宋懋晋（生卒年不详），字明之，一字明叔，松江（今属上海）人。他主要活动於明末万历、崇祯年间。长於山水画的创作，与赵左共同师从於山水画家宋旭门下。据传他幼而聪慧，早年见牧童赶牛，自己就在墙壁上画其景象，颇为神似。及长，不乐为经生言，遂去而习画。据《松江府志》记载：“宋懋晋，字明之，华享人。爱博涉，不乐为经生言，去而学画。日夜临摹古迹，师嘉兴宋旭，参以赵千里、黄子久遗法，胸有丘壑，自成一家。若仙山楼阁之属，经营位置莫能过也。懋晋风度潇洒，中无城府，善谈论，好吟咏，题跋尤工。”清·姜绍书《无声诗史》谓其画“法赵千里、吴仲圭、黄子久，而笔墨秀润，丘壑幽深。”宋氏绘画有着深厚的传统艺术格调，他曾经对前贤名迹广泛临摹，为最终成就其绘画风格奠定了坚实的基础，在当时深受推重，像董其昌这样的画坛魁首也对他的画作推崇倍致。

《千岩万壑图》卷，明，宋懋晋绘，绢本，设色，纵20cm，横480.7cm。
本幅卷末款署：“千岩万壑。宋懋晋。”下钤“明之父”印。鉴藏印有“范缵书画”等3方。卷前引首明末项圣谟篆书题：“溪山行旅”，卷后隔水处有收藏印“霍县王氏观沧阁珍藏书画印”。此图表现绵亘的山势，图中千岩万壑，高峰平台，丛林村舍，溪流飞泉，小桥渔舟以及行旅人等。
       在笔墨运用上，画家既继承了传统的画法又有所创新，自成面目。该图笔墨秀润，山石用短披麻皴法以细笔勾皴，精微秀丽，以青绿烘染，明快清雅，生动地表现出江南山川郁茂之景色。据画史所记，宋懋晋之绘画“富有丘壑”，是指其山水画擅长构画名山大川，此图即可充分表现出其绘画的这一特点。

Song Mao Jin (birth and death unknown), the word out, the word uncle, Songjiang (now Shanghai) people. His main activities in the late Ming Wanli, Chongzhen years. Longer than the creation of landscape painting, and Zhao Zuo common under the tutelage of the landscape painter Song Xu. He was reportedly young and intelligent, early to see the shepherd cattle, his painting on the walls of the scene, quite similar. And long, not music by the students, then went to study painting. According to "Songjiang House Chi" records: "Song Mao Jin, the word out, China to enjoy." Love Bo involved, not happy for the students by the words, to learn to paint. Day and night copy of monuments, Jiaxing Song Xu, Zhao Qianli, Mao and Jin style of chic, in the absence of Ayutthaya, good talk, good chant, inscriptions, especially workers. "Qing Jiang Shao book" silent poem history, "that the so-called, His paintings are rich in traditional art style, and he once copied a wide range of famous works, laying a solid foundation for the final achievement of his painting style. He has a long history of painting, , At the time by pushing heavy, like Dong Qichang such a painting leader also praised his paintings times.