王晓银，中国美术家协会会员，当代著名人物画家；1965年出生于甘肃省山丹县，1986年毕业于西北师范大学美术系中国画专业获文学学士学位。现为甘肃省美术家协会副主席，甘肃省中国画艺术委员会副主任，金昌市美术家协会主席，甘肃国画院副院长，中国老子书画院名誉院长，中国裕固族风情人物画主要代表。
上初中时的王晓银，有幸遇到了西北师大毕业分配到山丹中学任教的巨潮先生，成为学校美术兴趣小组的第一批成员。对艺术充满渴望和追求的王晓银在闲暇之余足足画了两箱子素描和速写。虽然那时对生活的理解还不够火候，但却为日后创作裕固风情的画作打下了良好的基础。1982年，16岁的王晓银考入西北师大美术系国画专业，在学期间主攻人物画专业，在张阶平、杨国光、李葆竹、魏自强诸先生的指导下，刻苦学习，进步很快，很短的时间就掌握了国画的表现规律，无论工笔重彩还是水墨写意等诸种不同的技法，他都运用得极为娴熟。在潜心学习绘画理论和技艺的同时，王晓银始终在考虑自己的艺术定位。当特定场景一旦与自己的生活积累相碰撞，心中不由产生强烈的创作冲动，他怎能不利用手中的笔墨，尽情挥洒这块热土独有的风情，描绘父老乡亲的超拔与坚韧。
在中国画发展的沧桑历史中，写意画和工笔画在抽象和具象中展现着不同的风格：工笔画作为中国传统国画中的一个重要类别和种属，以特定的事物为表现对象，通过传统的笔墨和技巧创造出了具有独特艺术图式的实物形象，传达出特定的艺术趣味和审美理念；写意画则是用简练的笔法描绘景物，纵笔挥洒，墨彩飞扬，较工笔画更能体现所描绘景物的神韵，也更能直接地抒发作者的情感。历代画家都在两者之间不断寻找着自己的定位，王晓银先生利用自己对艺术的独特感悟，在写意和工笔之间找到自己的黄金分割点，在他的国画中，作品以独有的风格穿越着时空的束缚，很多我们在生活中常见的一些生活的场景，被他用画笔锁在了瞬间，变成了一幅幅永恒的画面，给人以无限的想象和思索，形成了情趣十足、韵味无穷、色彩夺目、意境悠远的艺术效果，画面形神兼备，具有极高的艺术价值。
王晓银先生的河西风情作品，无一不透出对脚下这块土地的挚爱情怀：题材上，立足西部地域特色，以饱满的热情从生活中汲取营养，以敏锐的观察力充实丰富作品的内涵；艺术上，继承传统而又不墨守传统，构成形式上不断探索与创新。对河西的少数民族，尤其是甘肃独有的少数民族——裕固族，他更是倾注了少有的热忱。他的裕固风情画工写结合，粗中有细，在淡化线条中深化意境，在突出地域特色的同时凸现人物特征。在他笔下，牧人的纯朴剽悍，骆驼的俏皮可爱，无不形神毕肖，纵使一只牧羊犬，也憨态可掬，让人油然而生亲近之感。画家人性化的笔触难能可贵，在人与自然的和谐相处中，为我们再现河西父老乡亲生命的执着与顽强。
然而，对于像王晓银这样的中年画家所取得的成就，而且在改革开放的新时代作为社会主义美术的主导力量，无论是在题材的开拓上还是在艺术技巧的表现上，都有自己独到的营造，不管是河西农村父老乡亲的日常生活，还是别具特色的裕固风情、藏族风情，在他的笔下一一铺展。戈壁、大漠、雪山、草原，夕阳、晨晖、村庄、古老的烽火台，乃至一簇红柳丛、一蓬芨芨草，在他的笔下都有精微的展示。当我们捕捉到戈壁之舟宽厚深情的目光，河西大地的灵光神韵已然融入了画家的血脉之中。与其说是功力的扎实和绘画语言的娴熟，毋宁说更重要的是由于他把艺术与生活、社会的关系摆得很正，对待传统与创新的关系处理得比较稳健。他的艺术继承和延续着人物画古往今来积极反映生活、追求艺术真善美的优秀传统。
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Wang Xiaoyin, chinese artist academician, contemporary notability painter; Was born in county of morningstar lily of the Gansu Province 1965, major of the traditional Chinese painting in was graduated from art of northwest Normal University to fasten 1986 obtains literary bachelor's degree. It is vice-chairman of association of artist of the Gansu Province now, china of the Gansu Province draws artistic council vice director, chairman of association of artist of golden prosperous city, assistant dean of courtyard of Gansu Province traditional Chinese painting, dean of reputation of courtyard of Chinese father painting and calligraphy, character of amorous feelings of Chinese the Yugur nationality draws main delegate.
Go up the Wang Xiaoyin when junior high school, teaching gigantic wet gentleman learns in favour encountered northwest division old finish school to allocate morningstar lily, become the first batch of members of school virtuosity group. The Wang Xiaoyin that is full of longing and pursuit to art is in of leisure drew two cases sketch and literary sketch fully. Although the understanding of opposite work returns insufficient duration in those days, but laid good foundation to create the picture of abundant solid amorous feelings to make in the future however. 1982, wang Xiaoyin of 16 years old takes an examination of northwest division large painting to fasten major of traditional Chinese painting, during learn main attack character draws major, in Zhang Jieping, Yang Guoguang, Li Baozhu, Wei Zijiang the guidance of all gentlemen falls, learn assiduously, progress is very rapid, very short time behaves the rule with respect to what mastered traditional Chinese painting, the ability law that no matter traditional Chinese realistic painting characterized by fine brushwork and close attention to detail weighs colour or water ink freehand brushwork in traditional Chinese painting to wait for all planting,differs, he is applied very adeptly. Painterly theory and skill learn in with great concentration while, wang Xiaoyin is considering his artistic fixed position from beginning to end. Once be accumulated with oneself life,collide when specific setting, impulse is not created strongly by generation in the heart, he can not use the pen and ink in the hand how, to the top of one's bent brandish asperses the amorous feelings with this hot particular earth, depict what father fellow-townsman kisses to exceed unplug with tough.
In the history of vicissitudes of life that draws development in China, enjoyable picture and labour strokes mix in abstraction there is different style in providing an elephant: One of be versed in strokes regards China as traditional traditional Chinese painting important category and kind belong to, it is expressional object with specific thing, went out to have the objective figure with distinctive schematic art through traditional writing and skill creation, communicate a specific artistic interest and aesthetic concept; Enjoyable picture is to use succinct calligraphy or drawing to depict scenery, even if pen brandish is aspersed, chinese ink colour flies upwards, relatively the verve that is versed in strokes can reflect place to depict scenery more, also more can forthrightly the affection of express author. Past dynasties painter is in both between the location that searching oneself ceaselessly, mr Wang Xiaoyin uses him to be comprehended to art distinctly, the gold that finds oneself between freehand brushwork in traditional Chinese painting and traditional Chinese realistic painting characterized by fine brushwork and close attention to detail breaks up a dot, in his traditional Chinese painting, work is passing through to be manacled spatio-temporally with particular style, the setting of our common in the life a lot of a few lives, was locked up to be in with paintbrush by him the instant, became an appearance of an eternity, mix with infinite imagination to the person thinking, fashioned appeal dye-in-the-wood, lasting appeal boundless, colour the artistic effect with dazzing, a long time ago artistic conception, picture body spirit has both, have extremely high artistic value.
The affection of river west wind of Mr Wang Xiaoyin work, without the one true love feelings that does not go out to leave this land to the foot fully: On subject matter, base oneself upon western terrain distinguishing feature, with full enthusiasm from nutrition of the derive in the life, enrich the connotation of substantial work with the observation of acumen; On art, successive tradition and not traditionalism, compose is explored ceaselessly into formally with innovation. To the river the minority on the west, especially the minority with particular Gansu Province -- the Yugur nationality, he is pour into more little some is cordial. His abundant solid amorous feelings draws labour to keep tie, thick in have fine, artistic conception is deepened in desalt line, in outstanding terrain distinguishing feature while protruding shows character trait. In his the wording and purpose of what one writes, pastoral honest agile and brave, of the camel nifty and lovely, spirit of body of all without exception v/LITs resemble closely, even if a sheperd dog, also foolish condition but Ju, let a person arise spontaneously to feel closely. The brush stroke in Chinese painting and calligraphy that painter human nature changes is commendable, in getting along with natural harmony in the person, for our emersion river the persistence that father fellow-townsman kisses life on the west and tenacious.
However, to the success that like Wang Xiaoyin such middleaged painter place gains, and the dominant force that regards socialism as art in the new era of reforming and opening, no matter be,go up in the expression of artistic skill, oneself are built originally, no matter be the daily life that rural father fellow-townsman kisses the river on the west, still do not provide the abundant solid amorous feelings of characteristic, Tibetian amorous feelings, the wording and purpose of what one writes in him one by one spread out. The desert, big desert, snow mountain, prairie, the setting sun, morning sunshine, village, old beacon tower, and even splendid achnatherum of tuft Gong Liucong, one bitter fleabane, there is essence of life to be revealed smally in his the wording and purpose of what one writes. Take the Zhou Kuanhou of the desert's affectionate view when us, river on the west in the hematic arteries and veins that the clever smooth verve of the earth blended in a painter already. Saying with its is work force is solid with pictorial language adept, would rather say because he places the concern of art and life, society very,more important is, the relation that handles tradition and innovation is handled more dovishly. His art accedes and continueing the outstanding tradition that the character draws of all ages to mirror the true of art of the life, pursuit actively.
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