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陈元素

 陈元素,生卒年不详,明代书画家。字古白、孝平、金刚,号素翁、处廓先生,私谥贞文先生,南直隶苏州府长洲(今江苏苏州)人,万历诸生。早负才名,工诗文,尤善书法,楷书法欧阳,草入二王之室,工山水,尤善写兰,得文征明之秀媚。有《古今名将传》、《南牅日笺》。
陈元素,万历三十四年(1606)应乡试不第,博览群书,一时名辈。早负才名,工诗文,书画俱精。书法清劲,楷类欧阳(询),草入二王(羲之、献之)。画工山水,意致清远。尤善墨兰,兰叶偃仰,墨花横溢,超然出尘,有楚畹清芬之致,得文徵明之秀媚而更气厚力沉,青出于蓝,为王谷祥、周天球所不及,寸缣尺素,人争宝之。
万历四十三年曾为沈周《石田先生集》书序。画迹有万历三十七年写《墨兰图》,著录于《知鱼堂书画录》。传世作品有万历四十八年(1620)与刘原起合作《兰石图》轴,款署:“庚申浴佛日华阳洞天戏作,陈元素。”崇祯元年 (1628)写《墨兰图》卷,该两幅画卷现藏故宫博物院;与邵弥合作《兰竹图》轴流入日本;天启三年作《墨兰图》轴,款署:“时在癸亥中秋戏作于虎丘之铁花闇,陈元素。”藏美国王已千先生怀云楼;天启七年(1627)作《墨兰卷》、崇祯四年(1631)与盛茂烨合作《兰石图》卷藏上海博物馆。从艺活动约在万历、崇祯间。
子陈迈,字孝观,继承父艺,康熙六年(1667)曾与归庄、金俊明合作《三友图》轴。
  • 中文名陈元素
  • 性别
  • 国籍明朝
  • 民族汉族
  • 出生地南直隶苏州府长洲(今江苏苏州)
  • 出生日期不详
  • 逝世日期不详
  • 职业书画家
  • 代表作品《古今名将传》、《南牅日笺》
  • 字号字古白、孝平、金刚 号素翁、处廓先生、私谥贞文先生
传世作品

 《兰花图》扇页,明,陈元素绘,金笺,墨笔,纵17.7cm,横53.7cm。

 

  扇页有自题:“拟杯当晓起,呵镜可微寒。隔箔山樱熟,褰帷桂烛残。书长为报晚,梦好更寻难。景响输双蝶,偏过旧畹兰。己未清和既望戏为启扬仁兄并书。陈元素。”钤“元素”朱文印。

 

  “己未”是明万历四十七年(1619年)。

 

  图绘一丛无根兰,旁录唐李商隐《晓起》五律诗。偃仰的兰花为兰叶所掩,花与叶间互盼呼应,以意到笔不到的内在神韵相连,达到形散神聚的境地。作者画兰的水平被公认在同时代的绘兰名家王榖祥、周天球之上。

作品特点

 陈元素楷书师欧阳询,草书入二王格,一时名辈皆喜与之往来,可见陈元素的人品与才气。他生前为王宠写过小传,文辞优美,舒卷自如,与其书法风格相当。

陈元素的草书作品,转折圆浑而内含秀逸,纵横自如而稳健停匀,于大令之外,又颇得率更之笔意,故折不嫌方,转不厌圆。由于陈元素的书法流传不多,记载他的生平事迹也寥寥,故要全面客观地评价他的书法尚捉襟见肘。

 

Introduction in English

 Chen yuansu, born and died unknown, Ming Dynasty painter and calligrapher. Ancient Bai, Xiaoping, King Kong, Mr. Su Weng, Mr. Chu Kuo, Mr. Zhenwen Privately, from Changzhou (now Jiangsu Suzhou), the capital of Suzhou, Nanzhili, all the people of Wanli Dynasty. Early to assume the name of talent, poetry, especially good calligraphy, regular script Ouyang, grass into the room of the two kings, landscape, especially good at writing Lan, Dewen Zhengming beautiful. There are biographies of famous generals in ancient and modern times, and Japanese Notes of Nanku.

 

Chen element, Wanli thirty-four years (1606) failed to take the local exam, read a lot of books, and was a celebrity. Early to assume talent, poetry, painting and calligraphy are excellent. Calligraphy is vigorous, regular Ouyang (inquiry), drafted into the two kings (Xizhi, dedicated). Painters of landscapes have a clear and far-reaching purpose. You Shan Melan, Lanye Yan, ink overflowing, detached from the dust, there are Chu Wan Qingfen, Wen Zhengming's beautiful and more powerful, blue out of blue, for Wang Guxiang, Zhou Tianqiu is inferior, inch-long ruler element, people strive for treasure.

 

Wanli forty-three years was the preface to Shen Zhou's Collection of Mr. Shitian. The paintings were written in Melantu in the thirty-seventh year of Wanli and recorded in Zhiyutang Calligraphy and Painting Record. The works handed down from generation to generation include 48 years of Wanli (1620) and Liu Yuan's collaboration on the axis of Lanshitu, which states: "Gengshen Bath Buddha Rihua Yang Dongtian Opera, Chen Element." In the first year of Chongzhen (1628), he wrote the volume of "Melantu", which is now in the Palace Museum; with Shao Mi, the axis of "Lanzhu Tu" flowed into Japan; and the axis of "Melantu" written by Tianqi for three years, the Department of Finance: "In the Mid-Autumn Festival of Haihai, it was painted in the dark iron flower of Tiger Hill, Chen element." Mr. Wang Jiqian of Tibetan America, Huaiyun Tower; Melan Volume in the 7th year of Tianqi (1627) and Lanshitu in the 4th year of Chongzhen (1631) were collected in the Shanghai Museum in cooperation with Sheng Maoye. From art activities in Wanli, Chongzhen.

 

Son Chen Mai, the character of filial piety, inherited his father's art, Kangxi six years (1667) and Guizhuang, Jin Junming cooperation "Three Friends Tu" axis.

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