冲澹安恬，隐居不仕。能诗，喜书翰，早年得见赵孟頫运笔之法，后返临晋、唐名家碑帖。行、草书，秀雅挺劲，酷肖孟頫。楷书高古风雅，颇有晋人风度。明桑悦云:"紫芝所书，深得松雪笔意，而圭角稍露，比之松雪，正如献之于羲之也。"行、草逼真孟俯，好事者得其书，每用赵款识，仓卒莫能辨。洪武初，以书名于时。至正四年(公元1344)题李唐《关山行旅图》，故宫博物院藏有其二十年(公元1360)於黄冈之康园所临定武兰亭。

附上俞和墓志，出处:钦定四库全书 始丰稿巻十三(明)徐一夔 撰 ○墓志铭(书法江湖听梧阁提供)

俞子中墓碣

钱塘俞子中之塟也五年于兹矣，而志墓之石未树，其友有为潭府臣僚者，以王有临池之好，取子中遗墨以献王，既览，若曰，以予而观其笔意，亦足以发，不可使此人泯焉无闻，王适遣使如浙，因赐钞若干贯俾其家，为石刻费，使者既至，召其孤授之，其孤既西向拜受，乃来谒余请铭，余与子中有交游之谊，固不得而辞，矧遇贤王貤恩於子中既殁之后，诚希遇也，扵凡文翰之士，亦与有光，何敢不铭之哉，子中为人，不尚表襮与俗，浮湛若玩世，然少时得见赵文敏公用笔之法，极力工书，书日益有名，篆楷行草，各臻于妙，一纸出，戱用文敏公私印，识之人莫能辨其真赝，至其临摹晋唐人法书，尤称妙绝，高堂广厦，风日清美，宾友会集，酒数行后，濡笔伸纸，一挥数十行，波戈趯磔，转换神速，真有惊虵入草，飞鸟出林之态，已乃停笔按纸，诧众客曰，颠长史不我过也，人争购之以为珍玩，而雅不乐仕进，至正初，朝廷修辽金宋三史成书，移文江浙行省，缮写镂版，遣翰林应奉张公翥来视工，而行省叅知政事秦公从德任程督事，既开局，集儒生缮写，张公谓秦公曰，此朝廷盛典，字画惧不如式，宜得精书法如俞子中者校正，秦公是之，即日命有司奉币请子中入局，如式校正，时行省得自除未入流官，既竣事，秦公拟以学校官处之，子中固谢曰，某以国家有文事，効薄劳耳，不愿仕也，秦公以其有高志.亦弗强之，当是时，文章巨家如黄文献公溍，陈监丞旅，前后相继为江浙提学，每为文脱藁，必致子中书之，一时名胜亦莫不与子中游，而方外高士若勾曲外史张公伯雨，以辞翰名世，与子中徃来尤宻，壬辰之乱，避地邻县之黄冈，啸傲于海风山月之闲者，久之，比还故庐，故旧雕谢，出门四顾，无复向时繁华，苐见山青水绿，则俛首蹙额，感慨系之，呼酒独酌，赋近体诗歌长短句，援笔书之以写其无聊不平之思，而其草圣犹飞动如初，其居有醉墨轩，尝属余记之，余未及为而竟铭其墓上之石，悲哉，子中讳和，别号紫芝生，本严之桐庐人，自其父章游钱塘，因家焉，娶杨氏，先十五年卒，子男三，长琮次璂次珩，女三，长适赵仁本，次皆适士族，以洪武十五年三月七日卒，享年七十有六，卒之月十又七日，塟于其县南山仙芝坞之原，铭曰 有德有艺，泊焉自守，不遇於生前，而遇於死后，岂其用之也薄，故其发之也厚，理有固然，又何足究，有石如圭，永贻不朽。

再附友人赠俞和诗:(书法江湖field_tian提供)

一翦梅 寿俞子中紫之(疑为芝)(元 凌云翰)

苍颜白发称乌纱。瘦似黄花。清似梅花。窗吟山月乐无涯。知是儒家。知是仙家。

紫芝服食胜胡麻。不爱繁华。却爱年华。词成笔底是龙蛇。寿酒流霞。寿□成霞。

题醉墨堂，为桐江俞子中赋(明 张昱 可闲老人集卷一，四库全书本)

世称草圣惟张旭，气在神先从所欲。醉来捉笔走风雷，电掣长云夜相逐。

健於大野战蛟龙，媚似轻波浴鸿鹄。由唐至今几百年，笔法竟尔失其传。

芝翁乃若神所授，亦以醉墨题堂前。晴丝罥空王逸少，生蛇绊树黄庭坚。

笔法不必问高闲，笔势不必询怀素。纵横迟疾心自知，曾见公孙大娘舞。

折叠《篆隶千字文》

故宫博物院藏有墨迹《篆隶千字文册》及自书诗卷和临张芝帖等。《篆隶千字文》是其篆书和隶书分体间书的书法杰作。纸本墨迹摺裱册页。每幅纵21厘米，横24.7厘米。现藏台北故宫博物院。凡37页，295行，正文每行7字，首尾之题字每行字数不一，共计2063字。款署"天爵贤良嗜予篆隶，因书此为赠。时至正甲午岁冬十一月三日也。清隐散人俞和识。"此册为元顺帝至正十四年(公元1354)俞和四十八岁时所书。此篆隶《千字文》，书法结构简练随意而无匠气，笔秀雅而挺劲，与世流行之六体千字文比较，自有书卷气。册上有清内府鉴藏印九方，并有河南商丘陈氏收藏之印多方。《石渠宝笈三编》著录。

俞和书法作品

 Chongdan is peaceful and seclusive. In his early years, he saw Zhao Mengfu's way of carrying pens. Later, he returned to the famous steles of Jin and Tang Dynasty. OK, cursive, elegant and vigorous, like Mengfu. Regular scripts are elegant and elegant, and have the demeanor of Jin people. Ming Sang Yueyun: "Zizhi's book has a deep meaning of pine and snow, while Guijiao is slightly exposed, which is more than pine and snow, just as it is dedicated to Xizhi. "Meng Ben's works are vivid and straw-like. Those who do good deeds get their books. Every time they use Zhao's money, they can't be distinguished in a hurry. At the beginning of Hongwu, the title of the book was timely. Up to the fourth year (1344 A.D.), Li Tang's "Travel Map of Guanshan", the Palace Museum has 20 years (1360 A.D.) of Wulan Pavilion in the Kangyuan Garden of Huanggang.

Attached is Yu He's epitaph, origin: The first plentiful manuscript of Qinding Siku Quanshu, XIII (Ming Dynasty) and Xu Yikui's epitaph No. 0 (provided by Jianghu Hearing Wuge Pavilion of Calligraphy)

Yu Zizhong Tomb Block

Qiantang Yuzizhong's garden has lasted for five years, and the stone of Zhi Tomb has not been tree. Some of his friends are officials of Tanfu government. They are good at Linchi, taking ink from their sons to dedicate the king. They can see the meaning of their writing, if they say, by giving it, and they can not make this person oblivious. Wang Shi sent his envoy to Zhejiang to pay for the stone engraving because he gave some banknotes to his family. When the messenger arrives and calls on him to teach him solitary, his solitary is to worship and accept from the west, but he comes to pay tribute to Yu, who has a friendship with his son. He can't refuse to say goodbye. When he meets King Xiao En in his son, he sincerely hopes to meet him. He is also a man of letters and magnificents. How dare he not forget that his son is a man who does not express his praise and vulgarity, and is a playful man? However, when I was young, I could see Zhao Wenmin's method of public pen. I tried my best to write books, which became more and more famous. Seals, regular scripts and cursive scripts were written in different ways. With Wenmin's official and private seals, I could not distinguish the true from the false. When I copied the Jin and Tang Dynasty's law books, I could not tell the true from the false. When I imitated them, I could say that they were wonderful, magnificent buildings, beautiful in the lofty halls, beautiful in the wind and the sun, gathering friends and drinking a few lines, I drew my pen and stretched my paper. Dozens of lines, Bogor stumbled, converted to speed, there were really scares into grass, birds out of the forest state, has been stopped pen and paper, surprising guests said that the long history is not my fault, people buy it as a treasure, and elegance is reluctant to advance, to the beginning, the court repair Liao, Jin and Song Dynasties into three historical books, migrate to Jiangsu and Zhejiang provinces, write engraved version, send Hanlin the name of Zhang Gongyan. When he came to see the workers, the provincial governor Qin Gong, who was appointed as governor of Cheng from Germany, began his work, gathered Confucian scholars and renovated his writings. Zhang Gong called Qin Gong, saying that the Royal Festival was not as good as the style of calligraphy and painting, and that is, the fine calligraphy should be corrected as that of Yu Zizhong. Qin Gong ordered a company to enter the Bureau in accordance with the currency, such as the style of rectification, and when it was executed, it would be necessary to exclude the unqualified officials. As for the matter, Qin Gong planned to be a school official. Zi Zhongguxie said that a certain country had a literary career, and was unwilling to be an official. Qin Gong had a high ambition. He also had a strong ambition. At that time, the great writers such as Huang Document Gong and Chen Jianyin Travel were successively educated in Jiangsu and Zhejiang Province. Every time they got rid of their writings, they would surely lead to Zi Zhongshu, which was also a famous place for a while. In the middle reaches of Zi, if Fang Waigao outlines the history of Zhang Gongboyu, who is famous for his death, comes to you in the midst of Zi, the rebellion of Renchen, the Huanggang in the neighbouring county, the leisure people who are proud of the sea breeze, mountains and moons, for a long time, they are more proud than before. Therefore, the old sculptures are thankful, go out to look around, flourishing when they have no way back, and when they see the green mountains and rivers, they will come to the forehead and feel deeply connected with it. He wrote long and short sentences of modern poetry, and wrote a book to write his boring and unequal thoughts, while his grass was still flying like before. He lived in a drunken Moxuan, and remembered that he had not been able to do so. He even inscribed the stone on his tomb. He was sad, and his son hid from harmony, another name was Zizhisheng, another name was Tonglu Yan. He traveled to Qiantang from his father's Zhang and married him because of his absence of his family. Yang, who died 15 years ago, had three sons, three sons, three longans, three females, and three Changshi Zhao Renben, all of whom belonged to the scholar family. He died on March 7, 15, Hongwu, and lived for seventy-six years. On the tenth and seventh day of his death, he lived in the place of Xianzhiwu in Nanshan County. It is said that he was virtuous and artistic, and did not stand by himself before his birth, but after his death. Its use is also thin, so its hair is also thick, of course, what is the matter, there are stones such as Gui, eternal.

Attached is Yu He's poems given by friends: (provided by field_tian of calligraphy rivers and lakes)

Zizhi (suspected Zhizhi) in Yijian Meishou Yuzi (Yuanling Yunhan)

White hair is called black yarn. Thin as yellow flowers. It looks like plum blossom. There is no end to the music of the moon. Knowledge is Confucianism. Knowing is an immortal family.

Zizhi is better than flax. Do not love prosperity. But love time. The bottom of the poem is the Dragon snake. Shoujiu Liuxia. Shou_Chengxia.

Intoxicated Ink Hall, a collection of books for Tongjiang Yuzi Zhongfu (Ming Zhangyu Kexian Old Man)

It is known as Grass Saint but Zhang Xu. Qi follows God's will first. Drunk to seize the pen and go through the storm, the electric button long clouds and nights one after another.

Strong in the field, charming like a light wave bathing a great oriole. From the Tang Dynasty to the present several hundred years, the writing style has lost its transmission unexpectedly.

Chi Weng was taught by God and inscribed in front of the hall with drunken ink. There are few Kings in the sky with clear silk, and there are snakes stumbling on trees with strong yellow tines.

There is no need to ask for leisure in writing style and Huai Su in writing style. Longitudinal and slow-hearted self-knowledge, have seen Gongsun Dance.

The Thousand Characters of Seal and Literature

The Imperial Palace Museum contains ink marks such as Seal and Literary Thousand-Character Manuscripts, self-written poems and Linzhang Zhi Ties. "Seal and Literary Thousand-Character Wen" is a masterpiece of calligraphy between seal and literary scripts. Paper inkmark folder page. Each is 21 centimeters in length and 24.7 centimeters in breadth. Now the Palace Museum in Taipei, Tibet. There are 37 pages, 295 lines, 7 words in each line of the text, and the number of inscriptions at the beginning and end of each line is different, totaling 2063 words. "Heavenly King's good habits are given to Seal Officer, for this book is a gift. It's midday and November 3. Qingyin scatters people from Yu He-shi. "This volume was written by Yu He at the age of 48 from Emperor Yuanshun to the 14th year of Zhengzheng (1354 A.D.). Compared with the popular six-body thousand-character script in the world, this seal book has its own style of calligraphy, which is concise and casual without craftsmanship, elegant and vigorous. There are nine inscriptions and seals collected by the government in the Qing Dynasty, and many inscriptions collected by the Chen family in Shangqiu, Henan Province. Description of Three Series of Shiqu Baotu.