李仲如雕塑作品

 雕塑《听风》参加庆祝建国四十五周年美展；

雕塑《万事起头难》获北京庆祝建国五十周年美展银奖；

雕塑《状态》《宿命》《海滩》参加香港文楼金属雕塑作品展；

雕塑《万事起头难》入选全国九届美展；

雕塑《中国窗子》参加美国《川西和他的雕塑课题》雕塑作品展；

雕塑《天使》《河马》《祈》参加德国汉生铸铜及材料雕塑展；

雕塑《状态》《生活》入选《新艺术后援》画册（人民画报社）；

雕塑《月光》、《蟾宫》参加国粹雕塑提名展。

 论文《二十世纪中西彩塑艺术形式之比较》.《雕塑》2002.12;《饶有趣味的功能性室内雕塑》.《北京纪事》2003.9;《雕塑照亮你的家》.《北京纪事》2003.11;《雕塑--城市坐标系》.《中国建筑》杂志2003.11;《北京寻年》.《美术观察》.2005.3;《为兰则熏 为圭则温:纪念雕塑家张德华》.《艺术》 2005.8;我眼中的中国第一代女雕塑家》.《艺术》杂志 2006.3;《表现情感与情感表现--张得蒂雕塑创作解读之一》.《美术观察》2006.3;《钱绍武访谈--解读罗丹》.《美术观点》2007雕塑特刊;《向京访谈》.《美术观点》2007雕塑特刊;《郑于鹤访谈》.《美术观察》2007.1;《中国学院背景女雕塑家创作中的女性视角》.《美术馆》2008.1;《融贯中西 竹韵琴心--曾竹韶访谈》.《美术观察》2009.2;《法素朴，致玄同--叶毓山雕塑》.《雕塑》2009.3;《行吟诗人--雕塑家蒋铁骊的雕塑创作》.《雕塑》2009.4;《禅与道的现代生存:观中国台湾陶艺家李茂宗陶艺创作》.《雕塑》2009.4;《百年中国女雕塑家创作中的女性意识》.《雕塑》2010.3;《莆田木雕的文化传承与产业发展》. 2010雕塑论坛论文集;《修行.雕塑:高瑛石的<直指系列>》.《雕塑》2010.5。

 顾森研究员：《慧眼兰心——中国学院背景女雕塑家创作研究》一书作者李仲如为女性，受过良好的、系统的雕塑创作训练（本科、硕士均为雕塑专业）。这就形成她更贴近雕塑艺术本身观察问题的角度。後又经过博士阶段的学习，艺术理论上更上一层楼，能将一些我们常见的、纷杂的雕塑艺术现象梳理出来并提高到理论高度来认识和阐述。此书以大量的调查为基础来开展20世纪中国有学院背景的女雕塑家的研究。故书中对这些雕塑家的历史追述、生存现状、创作活动与艺术风格等方面的分析和结论，有根有据、切合实际并有自己独到的见解。全书讨论了女性雕塑家创作中的女性视角，通过理性思考与作品分析相结合，较好地向我们展示了女性雕塑家创作中的特殊性（女性意识和女性特征），同时还讨论了女性雕塑家成长的社会环境和艺术环境。全书材料丰富，文风朴实而有逻辑性。相信此书的写出，定会对中国现当代艺术史的研究，提供了弥足珍贵的材料和思路。

荒林教授：《新生代女性主义学术论丛》这套丛书，推出了年轻的、新的女性主义学者阵营，如中国艺术研究院雕塑研究博士李仲如......李仲如的《慧眼兰心——中国学院背景女雕塑家创作研究》一书，以专题研究的精深，对中国学院背景女雕塑家深厚艺术修养和精湛艺术技艺进行了细致展示，分专题进行的个案研讨，呈现出中国女雕塑家成长成才的性别特色。其中的重要作品细读，也可说是当代中国女性生活细读，既表现了研究者自身良好的艺术造诣，也反映出性别解读所具有的力度。当代女艺术批评家正在成长成熟之中，她们对于中外艺术的研读审视越来越有自己的眼力。

 Art Review

Papers "Comparison of Chinese and Western Painted Sculpture Art Forms in the Twentieth Century", "Sculpture" 2002.12; "Interesting Functional Indoor Sculpture"; "Beijing Chronicle" 2003.9; "Sculpture Lights Your Home"; "Beijing Chronicle" 2003.11; "Sculpture-Urban Coordinate System"; "Chinese Architecture" 2003.11; "Beijing Search for New Year"; "Art Observation" 2005.3; "For Lan Zefu as Gui Zewen: Commemorating the Sculptor Zhang Dehua"; "Art" 2005.8; The First Generation of Chinese Woman Sculptor in My Eyes; "Art" magazine 2006.3; "Expressing Emotion and Emotion - One of Zhang Deti's Sculpture Creation Interpretations"; "Art Observation" 2006.3; "Qian Shaowu Interview - Interpretation of Rodin"; "Art Viewpoint" 》 2007 Sculpture Special Issue; Interview with Beijing; 2007 Sculpture Special Issue of Art Viewpoint; Interview with Zheng Yuhe; Art Observation 2007.1; Women's Perspective in the Creation of Female Sculptors in the Background of Chinese Academy; Art Museum 2008.1; Interview with Zeng Zhushao; Art Observation 2009.2; Fa Simplicity, Zhixuan Tong-Ye Yushan Sculpture. Sculpture 2009.3; Singing Poet-Sculptor Jiang Tieli's Sculpture Creation. Sculpture 2009.4; Modern Survival of Zen and Tao: Viewing Chinese Taiwanese Ceramic Artist Li Maozong's Ceramic Creation. Sculpture 2009.4; Female Consciousness in the Creation of Chinese Female Sculptors in a Century. Sculpture 2010.3; Putian Wood Cultural Inheritance and Industrial Development of Sculpture. 2010 Sculpture Forum Papers Collection; Practice. Sculpture: Gao Yingshi's Straight-pointed Series >. Sculpture 2010.5.

Social evaluation

Researcher Gu Sen: Li Zhongru, the author of "Hui Eye Lan Xin - Creation Research of Female Sculptors with Background of Chinese Academy", is a woman and has received good and systematic training in sculpture creation (both undergraduate and master's degrees are sculpture majors). This forms her perspective closer to the observation of sculpture art itself. After the Ph. D. study, the art theory goes up to a higher level, which can sort out some common and complicated sculpture art phenomena and raise them to a theoretical level to understand and elaborate. This book is based on a large number of investigations to carry out the research of female sculptors with academic background in China in the 20th century. Therefore, the analysis and conclusion of these sculptors'historical recount, survival status, creative activities and artistic style are well-founded, realistic and have their own unique views. The whole book discusses the female perspective in the creation of female sculptors. Through rational thinking and work analysis, it shows us the particularity of female sculptors'creation (female consciousness and female characteristics), and also discusses the social and artistic environment in which female sculptors grow up. The book is rich in materials, simple and logical style. I believe that this book will provide valuable materials and ideas for the study of the history of modern and contemporary Chinese art.

Professor Huang Lin: The Series of Feminist Academic Theories of the Cenozoic Era has launched a young and new feminist scholar camp, such as Li Zhongru, Ph.D., Sculpture Research Institute of the Chinese Academy of Art.... Li Zhongru's "Hui Eye Lan Xin - Creation Research of Female Sculptors with Chinese Academy Background", which is based on intensive thematic research. The deep artistic accomplishment and exquisite artistic skills of female sculptors in the background of Chinese Academy were carefully demonstrated. The case study conducted by different topics showed the gender characteristics of the growth and success of Chinese female sculptors. The close reading of the important works, or contemporary Chinese women's life, not only reflects the researchers'own good artistic attainments, but also reflects the strength of gender interpretation. Contemporary female art critics are growing up and maturing. They have more and more eyes for the study of Chinese and foreign art.