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赵振川

( 中国美术家协会理事 )

 赵振川,现为国家一级美术师,陕西省美术家协会常务理事、中国美术家协会理事、中国美协国画艺委会委员,黄胄美术基金会理事、陕西省文联副主席、陕西省美协党组成员、陕西省政协委员。他还是国务院授予突出贡献专家,陕西省“德艺双馨文艺工作者”,西安交通大学硕士生导师,西安美术学院客座教授,全国第五、第六届美代会代表。

  • 中文名赵振川
  • 性别
  • 国籍中国
  • 民族汉族
  • 出生地陕西省西安市
  • 出生日期1944
  • 职业 美术师
  • 协会中国美术家协会
  • 主要成就国家一级美术师
  • 代表作品《赵振川画集》、《现代山水画库》
  • 国籍 河北省束鹿县
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长安画派后继有人——张仃论赵振川的绘画

中国美术网 09-17 浏览

早在二十世纪30年代初,日寇入侵东北,中华民族命运垂危之际,国画处境也奄奄一息。一些画家借机营名营利,或以之作为结识达官显要的手段,或靠商品画以谋生。这时,北方青年画家赵望云闯入画坛。他以天津《...
人物简介
赵振川的千河情怀

 1944年生,陕西省西安市人,祖籍河北省束鹿县。自幼随父赵望云先生习画,1962年在陕西省美术家协会创研室学员班学习,受教于石鲁何海霞方济众先生。现为陕西省美术家协会常务理事。中国美术家协会会员。 自幼生活在艺术氛围极浓的家庭,在中国画上深得其父长安画派创始人赵望云先生授教心传,并受师兄黄胄、方济众等影响;1962年入陕西省美术协会创作研究室学员班学习中国画,受教于石鲁先生;1964年上山下乡到陕西省陇县山区插队劳动;1971年调入陕西省火线文工团,从事舞台美术工作;1978年调入陕西省美术家协会从事中国画专业创作至今。

历任职务

   现为国家一级美术师,中国美术家协会理事、中国美协国画艺委会委员,陕西省文联副主席、陕西省美协党组成员、陕西省政协委员。他还是国务院授予突出贡献专家,陕西省“德艺双馨文艺工作者”,西安交通大学硕士生导师,西安美术学院客座教授,全国第五、第六届美代会代表。九届全国美展评委,陕西省评委会 副主任:中国美协第二届全国中国画展评委和“2003年全国中国中国画提名展”评委;全国第四届当代中国山水画展评委;中国美协“西部大地情中国画大展”评委;陕西省十届全国美展评委会主任。

人物生平

    他自幼随父赵望云先生学习中国画,1962年在陕西省美术家协会创研室学员班学习,受教于石鲁、何海霞、方济众先生。自幼生活在艺术氛围极浓的家庭,在中国画上深得其父长安画派创始人赵望云先生授教心传,“长安画派”后继有人,并受师兄黄胄、方济众等影响;1962年入陕西省美术协会创作研究室学员班学习中国画,受教于石鲁先生;1964年上山下乡到陕西省陇县山区插队劳动;1971年调入陕西省火线文工团,从事舞台美术工作;1978年调入陕西省美术家协会从事中国画专业创作至今。

艺术年表

 1944年1月26日生于西安,祖籍河北省束鹿县。自幼随父赵望云学习中国画。

 

1959年初中毕业后考入西安统计学校。

 

1962年统计学校毕业进入陕西美协创研室学习班学习,从师石鲁先生。

 

1964年作品《山林新声》进入全国第四届美展。12月底上山下乡到陕西陇县山区插队劳动。

 

1971年返回西安,在陕西省火线文工团从事舞台美术工作,每年均深入三线地区慰问铁道兵。

 

1978年调入陕西省美协从事专职中国画创作。作品多幅参加陕西省第一届山水花鸟画作品展暨陕西新潮画会画展,并任该会理事会副会长。

 

1979年借调文化部中国画创作组创作国画70幅。作品多幅参加香港荣宝斋陕西国画展。

 

1980年借调文化部中国画创作组作画。

 

1981年作品《信天游》参加中国画研究院第一届画展,入编院展画集,原作由该院收藏。作品《等高山复有高山》参加陕西国画家13人联展,赴南京、武汉、郑州等地巡回展出。作品《南泥湾》参加陕西省建党六十周年美展。

 

1982年作品多幅参加陕西国画家八人联展,赴南京、武汉、北京等地展出。

 

1983年《秦岭烟云》、《农舍》等多幅作品参加陕西风光画展,三幅作品入编《陕西风光画集》,两幅作品被陕西国画院收藏。

 

1984年作品《瑰宝之路--蜀道》参加建国35周年美展。赴广东深圳讲学,作品参加中国美术作品展。

 

1985年赴日本北海道访问并举办书画联展。《蜀乡》等多幅作品参加陕西-日本京都联合书画展,《峡江》为日本旭川市政府收藏。

 

1986年元月,当选西安市政协委员。到陕北安塞、延川、延长等地写生。作品《高原晓雪》参加中国美术馆在日本举办的中国百景展,并入选画集。作品《陕北初冬》入选,中国书画名家作品选集》。《秋塬》等九幅作品入选河南美术出版社出版的《现代山水画库??赵振川画集》。

 

1987年作品《新绿》获西北五省优秀奖。《瑞雪丰年》、《夏之湖》等20余幅作品参加赵望云师生画展。作品《陕北小景》参加江西省书画院首届书画作品展,并被该院收藏。多幅作品由中国人文科学发展公司西北分公司组展,于四月参加马来西亚画展,8月参加日本东京画展,10月参加美国洛山矶画展。

 

1988年被评为国家二级美术师。参加河山画会举办的"河山如画"图展览。在北京、武汉、汕头、西安巡展。

 

1989年1月被批准为中国美术家协会会员。3月被聘为第七届全国美术作品展陕西省选送作品国画评选委员会委员。5月创作《苍凉古原》,10月入选全国第七届美术作品展。入编《全国第七届美展画集》,获省美展三等奖。9月赴新疆写生。10月作品《山水》被陕西省图书馆收藏。11月胁40幅作品赴新加坡,举办学术交流观摩展。多幅作品被当地收藏家收藏。新加坡《联合早报》发表撰文《胸怀黄土高原--画家赵振川》。

 

1990年作品《秦岭雪霁》入选参加赴日本等国举办的中国书画展。为赞助第11届亚运会捐赠绘画作品。4月赴兰州、敦煌、吐鲁番、乌鲁木齐、伊犁等地写生月余。完成近百幅水墨写生画。返西安后创作完成40余幅作品。年终作品《五月天山雪》参加中国画研究院第三届院展。陕西电视台拍摄《中国画家赵振川》专题片。

 

1991年2月作品《白杨沟》、《早春》、《秋熟》被江苏省美术馆收藏。陕西画报1991年第5期发表评论文章《骨神间构的韵律--赵振川和他的山水画》,并刊登《春到果子沟》、《秋塬牧归》、《南泥湾之秋》等六幅作品。6月作品《陕北之秋》参加日本京都91书画联展。作品《九曲黄河》、《古原雪晴》、《高原人家》、《雪后故园》、《野山秋径》六幅被中国美术馆收藏。12月作品《陕南午子山》入选参加中国画研究院举办的"91山水画邀请展"。

 

1992年作品《秦椒熟时》参加省纪念在延安文艺座谈会上的讲话发表50周年美术作品展,获三等奖并在《1992年中国画年鉴》发表。5月参加中国旅游书画联谊会,被选为理事,赴长江山峡旅行写生近一个月,返西安后完成作品近30幅。夏月香港《收藏天地》发表张仃先生文章《长安画派与后起之秀--略谈赵振川》。同时刊登《大漠之舟》、《敦煌游》、《天山放牧》、《山居》、《乡情》、《敦煌莫高窟》、《雪山牧歌》等作品。8月,主持北京炎黄艺术馆主办的《赵望云遗作展》,组织了赵望云艺术研讨会,并撰文《尊美重德,艺为人民》,在《人民日报》(1992/9/9)上发表。《赵望云和冯玉祥、张大千的情谊》在《人民日报》(1992/12/16)海外版发表。11月《天山放牧》等四幅作品参加美国纽约国际文化艺术中心举办的中国中青年知名画家作品展。12月赴陕北延安、安塞、延川一带写生。作品《陇上秋》被上海画廊收藏。

 

1993年作品《太白山印象》参加全国首届山水画展,获优秀作品奖。作品《雪中居》参加《人民日报》神州行画院画展,原作被该院收藏。9月赴陕南紫阳一带写生。11月作品《秋居》应邀参加毛泽东诞辰100周年"新飞杯"河南高校暨省内外名家中国画作品展。赴深圳参加艺术节。12月作品《蜀南写意》入选纪念毛泽东诞辰100周年陕西省美术书法作品展,荣获优秀作品奖。作品《峡江烟云》参加香港山峡风光展。同年还被聘为首届山水画展陕西省评委。

 

1994年1月12日《赵振川画展》在北京中国美术馆展出(80余幅作品参展),并召开学术研讨会。一月加入中国共产党。作品《窖院》、《梨花四月雪》、《黄河之滨多枣林》被中国美术馆收藏。5月19日人民日报发表作品《原上初雪》刊登张仃先生文章《长安画派后继有人》。《美术》杂志(1994、7)刊登张仃先生文章,并发表作品《渭滨春晓》、《黄河之滨》、《黄河秋收图》、《伊宁四月》、《原上雪居》、《好大雪》、《幽郁终南》、《蓝田玉山盛秋》、《天山雪雾》、《九曲黄河》、《曾是此山人》等。香港文汇报及菲律宾商报分别刊登肖云儒先生文章《两代风流--长安画派承继者赵振川的画》,同时发表作品《山丹秋牧》、《窖院》《秋林旧居》、《太白山写意》、《渭滨春晓》、《大漠之旅》等。5月受省政府委托接待关山月在陕西举办画展并陪同赴陕北、秦岭一带写生。6月被省文联特聘为陕西省文学艺术界联合会中级职称评审委员会委员。7月为国务院侨办创作巨幅山水画《黄陵古柏》。8月作品《秦椒熟时家家红》参加第四届甘肃美术书法摄影艺术展览。9月《高原新绿》入选邓小平"爱我中华,修我长城"题词十周年艺术作品展。被评为国家一级美术师。10月作品《秋之韵》应邀参加为庆祝建国四十五周年在北京举办的《中华风韵中国当代书画家优秀作品展》。10月下旬赴襄樊参加中国山水画研讨会,前往神农架写生。年末访问日本松本市并参加国画联展。

 

1995年元月为国防部创作巨幅山水画《江山长春图》。2月作品《终南之居》被西安电视台收藏。3月作品《源上秋居》入选西安市各界人士纪念西安市政协成立四十周年书画展。5月初赴陕南西乡、紫阳一带,沿汉江写生半月,作画24幅。月底随全国文联万里行采风团赴延安、宝鸡一带采风写生作画多幅。7月应宁夏自治区之邀,赴贺兰山一带写生,为当地作画20余幅。作品在陕西省美术馆参加纪念任弼时同志生平图片与书法展览,原作被收藏。9月作品参加全国部分历史名城人民政协联系会第六次会议书画联展。为市政府外事大楼接待厅作巨幅山水画《秦岭春晓》、《秋山红树》二幅。10月《赵振川画集》由陕西人民美术出版社出版,共收集近作120幅并由张仃先生作序,肖云儒先生做后记。11月赴无锡参加中国画研究院举办的中国山水画研讨会,6幅作品赴韩国参加国际书画展。

 

1996年元月应邀参加中国百名杰出画家《中国山峡百图景》活动。创作《峡江春晓》入选画集,并将原作捐赠希望工程。作品《巴山春浓》被陕西国画院收藏。作品《好大雪》入选《中国现代美术全集》(中国画6)。4月被聘为西安美术学院96届硕士研究生论文答辩导师,并被聘为荣誉教授,先后为西安美术学院科研处国画学员班及长安画院国画学习班讲课。9月为纪念赵望云诞辰90周年筹资举办《赵望云画展》及《赵望云艺术研讨会》。10月作品《陕北高秋图》被中国人民军事革命博物馆收藏。12月为人民大会堂创作《陕北高秋》。赴陕难安康地区写生。

 

1997年3月前往安康、紫阳一带写生。4月陕西省委宣传部与陕西省文化厅主办陕西当代中国画展,被聘为本次大展学术委员会委员。6月《秦岭冬韵》、《陕北东麓》、《终南独松阁》、《新绿时节》、《巴山即景》、《巴山苍郁》、《沙海绿洲》、《汉水侧畔》、《太白山印象》九幅作品参加陕西当代中国画展,分别于西安、北京中国美术馆、南京及台北展出。作品《陕北牧歌》参加山东新闻书画院在济南举办的香港回归祖国,百家名人同贺书画展,原作被该院收藏。6月作品《通途》参加中国美协举办的全国首届中国画邀请展,并入编画集。7月作品《汉江春晖》入选中国长安书画名家庆香港回归作品展,在深圳、香港展出。作品《松山幽居》、,《天山之春》、,《巴山深处》参加河山画会作品展及学术活动,并入编画集。8月被国务院授予"突出贡献专家"随省文联采风团下乡到榆林延安等地写生。11月到四川绵阳一带写生。12月在深圳举办刘大为、赵振川、方楚雄三人画联展,十余幅作品参展。

1998年元月被陕西省委任命为陕西省美术家协会党组成员,主管美协业务工作。同时当选为陕西省第八届政协委员。在汕头举办个人画展,展出作品六十幅,特区报刊登《野牧秋山居》、《陕北牧歌》等予于报道。3月赴无锡参加河山画会尝梅学术研讨会。作品《新绿时节》、《巴山即景》等三幅参加中国陕西日本京都书画联展,并入编画册。4月赴陕西西乡、岚皋、紫阳、安康写生十余天。6月随陕西美术代表团出访美国,在纽约华盛顿、新泽西、洛山矶举办画展并讲学,10幅作品参展。7月作品《汉江侧畔春正浓》、《江岸晓牧》、《静幽太白》、《岭上高秋图》参加河山如画图第四回展并入编画集,8月3幅作品捐赠赈灾义卖展览。10月作品《白云人家》参加中国文化部在京举办的98中国国际美术年--当代中国山水画油画风景展,并入选画集。10月赴山东潍坊举办个人画展。11月应邀往苏州、无锡、常州、扬州画院进行学术交流。12月西安电视台二台拍摄《走进赵振川》专题片。

 

1999年元月作品《源畔秋居》入选陕西省美术家协会中国画作品展览。2月赴朝阳市举办个人画展。下旬陕西

 

省文化厅美协组织到安康、紫阳一带采风。3月被聘为跨世纪暨建国50周年全国山水画大展评审委员会会员。被聘为第九届全国美展陕西省美展组委会评委会副主任。5月被中国美协聘为本届中国美协中国画艺委会委员,赴苏州参加成立大会。中旬至六月上旬,同省九届美展组委会分别赴安康、紫阳、西乡、汉中、宝鸡、延安、榆林、定边等地检查九届美展工作。6月赴北京参加中国画艺委会跨世纪山水画展评选会议。作品《陕北写景》被中国人民军事革命博物馆收藏。7月作品《高原新绿》参加为中国人民革命军事博物馆建馆40周年举办的全国著名画家作品展览。应文化部之邀为北京中南海怀仁堂创作巨幅山水画《春山连碧波》。被第九届全国美展组委会评为第九届全国美术作品展览中国画区评委会委员。8月赴汕头参加第九届全国美展,并入选画集。9月作品《戈壁春居》入选中国当代美术1979--1999外文版文献大型画册,由中央美术学院研究部及中国美术年鉴编辑。在山东潍坊举办个人画展。10月作品《人在山水间》、《黄土高坡》参加河山如画图第五回展,并赴加拿大连展。为庆祝西安美术学院建院50周年,捐赠《后雨》、《西乡》、《云深不知处》、《终南幽馆》等十幅作品。中旬赴四川绵阳、勉西、西乡、安康、岚皋等地写生。11月《延安颂》等作品参加由中国美协、北京市美协举办的庆澳门回归画展。年底中国画名家作品精选《赵振川画集》由陕西人民美术出版社出版。

2000年元月应西安市政府之邀,为关中八景邮资明信片绘制《草堂烟雾》一景。2月被授予德艺双馨文艺工作者(2000年2月23日陕西日刊登)。3月作品《巴山汉水有幽居》参加中国美协在中国美术馆举办的中华世纪之光中国画提名录。5月被西安美术学院聘为2000届美术教育专研究生论文答辩会评委。6月作品《汉水养性》、《巴山铸魂》参加重庆河山如画图西部热土中国画展览,并入编画册。作品被特邀参加2000年全国中国画作品展。作品《家在汉江之畔》捐赠朝霞工程。7月为陕西省委常委接见厅创作巨幅作品《秦岭秀色》。8月作品《汉江侧畔》入编近现代中国画选集《中国延安鲁艺校友汇编作品》。《山桃报春》入编人民画报主办的《中华翰墨名家作品博览世纪珍藏版》。作品《家在翠屏中》参加当代中国《中国画高级人才成果展暨全国画院院长中国画新作展》,在中国美术馆展出并入选画集。下旬赴四川绵阳、北川写生。9月作品《嘉陵江印象》参加庆祝人民政协陕西省委员会成立50周年大型书画作品展览,作品被收藏。作品《巴山汉水不了情》应邀参加文化部在香港举办的中国当代绘画书法作品展。10月作品《岚皋风情》参加中国美协在常州刘海粟美术馆举办的第六届中国艺术节--国际中国画大展,并入选画集。书法作品一幅被被澳大利亚中国美术馆收藏。随文化部西部聚焦采风团赴兰州、河西走廊、内蒙古额济纳旗写生。12月随中国书画家名人中东艺术考察团赴土耳其、埃及、希腊、以色列等过进行访问。

 

2001年4月作品《巴山幽居》、《高山仰止》入选北京新世纪中国画名家精品展,并入编画集。参加陕西紫阳茶文化节活动。5月被聘为第四届中国当代画展评委。7月为建党八十周年创作《延安硕果》参加省美展获二等奖,并选送北京参加全国庆祝建党80周年美展。应民革中央办公厅之邀作品一幅参加在台湾国父纪念馆举办的海峡两岸水墨精品展。9月作品《汉水幽居》应邀参加中国美协举办的2001年全国中国画作品展,并入编画集。作品《戈壁春居》入选由文化部、中国美协、中国美术馆、中国画研究院举办的《百年中国画展》,并入编画集,并被中国美术馆收藏。作品《陕北三月》参加北京炎黄艺术馆情系西部大型画展。赴新疆写生。10月作品《山桃跳春》参加文化部和省文化厅共同举办的全国画院双年展--首届中国画展。11月大幅山水作品《万树结一绿天然成屏障》、《祁连秋牧》、《陇上高秋》、《云雾山中是茶乡》参加文化部中国画研究院在中国美术馆举办的聚焦西部大型画展并入选画集。12月作品《天山牧歌》应邀参加中国美协主办的情系新疆画展并入编画册,被中国美术馆收藏。作品《巴山壮居》参加中国西安西部西部美术展,作品《汉江两岸度春秋》参加台湾中国大陆当代百人画展。被当选为中国文联第七次全国代表大会代表并出席会议。被评为陕西省文学艺术届联合会优秀共产党员。

 

2002年3月作品《陇上记事》、《巴山五月》应邀参加中国美协中国画艺术委员会委员画展。4月应中国美协之邀参加纪念毛泽东在延安文艺座谈会上的讲话60周年全国美术作品展览陕西展区的组织和评委活动。6月为陕南地区赈灾义卖捐赠作品。7月作品《九月天山》入编《画坛巨擎》由北京新华出版社出版。访问韩国。被聘为中华人民共和国第三届特殊奥运会金质奖章书画奖评委,捐赠作品《陇上九月》,获书画作品展览金质奖章。9月作品《祁连秋收》参加《西部如画--贵州美》中国画展览,并入编《中国山水画名家作品收藏画集》,赴北京参加黄胄美术基金会第三届理事会,并选为常务理事。被中国美协聘为"大地情--中国画大展"评委。11月为庆祝"联合国文化遗产年"纪念《保护世界文化和自然遗产公约》签订30周年,应国家文物局、中华人民共和国建设部、中华人民共和国联合国教科文组织全国委员会、文化部之邀创作《秦始皇陵》、,《骊山晚照》。参加"神州风采--画说世界遗产28"大型画展并入编画集,由中国历史博物馆收藏。

 

2003年1月当选为陕西省第九届政协委员。为中南海会议厅创作巨幅作品《陕南风情》。为陕西新建机场大厅创作《汉江春波翠巴山》巨幅作品。2月赴北京参加中国美协工作会议。为中南海创作《汉水春波映巴山》。4月为迎接2008年奥运会应北京画院邀请赴北京八大处写生创作《西山八大处写景》。5月参加"众志成城,战胜非典"全国著名美术家捐赠作品《云水巴山》。组织并参与全省美术工作者为战胜非典捐献作品的活动。6月赴安康、柞水、岚皋检查写生基地工作。7月被中国美协聘为第二届全国画展评委,赴大连参加大展复评工作,并参加中国美协在大连举行的2003年中国画艺委会年会。应中国美协之邀前往青岛参加2003全国中国画提名展的评审工作。8月作品《天山五月》参加"海潮杯"全国中国画作品展并收入画册。为毛主席纪念堂、邓小平百年诞辰纪念书画展捐赠巨幅作品《太白山道》。9月为赈灾义卖捐赠作品。两幅作品被中华人民共和国第七届少数民族传统体育运动组委会收藏。10月赴杭州参加中国画艺委会委员作品展暨当代中国画创作与品评委员会,参展作品为《绿洲》、《巴山秋情》、《晨》。11月赴北京参加黄胄美术基金会常务理事会议。12月担任陕西美术家代表团团长兼党支部书记,率团赴北京参加中国美协第六次代表大会,当选为中国美术家协会理事。应北京画院和武夷山政府的邀请赴福建武夷山写生,创作《娇峰云水间》参加画展。四幅作品应文化部中国画研究院、中国美协之邀参加"东方之韵2003中国水墨--再识传统当代中国画成就展"。

 

2004年2月出席省政协九次会议。3月作品《源头》应邀参加中国艺术研究院展览馆开馆暨"澄怀味象--中国画自选斗方新作展"入选画册并收藏。被聘为西安交通大学人文学院中国画研究方向硕士生导师,带国画山水国画研究生一名。4月大幅作品《高原秋情》、《汉水碧波映巴山》应中国美协艺委会、人民日报文艺部与江苏文联实业集团筹办的"盛世宏图--中国画与环境艺术特别邀请展暨座谈会"赴南京参展。5月带学生到陕南西乡写生。应邀赴武汉参加中国画艺委会"山峡论道--当代中国画研讨会"活动。6月应中国美协《美术。杂志之邀,作品《峡江平湖》、《陕北高秋》参加全国"猴年马月精品画展"。应炎黄艺术馆之邀作品《春来江水绿如兰》等参加艺术博览会展览。应中国艺术研究院之邀,作品《秋源》、《西山白云》、《五月的巴山》、《汉水之畔》参加"黄宾虹学术研讨会暨系列展览",获黄宾虹学术成就奖。7月作品《溪山深处白云乡》应邀参加"纪念邓小平诞辰一百周年全国美术作品展"。作品参加中国美术家协会理事中国画作品展,作品《蜀山清幽》参加庆祝建国五十五周年第十届全国美术作品展览,任陕西省全国十届美展组委会副主任暨艺委会主任。9月作品应邀参加"当代山水画坛名家作品邀请展"并入画集。作品《太白幽道》参加全国"庆祝人民政协成立五十五周年书画作品展"。11月作品《秋山红叶》、《巴山紫郁》、《巴山白云》、《巴山农社》应邀参加中国艺术研究院美术创作院举办的"南北山水--当代中国山水画学术交流展。"12月作品应邀参加科学与艺术大型中国画展。参加省文联第四次代表大会当选为陕西省文学艺术界联合会副主席。

 

2005年1月参加陕西书画名家为印度洋海啸大灾难义卖酬资活动并捐赠作品。1月底赴北京参加中国美协召开的2005年工作会议。3月作品《秦巴烟云》、《茂林静幽》、《高山仰止》、《铁铸江城》、《巴山壮居》、《陇山记事》参加由全国政协举办的进京画展。4月应台湾中华两岸文化艺术基金会邀请参加"中华魂--情系宝岛华晨艺术采风之旅参访团"赴台湾写生创作《阿里山印象》、《杉林幽深》、《椰风》参加情系宝岛写生的画展。5月两幅作品应邀参加当代中国画百位名家作品展。6月作品《西山八大处写景》有北京画院代为国家永久性收藏。7月应北京画院之邀作品《北塬盛秋》参加中日美术交流展并如画集。8月应北京炎黄艺术馆之邀作品《盛秋》、《巴山丰田坡连坡》、《壮居图》、《高原夏居图》高原系列参加黄胄师生画展。9月作品《天山牧歌》应中国美协之邀参加"首届全国中国画写意大展"。作品十幅参加"中国十大山水画家作品展"分别在上海、广州等地展出。10月赴北京参加"生活之路--黄胄与20世纪中国画大型学术研讨会暨《黄胄作品集》、《黄胄研究文集》首发式"。应中国书画艺术研究会之邀创作《黄帝陵写景》加入《神州颂》中国画长卷搭载神舟六号航天飞船一起腾空。11月被聘为2005中国百家金陵画展评委,赴南京参加评选活动。

 

2006年应中宣部、文化部之邀,创作《金色的回忆》参加"书画长征路画展"。赴北京参加由中华人民共和国文化部和中国文联主办的"纪念赵望云百年诞辰暨捐赠作品展"等系列活动。

 

2007年应中国文联之邀,创作《耶路撒冷哭墙》参加"同一个世界--中国画家彩绘联合国大家庭艺术大展"。创作《陕北杨家沟》参加全国政协书画家在香港举办"庆祝香港回归十周年绘画艺术大展"。作品《靖边》特邀参加"第三届全国中国画展",北京人民美术出版社《美术之友》出版提名专辑--赵振川画集。

2008年为"四川抗震救灾义卖"捐赠作品八幅。作品《巴山好茶园》参加国家奥委会举办的"话说奥运国画展"。中国书画艺术出版社出版《赵振川山水画集》。

 

2009年由北京市人民邮电出版社、北京盛唐文化艺术中心联合出版的《中国当代山水画名家·赵振川画集》已隆重发行。

English Introduction

 Born in 1944 in Xi'an, Shaanxi Province, he was born in Shulu County, Hebei Province. Zhao Wangyun studied painting with his father when he was young. He studied in 1962 in the seminar class of Creation and Research Department of Shaanxi Artists Association. He Haixia, Mr. Fang Jizhong taught him in Shilu. Now he is the executive director of Shaanxi Artists Association. Member of China Artists Association. Living in a family with strong artistic atmosphere since childhood, Zhao Wangyun, the founder of Chang'an School of Painting, was deeply imparted to Chinese painting by his father, and was influenced by his brothers Huang Qiang and Fang Jizhong. In 1962, he joined the Student Class of the Creation Research Room of Shaanxi Art Association to study Chinese painting and was taught by Mr. Shilu. In 1964, he went to the countryside and went to Longxian County, Shaanxi Province. In 1971, he was transferred to Shaanxi Fire Line Literary Works Group to work in stage art. In 1978, he was transferred to Shaanxi Artists Association to work in Chinese painting.

Now he is a national first-class artist, director of China Artists Association, member of Chinese Painting Arts Committee of China Artists Association, vice-chairman of Shaanxi Literary Federation, member of the Party Group of Shaanxi Artists Association and member of Shaanxi Political Consultative Conference. He is also an outstanding contribution expert awarded by the State Council, a "literary and artistic worker of both virtue and art" of Shaanxi Province, a tutor of master's degree students of Xi'an Jiaotong University, a visiting professor of Xi'an Academy of Fine Arts, and a representative of the fifth and sixth American Congresses of the whole country. Ninth National Art Exhibition Judge and Deputy Director of Shaanxi Provincial Jury: Judge of the 2nd National Chinese Painting Exhibition of China Artistic Association and Judge of "2003 National Chinese Painting Nominated Exhibition"; Judge of the 4th National Contemporary Chinese Landscape Painting Exhibition; Judge of China Artistic Association's "Western Land Love Chinese Painting Exhibition"; Judge of the 10th National Art Exhibition of Shaanxi Province Director.

He studied Chinese painting with his father, Mr. Zhao Wangyun, since childhood. In 1962, he studied in the seminar class of the founding research room of Shaanxi Artists Association. He was taught by Mr. Shilu, Mr. He Haixia and Mr. Fang Jizhong. Living in a family with a strong artistic atmosphere since childhood, Zhao Wangyun, the founder of Chang'an Painting School, was deeply taught Chinese painting by his father. The Chang'an Painting School was successively influenced by his brothers Huang Qian and Fang Jizhong. In 1962, he joined the Student Class of the Creation Research Room of Shaanxi Art Association to study Chinese painting and was taught by Mr. Shilu in 1964. In 1971, he was transferred to the Shaanxi Fire Line Literary Works Group for stage art work, and in 1978, he was transferred to the Shaanxi Artists Association for professional creation of Chinese painting till now.

Born in Xi'an on January 26, 1944, his ancestral home is Shulu County, Hebei Province. Zhao Wangyun studied Chinese painting with his father when he was young.

After graduating from junior high school in 1959, he was admitted to Xi'an Statistical School.

In 1962, the Statistical School graduated from Shaanxi Association of Fine Arts and started to study in the Creation Laboratory. He was taught by Mr. Shilu.

In 1964, the work "New Sound of Mountains and Forests" entered the fourth national art exhibition. At the end of December, they went to the countryside and went to Longxian County, Shaanxi Province to work in a queue.

He returned to Xi'an in 1971 and worked in stage art in Shaanxi Fire Line Literature and Art Corps. Every year, he went deep into the third-tier areas to offer condolences to the railway soldiers.

In 1978, he was transferred to Shaanxi Art Association to engage in full-time Chinese painting creation. He participated in the first exhibition of landscape, flower and bird paintings in Shaanxi Province and the exhibition of Shaanxi New Trend Paintings, and served as vice president of the Council of the exhibition.

In 1979, 70 Chinese paintings were created by the Chinese Painting Creation Group of the Ministry of Culture. Many of the paintings participated in the Shaanxi Traditional Chinese Painting Exhibition of Rongbaozhai, Hong Kong.

In 1980, he was seconded to the Chinese Painting Creation Group of the Ministry of Culture for painting.

In 1981, Xintianyou participated in the first exhibition of the Academy of Chinese Painting and was included in the Academy's collection of paintings. The original works were collected by the Academy. The work "Isolated Alpine Are Alpine again" was exhibited by 13 Chinese painters in Shaanxi Province and toured to Nanjing, Wuhan, Zhengzhou and other places. Nanniwan participated in the 60th Anniversary Art Exhibition of Shaanxi Province.

In 1982, many of his works were exhibited by eight Shaanxi Chinese painters in Nanjing, Wuhan and Beijing.

In 1983, many works such as Qinling Yanyun and Farmhouse participated in Shaanxi Landscape Painting Exhibition. Three works were compiled into Shaanxi Landscape Painting Collection. Two works were collected by Shaanxi Traditional Chinese Painting Academy.

The 1984 work "Treasure Road - Shudao" participated in the art exhibition of the 35th anniversary of the founding of the People's Republic of China. He went to Shenzhen, Guangdong to give lectures and participate in the exhibition of Chinese art works.

In 1985, he visited Hokkaido, Japan, and held a joint exhibition of calligraphy and painting. Shuxiang and many other works participated in the Shaanxi-Kyoto Joint Calligraphy and Painting Exhibition, and the Gorge River was collected by the Government of Asahikawa, Japan.

In January 1986, he was elected a member of the Xi'an Municipal Consultative Conference. To Ansai, Yanchuan, Yanchang and other places in northern Shaanxi to sketch. The work "Xiaoxue on the Plateau" participated in the Chinese 100-view exhibition held by the Chinese Art Museum in Japan and was included in the collection of paintings. The work "Early Winter of Northern Shaanxi" was selected, and the works of famous Chinese calligraphers and painters were selected. Nine works such as "Qiuyuan" were selected as "Modern Landscape Painting Gallery?? Zhao Zhenchuan Painting Collection" published by Henan Fine Arts Publishing House.

In 1987, his work New Green won the Outstanding Award of the Five Northwest Provinces. More than 20 works such as Ruixue Feng Nian and Xia Zhihu participated in Zhao Wangyun's Teachers and Students Painting Exhibition. Xiaojing in Northern Shaanxi participated in the first exhibition of calligraphy and painting works of Jiangxi Academy of Calligraphy and Painting and was collected by the Academy. Several works were exhibited by Northwest Branch of China Humanities and Science Development Corporation. They participated in Malaysian Painting Exhibition in April, Tokyo Painting Exhibition in August and Los Angeles Painting Exhibition in October.

In 1988, he was awarded the second-class national artist. Participate in the exhibition of picturesque rivers and mountains held by the Rivers and Mountains Painting Fair. Tour exhibitions in Beijing, Wuhan, Shantou and Xi'an.

He was approved as a member of China Artists Association in January 1989. In March, he was appointed as a member of the Selection Committee of Traditional Chinese Painting for the Seventh National Art Exhibition in Shaanxi Province. In May, he created "Desolate Ancient Plains" and was selected for the 7th National Art Exhibition in October. He was included in the 7th National Art Exhibition Painting Collection and won the 3rd prize of the provincial Art Exhibition. He went to Xinjiang to sketch in September. The October work Landscape was collected by Shaanxi Provincial Library. In November, 40 works were sent to Singapore to hold an exhibition of academic exchange and observation. Many works have been collected by local collectors. Singaporean Lianhe Zaobao published an article entitled "Mind the Loess Plateau - Painter Zhao Zhenchuan".

In 1990, his work "Snow in Qinling Mountains" was selected to participate in the Chinese Calligraphy and Painting Exhibition held in Japan and other countries. Donate paintings to sponsor the 11th Asian Games. In April, I went to Lanzhou, Dunhuang, Turpan, Urumqi, Yili and other places to sketch for more than a month. Completed nearly 100 ink sketches. After returning to Xi'an, he completed more than 40 works. The year-end work "May Mountain Snow" participated in the 3rd Academy Exhibition of Chinese Painting Academy. Shaanxi TV shoots a special feature film of Zhao Zhenchuan, a Chinese painter.

In February 1991, his works Baiyanggou, Early Spring and Autumn Maturity were collected by Jiangsu Art Museum. The fifth issue of Shaanxi Pictorial in 1991 published a commentary article "Rhythm of Bone-god Intertexture--Zhao Zhenchuan and His Landscape Paintings", and published six works such as "Spring to Fruit Valley", "Autumn Plateau Mugui" and "Autumn of Nanniwan". In June, "Autumn of Northern Shaanxi" participated in the joint exhibition of calligraphy and painting in Kyoto 91, Japan. Six works, Jiuqu Yellow River, Snow Clear in Ancient Plains, Plateau Families, Snow Hometown and Wild Mountain Autumn Path, have been collected by the Chinese Art Museum. In December, the work "Southern Shaanxi Wuzishan" was selected to participate in the "91 Invitation Exhibition of Landscape Painting" organized by the Chinese Painting Research Institute.

In 1992, his work Qin Jiao Shushi participated in the exhibition of fine arts for the 50th anniversary of his speech at the Yan'an Literature and Art Symposium. He won the third prize and was published in the 1992 Yearbook of Chinese Painting. In May, he participated in the Chinese Tourist Calligraphy and Painting Festival and was selected as the director. He traveled to the Yangtze River Gorge for nearly a month to sketch. After returning to Xi'an, he completed nearly 30 works. In summer, Hong Kong's Collection of Heaven and Earth published Mr. Zhang Ding's article Chang'an School of Painting and the Uprising Show--A Brief Talk about Zhao Zhenchuan. At the same time, it publishes such works as "Desert Boat", "Dunhuang Tour", "Tianshan Grazing", "Mountain Residence", "Hometown", "Dunhuang Mogao Grottoes" and "Snow Mountain Pastoral Song". In August, he presided over the Exhibition of Zhao Wangyun's Remaining Works sponsored by Beijing Yanhuang Art Museum, organized Zhao Wangyun Art Seminar, and wrote "Respect Virtue and Art for the People", which was published in People's Daily (1992/9/9). The friendship between Zhao Wangyun, Feng Yuxiang and Zhang Daqian was published in the overseas edition of People's Daily (1992/12/16). In November, "Tianshan Grazing" and other four works participated in the exhibition of famous young and middle-aged Chinese painters held by New York International Center for Culture and Art. In December, he went to Yan'an, Ansai and Yanchuan to sketch. The work LongShangQiu has been collected by Shanghai Gallery.

In 1993, "Impression of Taibai Mountain" participated in the first National Landscape Painting Exhibition and won the Excellent Works Award. The work "Snow in Residence" participated in the exhibition of the Shenzhou Painting Academy of the People's Daily. The original work was collected by the Academy. In September, he went to Ziyang in southern Shaanxi to sketch. In November, the work "Autumn Residence" was invited to participate in the exhibition of Chinese paintings by famous scholars both inside and outside Henan Province on the 100th anniversary of Mao Zedong's birth. Go to Shenzhen for the Art Festival. The December work "Shunan freehand brushwork" was selected as the exhibition of fine arts and calligraphy works in Shaanxi Province to commemorate the 100th anniversary of Mao Zedong's birth and won the prize for excellent works. The work "Xiajiang Smoke Cloud" participated in the Hong Kong Mountain Gorge Landscape Exhibition. In the same year, he was also appointed as the judges of Shaanxi Province for the first Landscape Painting Exhibition.

On January 12, 1994, "Zhao Zhenchuan Painting Exhibition" was exhibited in Beijing Museum of Fine Arts (more than 80 works were exhibited), and an academic seminar was held. Joining the Communist Party of China in January. His works "Cellar Court", "April Snow of Pear Flowers" and "Date Forest on the Yellow River" are collected by the Chinese Art Museum. On May 19, the People's Daily published the article "Successors of Chang'an Painting School" by Mr. Zhang Ding in the work "The Origin of Early Snow". Mr. Zhang Ding's articles were published in Art Magazine (1994, 7) and published works such as "Spring Dawn on Weibin", "Shore of the Yellow River", "Autumn Harvest of the Yellow River", "April of Yining", "Snow House on the Plain", "Good Snow", "Depression Ending South", "Lantian Yushan Autumn Flourishing", "Tianshan Snow Fog", "Jiuqu Yellow River" and "Once" This Shanren, etc. Mr. Xiao Yunru's article "Paintings of Zhao Zhenchuan, Successor of Chang'an Painting School of Two Generations" was published in Hong Kong Wen Hui Bao and Philippine Business Newspaper respectively, and his works "Shandan Qiu Mu", "Pit Yard", "Old Residence of Autumn Forest", "Taibai Mountain Freehand Brushwork", "Weibin Chunxiao" and "Journey to the Desert" were also published. In May, he was entrusted by the provincial government to receive Guan Shanyue's painting exhibition in Shaanxi and accompanied him to the north of Shaanxi and the Qinling Mountains for sketching. In June, he was appointed as a member of the Intermediate Title Evaluation Committee of Shaanxi Literature and Art Federation by Provincial Literature Federation. In July, he created a huge landscape painting "Huangling Ancient Cypress" for the Overseas Chinese Office of the State Council. August work "Qin Jiao Shushi Jiahong" participated in the 4th Gansu Art Calligraphy Photography Exhibition. In September, "New Green Plateau" was selected as the 10th anniversary art exhibition of Deng Xiaoping's inscription "Love my China, Build my Great Wall". He was awarded the first-class national artist. The October work Autumn Rhyme was invited to participate in the Exhibition of Excellent Works of Contemporary Chinese Calligraphers and Painters with Chinese Charm held in Beijing to celebrate the 45th Anniversary of the founding of the People's Republic. In late October, he went to Xiangfan to attend the Symposium of Chinese landscape painting and to Shennongjia to sketch. At the end of the year, he visited Matsumoto, Japan, and participated in the joint exhibition of Chinese painting.

In January 1995, he created a huge landscape painting "Changchun Map of Jiangshan" for the Ministry of National Defense. The February work "The House of the Final South" was collected by Xi'an Television Station. In March, the work "Yuan Shang Qiu Ju" was selected to commemorate the fortieth anniversary of the founding of the Xi'an Municipal Consultative Conference calligraphy and painting exhibition by people from all walks of life in Xi'an. In early May, he went to Xixiang and Ziyang of Southern Shaanxi to sketch for half a month along the Hanjiang River, and painted 24 paintings. At the end of the month, I went to Yan'an and Baoji with the National Association of Literature and Culture Wanlihang Style Collection to paint many sketches in the area of Style Collection. In July, at the invitation of Ningxia Autonomous Region, he went to Helan Mountain to paint more than 20 paintings for the local area. His works were exhibited in the Shaanxi Museum of Art in memory of Ren Bishi's life pictures and calligraphy, and the original works were collected. In September, his works participated in the joint exhibition of calligraphy and painting at the sixth meeting of the People's Political Consultative Conference of some famous historical cities in China. For the reception hall of the Municipal Government Foreign Affairs Building, two giant landscapes, Qinling Spring Dawn and Autumn Hill Mangrove, were painted. In October, "Zhao Zhenchuan Painting Collection" was published by Shaanxi People's Fine Arts Publishing House. A total of 120 recent works were collected and prefaced by Mr. Zhang Ding and Mr. Xiao Yunru as postscript. In November, he went to Wuxi to attend the Chinese Landscape Painting Symposium held by the Chinese Painting Research Institute, and 6 works to Korea to attend the International Calligraphy and Painting Exhibition.

In January 1996, he was invited to participate in the activities of 100 outstanding Chinese painters, One Hundred Views of China's Gorges. Creating "Spring Dawn of the Gorge River" was selected as the collection of paintings, and the original works were donated to Project Hope. The work "Bashan Chunlong" was collected by Shaanxi Traditional Chinese Painting Academy. "Good Snow" was selected as "Complete Works of Modern Chinese Art" (Chinese Painting 6). In April, he was appointed as a defense instructor for the 96th Master's thesis of Xi'an Academy of Fine Arts and an honorary professor. He lectured successively for the Chinese Painting Student Class of the Scientific Research Department of Xi'an Academy of Fine Arts and the Chinese Painting Class of Chang'an Academy of Fine Arts. In September, "Zhao Wangyun Painting Exhibition" and "Zhao Wangyun Art Seminar" were held to commemorate the 90th anniversary of Zhao Wangyun's birth. The October work "Northern Shaanxi Gaoqiu Tu" was collected by the Chinese People's Military Revolution Museum. December for the Great Hall of the People to create "Northern Shaanxi High Autumn". Go to Shanxi and Ankang to sketch.

In March 1997, he went to Ankang and Ziyang to sketch. In April, the Propaganda Department of the Shaanxi Provincial Committee and the Shaanxi Provincial Culture Department hosted the Shaanxi Contemporary Chinese Painting Exhibition and were appointed as members of the academic committee of the exhibition. In June, "Winter Rhyme of Qinling Mountains", "East Foot of Northern Shaanxi", "Dusong Pavilion in the South", "New Green Season", "Instant View of Bashan", "Cangyu Mountain", "Shahai Oasis", "Side of Hanshui", "Impression of Taibai Mountain" nine works participated in Shaanxi Contemporary Chinese Painting Exhibition, respectively, in Xi'an, Beijing China Art Museum, Nanjing and Taipei. Show. The work "Pastoral Songs of Northern Shaanxi" participated in the exhibition of 100 celebrities and paintings on the return of Hong Kong to the motherland held by Shandong News Academy of Calligraphy and Painting in Jinan. The original works were collected by the Academy. In June, Tong Tong participated in the first National Invitational Exhibition of Chinese Painting held by the Chinese Artistic Association and was incorporated into the compilation of the collection. The July work "Spring Hui of the Han River" was selected for the exhibition of the famous calligrapher and painter of Chang'an, China, Qing Hong Kong Return Works, and was exhibited in Shenzhen and Hong Kong. His works "Songshan Secret Residence", "Spring of Tianshan" and "Deep Bashan" participated in the exhibition and academic activities of Heshan Painting Fair and were incorporated into the compilation of the collection. In August, the State Council awarded "outstanding contribution experts" to go to the countryside with the provincial Wenlian Collection to paint in Yan'an, Yulin and other places. In November, I went to Mianyang, Sichuan to sketch. In December, a joint exhibition of Liu Dawei, Zhao Zhenchuan and Fang Chuxiong was held in Shenzhen. More than ten paintings were exhibited.

In January 1998, he was appointed by Shaanxi Province as a member of the Party Group of Shaanxi Artists Association, in charge of the business of the Association. At the same time, he was elected member of the Eighth CPPCC Committee of Shaanxi Province. A personal painting exhibition was held in Shantou. Sixty paintings were exhibited. The newspapers and magazines of the Special Administrative Region published reports on Wild Animal Husbandry, Autumn Mountain Residence and Northern Shaanxi Pastoral Songs. In March, I went to Wuxi to attend the Symposium on tasting plum in Heshan Painting Fair. His three works, New Green Season and Bashan Instant View, participated in the joint exhibition of calligraphy and painting in Kyoto, Shaanxi, Japan, and were incorporated into the compilation album. In April, I went to Xixiang, Langao, Ziyang and Ankang of Shaanxi Province to sketch for more than ten days. In June, he visited the United States with Shaanxi Art Delegation. He held exhibitions and lectures in Washington, New Jersey and Los Angeles, New York. Ten works were exhibited. In July, his works Chun Zhengdeng on the side of the Han River, Xiaomu on the Bank of the river, Quiet Taibai and Gaoqiu Pictures on the Ridge participated in the fourth exhibition of picturesque rivers and mountains and were incorporated into the compilation collection. In August, three works were donated to the disaster relief charity exhibition. In October, Baiyun Family participated in the Contemporary Chinese Landscape Painting and Oil Painting Landscape Exhibition, which was held in Beijing by the Ministry of Culture in 1998. In October, I went to Weifang, Shandong Province to hold a personal painting exhibition. In November, he was invited to Suzhou, Wuxi, Changzhou and Yangzhou Painting Academies for academic exchanges. In December, Xi'an Television Station 2 filmed the special film "Entering Zhao Zhenchuan".

In January 1999, Yuanbian Qiuju was selected for the exhibition of Chinese paintings by Shaanxi Artists Association. In February, he went to Chaoyang to hold a personal painting exhibition. Later Shaanxi

The Provincial Cultural Department of the Association of Arts organized to Ankang, Ziyang area collecting style. In March, he was appointed as a member of the National Landscape Painting Exhibition Review Committee for the 50th anniversary of the founding of the People's Republic of China. He was appointed Deputy Director of the Jury of the Organizing Committee of the Ninth National Art Exhibition of Shaanxi Province. In May, he was appointed as a member of the Chinese Painting Arts Committee of CAA and went to Suzhou to attend the founding meeting. From mid to early June, the Organizing Committee of the Ninth Art Exhibition of the same province went to Ankang, Ziyang, Xixiang, Hanzhong, Baoji, Yan'an, Yulin and Dingbian to inspect the work of the Ninth Art Exhibition. In June, I went to Beijing to attend the selection meeting of the Chinese Painting Arts Committee for the cross-century landscape painting exhibition. The work "The Scenery of Northern Shaanxi" is collected by the Museum of the Chinese People's Military Revolution. In July, "New Green on the Plateau" participated in the exhibition of famous painters'works for the 40th anniversary of the establishment of the Military Museum of the Chinese People's Revolution. At the invitation of the Ministry of Culture, he created a huge landscape painting "Spring Mountain Lianbibo" for Huairen Tang in Zhongnanhai, Beijing. He was appraised by the Organizing Committee of the Ninth National Art Exhibition as a member of the jury of the Chinese Painting Area of the Ninth National Art Exhibition. In August, he went to Shantou to attend the 9th National Art Exhibition and was included in the collection of paintings. The September work "Gobi Spring House" was selected as a large-scale picture album of Chinese contemporary art from 1979 to 1999. It was edited by the Research Department of the Central Academy of Fine Arts and the Chinese Art Yearbook. A personal painting exhibition was held in Weifang, Shandong Province. In October, his works Man Between Mountains and Waters and Loess High Slopes participated in the fifth exhibition of picturesque rivers and mountains, and went to Canada for a series of exhibitions. In order to celebrate the 50th anniversary of the founding of Xi'an Academy of Fine Arts, we donated ten works, such as "After Rain", "Xixiang", "Clouds Don't Know Where" and "The Hall of the Fine South". In the middle of the year, he went to Mianyang, Mianxi, Xixiang, Ankang, Langao and other places to sketch. In November, "Ode to Yan'an" and other works participated in the exhibition of "Return to Macao" held by the Chinese Association of Arts and Beijing Association of Arts. At the end of the year, Zhao Zhenchuan Painting Collection, selected by famous Chinese painters, was published by Shaanxi People's Fine Arts Publishing House.

In January 2000, at the invitation of the Xi'an Municipal Government, a picture of "Tobacco Hall Smoke" was drawn for eight postcards in Guanzhong. In February, he was awarded the title of literary and artistic worker of Deyi Shuangxin (published in Shaanxi Daily on February 23, 2000). March's work "Hanshui in Bashan has a secluded dwelling" participated in the nomination list of Chinese painting of the light of the Chinese century held by the Chinese Art Association in the Chinese Art Museum. In May, he was appointed by Xi'an Academy of Fine Arts as the judge of the 2000 Graduate Thesis Responding Meeting of Fine Arts Education College. In June, his works "Hanshui Nurturing Nature" and "Bashan Casting Soul" participated in Chongqing Heshan Picturesque Western Hot Land Chinese Painting Exhibition and were incorporated into the compilation album. His works were invited to participate in the 2000 National Chinese Painting Exhibition. The work "Home by the Han River" is donated to the sunrise project. In July, he created a huge work "Qinling Beauty" for the reception hall of the Standing Committee of the Shaanxi Provincial Committee. The August work "On the Side of the Han River" was compiled into the collection of modern Chinese paintings "Collection of Lu Art Alumni in Yan'an, China". Shantao Primrose is included in the Century Collection Edition of the Exposition of Chinese Calligraphic Works sponsored by People's Pictorial. The work "Home in Cuiping" participated in the Contemporary Chinese Painting Advanced Talents Achievement Exhibition and the National Painting Academy President's New Chinese Painting Exhibition, which was exhibited in the Chinese Art Museum and selected as the collection. He went to Mianyang and Beichuan of Sichuan in the latter ten days to sketch. In September, "Impression of Jialing River" participated in a large-scale exhibition of calligraphy and painting works celebrating the 50th anniversary of the Shaanxi Provincial Committee of the People's Political Consultative Conference, and the works were collected. The work "Bashan, Han and Shui are not sentimental" was invited to participate in the exhibition of contemporary Chinese painting and calligraphy held by the Ministry of Culture in Hong Kong. In October, his work "Langao Style" participated in the 6th China Art Festival, International Chinese Painting Exhibition, held by the Chinese Association of Fine Arts in Liu Haisu Art Museum, Changzhou, and was selected into the collection. One of the calligraphy works was collected by the Australian Chinese Art Museum. With the Western Focus of the Ministry of Culture, we went to Lanzhou, Hexi Corridor and Ejina Banner of Inner Mongolia to sketch. In December, he visited Turkey, Egypt, Greece and Israel with a delegation of famous Chinese painters and calligraphers to the Middle East.

In April 2001, his works "Bashan Secret Residence" and "Alpine Uplift" were selected into the Beijing New Century Exhibition of Chinese Painters and incorporated into the compilation collection. Participate in Shaanxi Ziyang Tea Culture Festival. In May, he was appointed as the judge of the 4th China Contemporary Painting Exhibition. In July, for the 80th anniversary of the founding of the Communist Party, Yan'an Achievement won the second prize in the provincial art exhibition, and Beijing was selected to participate in the national art exhibition celebrating the 80th anniversary of the founding of the Communist Party. At the invitation of the Central Office of the People's Revolution, a painting was presented at the Ink and Wash Exhibition on both sides of the Straits held at the Memorial Hall of Taiwan's Father of the Nation. The September work Hanshui Youju was invited to participate in the 2001 National Chinese Painting Exhibition organized by the Chinese Association of Fine Arts and was incorporated into the compilation of the collection. The work "Gobi Spring Residence" was selected as the "Centennial Chinese Painting Exhibition" organized by the Ministry of Culture, the Chinese Art Association, the Chinese Art Museum and the Academy of Chinese Painting, which was incorporated into the compilation collection and collected by the Chinese Art Museum. The work "March of Northern Shaanxi" participated in the large-scale painting exhibition of love Department of Yanhuang Art Museum in Beijing. I went to Xinjiang to sketch. In October, the work "Peach Jumping Spring" participated in the first Chinese Painting Exhibition, the Biennial Exhibition of the National Academy of Painting co-sponsored by the Ministry of Culture and the Provincial Department of Culture. In November, large-scale landscape works such as Wanshujie, Qilian Qiumu, Longshang Gaoqiu and Yunwushan is Tea Township participated in the large-scale exhibition focusing on Western China held by the Academy of Chinese Painting of the Ministry of Culture at the China Art Museum and were included in the selected collection. In December, Tianshan Pastoral Song was invited to participate in the Emotional Xinjiang Painting Exhibition sponsored by the Chinese Art Association and incorporated into the compilation album, which was collected by the Chinese Art Museum. His works Bashan Zhuangju participated in the western art exhibition of Xi'an, China, and his works Spring and Autumn Festival on both sides of the Han River participated in the contemporary 100-person painting exhibition in mainland China of Taiwan. He was elected as the representative of the 7th National Congress of the Chinese Language Federation and attended the meeting. He was appraised as an outstanding Communist Party member of Shaanxi Literature and Art Federation.

In March 2002, Longshang Chronicle and Bashan May were invited to participate in the Chinese Painting Art Committee Exhibition of CAA. In April, at the invitation of the China Association of Fine Arts, he participated in the organization and judges'activities of the Shaanxi Exhibition Area of the National Art Exhibition to commemorate the 60th anniversary of Mao Zedong's speech at the Yan'an Literature and Art Symposium. In June, donated works for disaster relief charity sale in southern Shaanxi. The July work Tianshan in September was compiled into The Great Powerful Painter by Beijing Xinhua Publishing House. Visit Korea. He was appointed as the judge of the Golden Medal Calligraphy and Painting Award of the Third Special Olympics of the People's Republic of China. He donated his work Longshang September and won the Golden Medal of Calligraphy and Painting Exhibition. In September, Qilian Qiuharvest participated in the exhibition of Chinese painting "Western Pictures--Guizhou Beauty". It was incorporated into the Collection of Paintings by Chinese Landscape Painters. It went to Beijing to participate in the Third Council of Huang Qiang Fine Arts Foundation and was elected as the executive director. He was hired by the Chinese Association of Fine Arts as the judges of the "Land Situation - Chinese Painting Exhibition". In November, to celebrate the 30th anniversary of the signing of the Convention for the Protection of World Cultural and Natural Heritage in the United Nations Year of Cultural Heritage, Qinshihuang Mausoleum and Lishan Late Photo were created at the invitation of the State Administration of Cultural Heritage, the Ministry of Construction of the People's Republic of China, the National Committee of UNESCO of the People's Republic of China and the Ministry of Culture. Participated in the "Shenzhou Style - Painting World Heritage 28" large-scale exhibition into the compilation of the collection, by the Museum of Chinese History.

In January 2003, he was elected member of the Ninth CPPCC Committee of Shaanxi Province. Create a huge work "Southern Shaanxi Style" for Zhongnanhai Conference Hall. For the new airport hall in Shaanxi Province, the creation of "Hanjiang Chunbo Cuiba Mountain" giant works. In February, he went to Beijing to attend the working conference of China Association of Arts. Create "Hanshui Spring Wave Yingba Mountain" for Zhongnanhai. In April, in order to welcome the 2008 Olympic Games, Beijing Painting Academy invited him to Beijing Eight Big Places to create "Eight Big Places in Xishan" sketch. In May, he participated in the donation of Yunshui Bashan by a famous national artist named "All aspirations make a city, defeat SARS". Organize and participate in the activities of provincial art workers to donate works to fight SARS. In June, he went to Ankang, Zhashui and Langao to inspect the sketch base. In July, he was appointed as the judge of the Second National Painting Exhibition by CAA. He went to Dalian to participate in the review of the exhibition and attended the 2003 annual meeting of CAA held in Dalian. At the invitation of China Artistic Association, I went to Qingdao to participate in the evaluation of the 2003 National Chinese Painting Nomination Exhibition. In August, "Tianshan May" participated in the "Haichao Cup" National Chinese Painting Exhibition and was included in the album. He donated a huge work Taibai Mountain Road to Chairman Mao's Memorial Hall and Deng Xiaoping's Centennial Birthday Calligraphy and Painting Exhibition. Donation of works for the disaster relief charity sale in September. The two works were collected by the 7th National Minority Traditional Sports Organizing Committee of the People's Republic of China. In October, I went to Hangzhou to attend the Exhibition of Works by the members of the Chinese Painting Arts Committee and the Creation and Appraisal Committee of Contemporary Chinese Paintings. The exhibited works were Oasis, Autumn Feelings of Bashan and Morning. In November, I went to Beijing to attend the meeting of the Executive Board of Huang Qiang Fine Arts Foundation. In December, he was the head of the delegation of Shaanxi artists and Secretary of the Party branch. He led the delegation to Beijing to attend the Sixth Congress of the Chinese Artists Association and was elected as the director of the Chinese Artists Association. At the invitation of Beijing Painting Academy and Wuyishan Government, he went to Wuyishan, Fujian Province to sketch and create Jiaofeng Yunshuijian to participate in the exhibition. Four works were invited by the Chinese Painting Research Institute of the Ministry of Culture and the Chinese Art Association to participate in the "Oriental Rhyme 2003 Chinese Ink and Wash - Recognizing the Achievements of Traditional and Contemporary Chinese Painting Exhibition".

In February 2004, he attended the ninth meeting of the Provincial Political Consultative Conference. In March, "Source" was invited to attend the opening of the exhibition hall of the Chinese Academy of Art and the exhibition of "Chenghuai Taste Image - New Works of Chinese Painting Selected by Doufang" was selected and collected. He was hired as a tutor of master's degree in Chinese painting research in the Humanities College of Xi'an Jiaotong University and a graduate student of Chinese painting landscape. In April, the large-scale works "Highland Autumn Feelings" and "Hanshui Bibo Yingba Mountain" went to Nanjing to participate in the "grand plan of prosperity - special invitation exhibition and Symposium of Chinese painting and environmental art" organized by the Arts Committee of the Chinese Artistic Association, the Ministry of Literature and Art of the People's Daily and the Jiangsu Wenlian Industrial Group. In May, I took my students to Xixiang, Southern Shaanxi to sketch. He was invited to Wuhan to attend the seminar of the Chinese Painting Art Committee on "Mountain Gorge Theory - Contemporary Chinese Painting". June in response to the Chinese Association of Fine Arts Art. Invited by the magazine, the works Xiajiang Pinghu and Northern Shaanxi Gaoqiu participated in the National "Monkey Year and Horse Moon Exhibition". At the invitation of Yanhuang Museum of Art, works such as "Spring River, Water and Green as Lan" were exhibited at the Art Exposition. At the invitation of the Chinese Academy of Art, his works Qiuyuan, Xishan Baiyun, Bashan in May, and Band of Hanshui participated in the "Huang Binhong Academic Seminar and Exhibition Series" and won the Huang Binhong Academic Achievement Award. In July, Baiyun Township in the Depth of Xishan Mountain was invited to participate in the National Art Exhibition to commemorate the 100th anniversary of Deng Xiaoping's birth. He participated in the exhibition of Chinese paintings by the director of the Chinese Artists Association, and Shushan Qingyou participated in the 10th National Art Exhibition celebrating the fifty-fifth anniversary of the founding of the People's Republic of China. He was also the vice director of the Organizing Committee of the 10th National Art Exhibition of Shaanxi Province and the director of the Arts Committee. September works were invited to participate in the "Contemporary Landscape Painting Works Invitation Exhibition" and incorporated into the collection. The work Taibai Youdao participated in the National Exhibition of paintings and calligraphy celebrating the fifty-fifth anniversary of the founding of the CPPCC. November's works "Autumn Hill Red Leaves", "Bashan Purple Depression", "Bashan Baiyun", "Bashan Agricultural Society" were invited to participate in the "North-South Landscape-Contemporary Chinese Landscape Painting Academy of Fine Arts Exchange Exhibition held by the Academy of Fine Arts of China Academy of Arts. "In December, the works were invited to attend a large-scale exhibition of Chinese painting in science and art. He was elected Vice President of Shaanxi Literature and Art Federation at the Fourth Congress of Provincial Literature Federation.

In January 2005, he participated in the charity sale of famous Shanxi painters and calligraphers for the Indian Ocean tsunami disaster and donated works. At the end of January, he went to Beijing to attend the 2005 working conference of China Association of Arts. In March, his works Qinba Yanyun, Maolin Quiet and Secret, Alpine Yangzhi, Tieshu Jiangcheng, Bashan Zhuangju and Longshan Chronicle participated in the Beijing Painting Progress sponsored by the CPPCC. In April, at the invitation of the Taiwan Cross-Strait Cultural and Art Foundation, he participated in the "Chinese Soul-Love Baodao Brilliant Art Talent Tour Visiting Group" to Taiwanese sketch creation "Impression of Alishan", "Deep Fir Forest", "Coconut Wind" to participate in the Painting Exhibition of Love Baodao. In May, two works were invited to participate in the exhibition of works of 100 famous contemporary Chinese painters. In June, Beijing Painting Academy has a permanent collection for the country. In July, at the invitation of the Beijing Academy of Painting, the work Beiyuan Autumn Festival participated in the Sino-Japanese Art Exchange Exhibition and was a collection of paintings. In August, at the invitation of Beijing Yanhuang Art Museum, Huang Qiang participated in the Painting Exhibition of Teachers and Students in the plateau series of works "Mid-Autumn", "Toyota Slopes in Bashan", "Zhuang Ju Tu" and "Summer Ju Tu on Plateau". The September work "Tianshan Pastoral Song" was invited by the Chinese Art Association to participate in the "First National Freehand Brushwork Exhibition of Chinese Painting". Ten of the works were exhibited in Shanghai and Guangzhou respectively in the "Exhibition of Top Ten Landscape Painters in China". In October, I went to Beijing to attend "The Way of Life - Huang Qiang and the Large-scale Academic Seminar of 20th Century Chinese Painting and the first issue of Huang Qiang's Works Collection and Huang Qiang's Research Collection". At the invitation of the Chinese Calligraphy and Painting Art Research Association, Huangdi Mausoleum Scenery was created and joined in Shenzhou Song. The long volume of Chinese painting was taken off with Shenzhou VI spacecraft. In November, he was appointed as the judge of the 2005 Jinling Painting Exhibition of China, and went to Nanjing to participate in the selection activities.

In 2006, at the invitation of the Ministry of Propaganda and the Ministry of Culture, he created "Golden Memories" and participated in the "Long March Painting Exhibition of Calligraphy and Painting". I went to Beijing to attend a series of activities such as "Commemorating Zhao Wangyun's Centennial Birthday and Donating Works Exhibition" sponsored by the Ministry of Culture of the People's Republic of China and the Chinese Language Federation.

In 2007, at the invitation of the Chinese Federation of Chinese Literature, he created "The Crying Wall of Jerusalem" and participated in "One World - Chinese Painters Painting United Nations Family Art Exhibition". "Yangjiagou in Northern Shaanxi" was created and participated in the "Painting Art Exhibition Celebrating the Tenth Anniversary of the Return of Hong Kong" held by the Chinese People's Political Consultative Conference (CPPCC) calligraphers and painters in Hong Kong. The work Jingbian was invited to participate in the Third National Chinese Painting Exhibition. The Beijing People's Fine Arts Publishing House, Friends of Fine Arts, published a nominated album, Zhao Zhenchuan's Painting Collection.

In 2008, eight works were donated for the "Sichuan earthquake relief charity sale". The work "Bashan Good Tea Garden" participated in the "Speaking Olympic Painting Exhibition" organized by the National Olympic Committee. Zhao Zhenchuan Landscape Painting Collection was published by China Calligraphy and Painting Art Publishing House.

The Collection of Contemporary Chinese Landscape Paintings by Zhao Zhenchuan, published jointly by Beijing People's Post and Telecommunications Publishing House and Beijing Shengtang Cultural and Art Center in 2009, has been grandly released.

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