抱琴独坐图

立轴，纸本，墨笔，纵134.1厘米，横61.8厘米。北京故宫博物院藏。图中峰壁临湖，翠树葱郁，屋宇水亭，平坡堤坨，相映成趣。永亭中有人凭栏眺望，屋前平坡，有人临流独坐，有抱琴童子侍立。笔墨学文徵明，意境清远。

《赤壁图》

纸本，设色，纵30.5cm，横145.5cm。

本幅作者自识：“癸卯秋日蒋乾为乾峰先生写。”引首钤“皇朝恩荣”等4方藏印，后钤“虹桥居士”、“至德里人”2印。

此图绘于明万历三十一年（1603年），作者时年79岁。宋元以来，有很多文人墨客以赤壁为题创造出许多名作，蒋乾的《赤壁图》就是根据北宋著名文学家苏轼所作的千古名篇《后赤壁赋》绘制的。画面描述了文人在游赤壁时的感慨，虽屡次改朝换代，但江山依旧。此图意境深远，构图采取俯视角度，赤壁位于画卷的左端，陡峭而险峻。山路盘绕其上，有几位文人在赏景吟诗。画卷中端江面开阔，有仙鹤在空中翱翔，岸边舟船上有一文士闲坐于内，可能绘的即是苏轼。山水和人物活动情景交融。

 Jiang Qian (1525 -?) Ming Dynasty painters. Zijian is a native of Jinling (now Nanjing, Jiangsu Province).

Songzi, a hermit in Hongqiao, Wujun (now Suzhou, Jiangsu), was in trouble. Half a broken room, meticulous. Eighty years are like a day. Jiang Yingke, who is the slaughter of Changzhou, refers to him as "the East China Sea Dinghong". Good landscape, elegant, more than father. Jiajing 42 (1563) imitated Wang Meng's landscape map.

Sit alone with the piano

Vertical axis, paper, ink, 134.1 cm vertical, 61.8 cm horizontal. Beijing Palace Museum Collection. In the picture, the peak wall is adjacent to the lake, with lush green trees, water pavilions and levees on flat slopes, which are interesting to each other. Some people in the Yongting Pavilion looked out from the railings, and some people sat alone in front of the house on the flat slope, while others stood with children holding piano. Brush and ink is characterized by clear and clear artistic conception.

Chibi Tu

Paper, coloured, 30.5 cm in length and 145.5 cm in breadth.

In the autumn of Kui Mao, Jiang Qian wrote for Mr. Qianfeng. Leading the four Tibetan seals of Jun "Emperor Enrong" and the other two seals of Houjun "Hongqiao Residents" and "Zhi Delhi People".

This picture was drawn in the 31st year of Wanli in the Ming Dynasty (1603). The author was 79 years old. Since the Song and Yuan Dynasties, many literati and Mohists have created many famous works on the topic of Chibi. Jiang Qian's "Chibi Tu" was drawn on the basis of Su Shi, a famous writer in the Northern Song Dynasty. The picture depicts the feelings of the literati when they visited Chibi. Although they changed dynasties and dynasties many times, the mountains and rivers remained the same. This picture is far-reaching in artistic conception. The composition is from a downward angle. The Red Cliff is located at the left end of the scroll. It is steep and steep. The mountain road coiled around it. Several literati were enjoying the scenery and chanting poems. In the picture scroll, the river is open, with cranes flying in the air, and a scholar sitting idly on a boat on the shore. It may be Su Shi. Landscape and people's activities blend.