盛茂烨是明末苏州画家，画承吴门派馀绪，大概以师法谢时臣为多。好作长林叠嶂巍峨险峻之景。此图写寒山策蹇，峰高雪厚，林深路滑，很有北宋人雄沉景象。画雪景烘染太过失之緽，烘染太少失之薄，此图皴染得当，既不失雄厚，又满幅雪意，自是佳作。
       作品简介
       《仙山楼阁图绢本》，设色 纵160cm，横88cm。故宫博物院
        该图绘于明崇祯十三年（1639年），属画家晚年之作。仙山楼阁即仙人所居之地，是中国古代文人虚构的理想世界。宋元以来，以此为题材的绘画作品形式多种多样。盛茂烨笔下的这幅《仙山楼阁图》轴并没有具体刻画传说中的仙境，而是通过对苍松、茅舍、山泉和人物的刻画寓意中国古代文人隐士的生活情趣和高尚追求，体现了画家的内心向往和审美情趣。笔法苍劲有力，人物刻画生动逼真，线条清晰，风格独特。
       《泰山松图立轴》，纸本，设色，纵308．8厘米，横96．7厘米。上海博物馆藏
    此图为盛茂烨的山水佳作，写东岳泰山之景。图中山峦互叠，高泉潺流，巨松挺拔，景致高雅，古道松荫下，人们自得其乐。山石以短披麻皴作来回皴斫，得峥嵘刚硬之感；而巨松则以中锋勾勒轮廓，显圆浑坚实之气。全图造型古朴，刻划精致，风格独异。
       《梅柳待腊图立轴》，绢本，水墨，设色，纵1 86厘米，横98。5厘米。（日）私人藏
    此图描绘冬至后的萧瑟山居林园中，梅花正要开放，春天即将来临的景象。近景柳林枝冠繁密如烟；中景梅干含颖而发；远景山谷中云霭飘浮，弥向远方。自题“岸客待腊将舒柳，山意冲寒欲放梅”，诗情画意，跃然纸上。全图既得烟林清旷之概，又溢春之将至之气。
 

Shengmao Ye, birth and death years unknown. Ming Dynasty painter. No. Nian Temple, a research for the Um, Cheung Chau (now Suzhou, Jiangsu Province), good landscape, there is the summary of the smoke forest. Seiko also elegant characters. "Drawing Po Kam continued usurpation," said he "good at landscape, trees Cha Ya, the towering mountains, although no Song Yuan Yi, Wu Xia under the school, and too good carry on." Wanli thirty-five years (1607) for the Court of Song Sheng fan, Chongzhen ten years (1637) for the autumn high and old trees, Nanjing Museum has its landscape book.
Shengmao Ye is the late Ming Suzhou painter, painting Wu door to send the remaining thread, probably to Shi Fa Xie Chen as much. Good for long forest towering peaks and valleys of the King. This map to write cold mountain policy Jian, the peak high snow thick, Lin Shen slippery, very impressive scene of the Northern Song Dynasty. Painting snow baking too much of the loss of baking, baking too little loss of the thin, this figure Cun stained properly, neither losing a solid, full of snow Italy, since the masterpiece.
       introduction
       "Sword Pavilion map silk", color vertical 160cm, horizontal 88cm. National Palace Museum
        The picture painted in Ming Chongzhen thirteen years (1639), is a painter in his later years. The land of the immortal is the ideal world of ancient Chinese literati. Since the Song and Yuan Dynasties, as the theme of painting works of various forms. Shengmao Ye's painting of the "Pagodas of the Mountain of the Immortals" does not specifically describe the legendary fairyland, but through the pines, cottages, spring and character portrayal of the ancient Chinese literati hermit life and noble pursuit, reflects the painter's Inner longing and aesthetic taste. Writing vigorous and powerful character portrayal vivid, clear lines, unique style.
       "Taishan Pine diagram vertical axis", paper, color, longitudinal 308.8 cm, horizontal 96.7 cm. Shanghai Museum Collection
    This picture shows Shengmao Ye's masterpiece of the landscape, writing Dongyue Taishan King. In the picture, the mountains overlap, high-chuen flow, giant loose upright, elegant scenery, under the ancient shade, people are contented. Shan Shi to short pimlica chapped back and forth for chapped chop, too Zhengrong rigid sense; and giant pine is center outlined outline, rounded muddy solid gas. The whole figure modeling simple, well-characterized, unique style.
       "Meiliu to Rattus vertical axis", silk, ink, color, vertical 1 86 cm, horizontal 98.5 cm. (Japanese) private possession
    This figure depicts the bleak after the winter solstice in the mountain forest park, plum was about to open, the scene of the upcoming spring. Close King Liulin crown dense smoke; Zhong Jingmei dry with Ying and hair; Vista Valley Yunai floating, Mi to the distance. From the title of "shore to be to the Salisbury willow, mountain meaning Chong Han to put Mei," poetic, vividly on paper. The whole map of the smoke Qinglin, and the overflow of spring to the gas.