韦江琼(1940.12—)。女。福建省画院专业画家。广西扶绥人。壮族。擅国画。1955年于南宁第五中学毕业后考入湖北美术学院附中,1958年入湖北美术学院中国画系学习,1961年毕业后留校任教,1965年任创作员,1983年,一次偶然的机会,她来到闽南的崇武大岞岛写生,不想却从此被这南国海滨淳朴优美的风土人情所打动,同年调入福建省画院。
韦江琼(1940.12—)。女。福建省画院专业画家。广西扶绥人。壮族。擅国画。1955年于南宁第五中学毕业后考入湖北美术学院附中,1958年入湖北美术学院中国画系学习,1961年毕业后留校任教,1965年任创作员,1983年,一次偶然的机会,她来到闽南的崇武大岞岛写生,不想却从此被这南国海滨淳朴优美的风土人情所打动,同年调入福建省画院。擅人物,多以山区、海岛及少数民族妇女生活为题材,立意新颖,善于以小见大,注重刻画人物性格,画风质朴、奔放、抒情,乡土气息浓郁。
评价韦江琼的画,纷繁的赞誉之词并不少见。她的画立意新颖,善于以小见大,注重刻画人物性格,画风质朴、奔放、抒情,乡土气息浓郁;造型典雅,风格隽逸,形象生动,笔墨精到;用线浑圆,如锥沙钗股,用墨华滋,如彩云生辉。因此,被人称为“水墨才女”。更有人论道她的画已经达到审美的新高峰,犹如王国维所谓古今之成大器者“纵里寻她千百度,蓦然回首,那人却在灯火阑珊处”的艺术境界。
作品曾多次入选全国美术作品展览,并在《美术》、《中国画》、《中国书画》等刊物上发表,或被收入画集。主要作品有《启蒙》、《心灵的歌》、《阿素出嫁》、《渔家》、《小小姑娘》、《船》、《知音》、《小苗女》、《蕉林情》、《快长》、《讨海人的牵手》、《牵牛花》等。其中《启蒙》入选1980年在日本东京举办的“中国妇女生活”美术作品展;《阿素出嫁》入选1984年在南斯拉夫里耶卡举办的国际画展;《讨海人的牵手》、《牵牛花》入选1987年在法国举办的“滨海卡涅国际画展”;《知音》、《小苗女》、《蕉林情》等多次被选送日本、印度、新加坡等国展出。现为中国美术家协会会员,福建省美术家协会常务理事,福建省画院专业画家。出版有《韦江琼国画》、《韦江琼作品集》、《江琼画集》等。
Wei Jiangqiong (1940.12, ) . Female. Painter of major of Fujian Province imperial art academy. Guangxi Fu Suiren. Chuang. Traditional Chinese painting of arrogate to oneself. After 5 middle schools graduate, Yunaningdi checked attached middle school of Hubei academy of fine arts 1955, drew department study into China of Hubei academy of fine arts 1958, after graduating 1961, stay school teach, held the post of the member that create 1965, 1983, accidental opportunity, she comes to the paint from life of island of Chong Wu big south Fujian, do not want to be thed southern part of the country by this the local customs place with honest and beautiful seaside moves from now on however, of the same age transfers into Fujian Province imperial art academy. Character of arrogate to oneself, it is subject matter with life of a mountainous area, island and minority woman more, conception is original, be good at with small see big, pay attention to depict character nature, picture wind is plain, bold and unrestrained, lyric, agrestic breath is full-bodied.
Evaluate Wei Jiangqiong's picture, the word of the recognition of numerous and complicated is not scarce. Her picture conception is original, be good at with small see big, pay attention to depict character nature, picture wind is plain, bold and unrestrained, lyric, agrestic breath is full-bodied; Modelling elegance, style Juan ease, image is dramatic, writing precise and penetrating; With the line perfectly round, the Sha Chai that be like awl, with Mo Huazi, be born like pink clouds brightness. Accordingly, be called " talented woman of water Chinese ink " . More the picture that somebody mentions her has reached aesthetic new peak, be just as regnal dimension alleged Gu Jinzhi is become big implement person " vertical in search her a thousand times, suddenly turn one's head, that person wanes to the close in lights however place " artistic state.
Work Ceng Duo second exhibition of work of art of selected whole nation, be in " art " , " China is drawn " , " Chinese painting and calligraphy " etc publish on the journal, or collect of suitable for a painting be receivinged. Main work has " illuminative " , " interior song " , " A element gets married " , " fishing home " , " little girl " , " boat " , " bosom friend " , " small Miao Nv " , " broadleaf plant Lin Qing " , " hurry up. Among them " illuminative " selected held in Japanese Tokyo 1980 " Chinese woman lives " art work is exhibited; " A element gets married " selected the international art exhibition that in Yugoslavia Liyeka held 1984; " of the person that denounce the sea pull a hand " , " morning glory " selected held in France 1987 " art exhibition of international of seaside Ka Nie " ; " bosom friend " , " small Miao Nv " , " broadleaf plant Lin Qing " wait for many times to be chosen to send the Japan, India, country such as Singapore to exhibit. It is Chinese artist academician now, association of Fujian Province artist is standing director, painter of major of Fujian Province imperial art academy. Publish have " Wei Jiangqiong traditional Chinese painting " , " collect of Wei Jiangqiong work " , " Jiang Qiong draws volume " etc.
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