于1585年出生在一个弗拉塔马焦雷，马西莫在很大程度上受到影响米开朗基罗梅里西DA卡拉瓦乔。这区别于马西莫艺术的东西Carravaggism是，他与画家博洛涅西的经典抒情方式结合卡拉瓦乔的戏剧性点燃，残酷的写实风格，赢得他Napolitan的绰号圭多雷尼。

虽然他的初步培训是不确定的，它被认为是他与法布里奇奥Santafede和Battistello卡拉乔洛 ;然而，大多数接受他的影响来自卡拉瓦乔。艺术史学家认为Stanzione开发了他的职业生涯在罗马的艺术家。据认为，他开始了他的职业生涯作为肖像画家。他的一些最著名的作品包括肖像，流行服饰一个女人，和杰罗姆银行的肖像。

他第一次到罗马在1617年至1618年，他在那里工作圣玛丽亚德拉斯卡拉，他的作品的痕迹依然存在。他回到了1620和1630左右之间的永恒之城数次在罗马他接受的影响安尼巴莱卡拉齐和重组后的16世纪末西蒙Vouet，等等。1621年，罗马教皇格雷戈里十五授予他黄金马刺骑士和1627年冠军，他获得圣乔治和骑士的头衔城市第八投入他的基督令其中，在西班牙，给了他冠军卡瓦列罗的Máximo。

随着胡塞佩·德·里贝拉，Stanzione是在17世纪上半叶的主要那不勒斯画家。这是由于他丰富的祭坛画和壁画，当然还有他的学生和模仿者如下。他和他的对手胡塞佩·德·里贝拉在那不勒斯占据了画的场景。马西莫的丰富的色彩和理想化的自然对其他当地的艺术家，如大的影响力弗朗西斯Solimena。据认为，马西莫Stanzione 1656瘟疫中死亡。

那不勒斯是巴黎和伦敦之后的第三大城市17世纪的欧洲。1630年，它是艺术的佣金机会的中心。许多艺术委员会是由谁在这个时候在那不勒斯保持政治权力职务的西班牙总督们的追捧。其他艺术爱好者从不同的地中海港口抵达那不勒斯寻找艺术专长。Stanzione沿贝尔纳多·卡瓦利诺，最重要的蒿蒂莱斯基代表的新的和更优美的绘画风格。

显然Stanzione与蒂莱斯基艺术的关系是他的发展作为一个艺术家显著。文件显示，Stanzione和蒂莱斯基都搬到了那不勒斯同一年，1630年德Dominici描述为一个非正式的学徒蒂莱斯基和Stanzione之间的关系。Stanzione每天加入蒿观察她，而她画，并可能模仿着她的色彩风格，但不是她的设计风格。没有书面证明，以证实这一假设，因为事实是，Stanzione曾与其他配色师互动的大量在此期间，也他已经气韵在罗马1617成立时，他与SARACENI和工作Honthrost在圣玛丽亚斯卡拉。在SM德拉斯卡拉是欧洲第一医院之一。这家医院有自己的组织，它被设置为照顾朝圣者，帮助穷人，并为被遗弃儿童的方法。

然而，后来的作家记蒿与影响Stanzione丰富的灯光效果和更大的经典化。蒂莱斯基和Stanzioni合作对某些作品，如圣施洗约翰的诞生菲利普四世的斯布恩莱蒂罗宫。两位艺术家损害他们的风格; 蒂莱斯基制服她tenebrism的写实风格和更均匀的照明和古典音乐的创作取代它，这两个成功创造了一个愉快的集合。Stanzione的圣阿加莎在监狱里与他的年轻圣施洗约翰一起是他的第一个已知的作品。这些作品结合雷尼和Domenichino路的等等的影响，打造“抒情古典主义”的成分。

Born in 1585 in a frata majiore, Massimo was largely influenced by Michelangelo merici Da Caravaggio. What is different from Massimo's art, carravaggism, is that he and the painter Bolognesi's classical lyrical way, combined with Caravaggio's dramatic lighting and cruel realistic style, won him the nickname guidoreni of Napolitan.

Although his initial training is uncertain, it is believed that he was with Fabrizio santafede and battistello caragiolo; however, most of the influence received from him came from Caravaggio. Art historians believe stanzione developed his career as an artist in Rome. It is believed that he began his career as a portrait painter. Some of his most famous works include portraits, popular costumes of a woman, and portraits of Jerome bank.

He first went to Rome from 1617 to 1618, where he worked for Santa Maria della Scala, and the traces of his work still exist. He went back to the eternal city between 1620 and 1630 several times in Rome where he accepted the influence of Annabelle Karachi and the reorganization of Simon vouet at the end of the 16th century, etc. In 1621, Pope Gregory awarded him the golden spurs knights and the 1627 champion. He won the title of St. George and knights. The City eighth invested in his Christian order. In Spain, he gave his champion m á Ximo of cavaliero.

With hussepe de ribella, stanzione was the leading Neapolitan painter in the first half of the 17th century. This is due to his rich altarpieces and murals, as well as his students and imitators. He and his rival, hussepe de ribella, occupied the scene in Naples. Massimo's rich colors and idealized nature have great influence on other local artists, such as Francis solimena. It is believed that stanzione 1656 died in the plague in Massimo.

Naples is the third largest city after Paris and London in 17th century Europe. In 1630, it was the center of commission opportunities for art. Many art councils are sought after by Spanish governors who maintain political power in Naples at this time. Other art lovers arrive in Naples from different Mediterranean ports looking for art expertise. Stanzione represents new and more beautiful painting styles along with Bernardo cavalino, the most important artemileski.

Obviously stanzione's relationship with tilesky's art is that his development as an artist is remarkable. Documents show that stanzione and tilesky both moved to Naples in the same year. In 1630, de Dominici described the relationship between tilesky and stanzione as an informal apprentice. Stanzione joins Artemisia every day to observe her, while she draws and may imitate her color style, but not her design style. There is no written proof to confirm this assumption, as the fact is that stanzione had a lot of interaction with other colorists during this period, and also he had a charm when he was founded in Rome 1617, with Saraceni and working with hontrost in Santa Maria Scala. It is one of the first hospitals in Europe. The hospital has its own organization, which is set up to take care of pilgrims, help the poor, and provide a way for abandoned children.

However, later writers wrote about Artemisia and stanzione's rich lighting effects and greater classicalization. Tilesky and stanzioni collaborated on certain works, such as the birth of St. John the Baptist Philip IV's temple of spinletillo. Two artists damaged their style; tilesky subdued her tenebrism's realistic style and replaced it with more uniform lighting and classical music creation, both of which succeeded in creating a happy collection. Stanzione's St. Agatha in prison with his young St. John the Baptist was his first known work. These works combine the influence of Rene and Domenichino road to create the composition of "Lyric classicism".