《陶渊明像》轴，明，王仲玉绘，纸本，墨笔，纵106.8cm，横32.5cm。

　　本幅无款署。左下方钤 “王仲玉印”。

　　画幅上部隶书录东晋著名诗人陶渊明之辞赋名作《归去来辞》全文。下部绘陶渊明像，其手持长卷，目视远方，宽大的袍袖随风飘动，形象潇洒飘逸。画像用白描法，主要以淡墨勾画，其中偶施浓墨。五官以细线勾勒，刻画出人物从容安详的神态。衣纹线条以中锋、侧锋交替使用，具婉转流畅之势。作品以极简的笔法和构图表现出陶渊明辞官归隐无官一身轻后的愉悦神态及其一代名士的不凡气质。

 Wang Zhongyu, named Qinggang, was an Anfu native of Ming Dynasty. In 1546 (Jiajing 25 years), Ren Tong'an County, Zhixian County, banned thieves and cared about the people's suffering. When pirates entered Tong'an County again, he organized the army and the people to strictly observe, so that the people were safe. He is praised by his superiors for his honesty. The deeds were recorded in Tong'an County Chronicle of the Republic of China.

Ming Dynasty painter, life is unknown, Hongwu period to be able to draw to the Beijing Normal School. There is the axis of Tao Yuanming's Portrait. The painter describes the poet Tao Yuanming by the way of white sketch. His brush is simple and far-sighted. His brush and ink are free and easy. He has the style of Yuan Dynasty. Tao Yuanming in the painting is skinny, clean and vigorous, immortal, and has the spirit of the hermit. His vigorous brushwork, portrayal of characters into wood, Tao Yuanming's character and inner thought of reclusive mountain forest are well reflected in the picture.

"Tao Yuanming Image" axis, Ming Dynasty, Wang Zhongyu painting, paper, ink, 106.8cm vertical, 32.5cm horizontal.

There is no money department in this picture. On the lower left, Jun "Wang Zhongyu Seal".

In the upper part of the painting, Li Shulu recorded the full text of Tao Yuanming's famous poem "Return and Return Ci", a famous poet of the Eastern Jin Dynasty. The lower part paints the image of Tao Yuanming, who holds a long roll and looks at the distance. The broad sleeves of the gown flutter with the wind, and the image is graceful and elegant. The portrait is painted in white, mainly in light ink, in which thick ink is occasionally applied. The five senses are delineated with fine lines to depict the calm and tranquil manner of the characters. The garment lines are used alternately by the center and the side, which has the tendency of euphemism and fluency. The work shows Tao Yuanming's pleasant posture after his resignation from office and his extraordinary temperament of a generation of celebrities with minimal brushwork and composition.