎还未回过神来瞅着它们。这是多么自然而又优美的瞬间!在画法上，作者以娴熟的细笔描绘夏雁的躯体，美丽的羽毛，鲜艳的色彩，笔墨精丽严谨，造型生动自然，生活情趣饶足，十分惹人喜爱。再看那坡岸野菊盛开，苇叶舒展，也将是富于诗意地融注到群雁之中。实乃一幅充满生活情趣的佳作，令人产生种种美好情感。图的左侧款署“苕南丘鉴”。钤“丘鉴之印”、“大容”印。
English is introduced
Qiu, the Qing court painter, the word Shao South, No. large capacity, painting history without examination. "Furong Lu Yan map" axis, in 1958, Anhui Province, Anhui Province, a collection of descendants from the acquisition of possession at the Tibetan. In 1987 by the national ancient calligraphy and painting expert group identified as the late Qing Dynasty, this picture is isolated.
       This map vividly depicts the Jiangnan area of ​​the reed pond small King. In the reed hibiscus swaying the wind between the Shapo, the habitat of the three beautiful Lanyan. At this point, I saw two are looking neck, eager call companion. Nazhi disk hanging in the air seems to have mouth echo, is slowly spread his wings down, and the other on the Shapo seems to have not looked back and looked at them. This is a natural and beautiful moment! In the painting, the author of the sketch of Xia Yan's body, the beautiful feathers, bright colors, ink Jing Li rigorous, vivid and natural style, life fun Raozu, very Arouses love. Look at the slope of wild chrysanthemum in full bloom, reed leaves stretch, will also be poetic to melt into the group of goose. Is a masterpiece of life is full of fun, it produces a variety of good feelings. Figure of the left side of the Department of "Shao Southern Hills Kam." Seal "Qiu Kam of India", "large capacity" India.