两兄弟出生在或接近拉翁在法国北部。马修生于1607年,安东尼和路易最初认为是出生在1588年和1593年,分别,但现在认为出生后,国家美术馆给他们的出生日期”c。1600 ?和c。1603 ?”到1630年,所有三个住在巴黎,他们共享工作室由安东尼,他考入巴黎画家行会训练,使他的两个兄弟在他不支付费用。几年之内他们收到重要的佣金,安东尼绘画的群像市参议员在1632年的巴黎。1648年,三个兄弟被接收到Academie de peinture et de雕塑今年成立。[2]

因为惊人的相似的风格的绘画和区分的困难是通过每个兄弟(他们只签署了他们的绘画与他们姓和许多可能的合作),它们通常被称为一个单一的实体,勒拿。路易通常是被认为最著名的画作,一系列的场景描述农民生活;他可能去过意大利和荷兰艺术家的影响Pieter van的激光,总部设在罗马还通过法国在1620年代中期。[3]这些流派绘画往往相当字面著称,然而同情;主题似乎从未怪诞或嘲笑。仍然有一些问题,然而,是否一些假定的“农民”是真正的农村class-many似乎只是资产阶级在休闲。他们清醒的执行和选择的颜色记得西班牙学校的特征。他们选择的主题是不寻常的时间:巴黎的世界正忙于神话寓言,国王的“英雄事迹”,而三个勒拿自己主要致力于这些主题卑微生活的如“男孩打牌,”“伪造”,或“农民”,“三现在的照片罗浮宫。他们的在伦敦朝拜的牧羊人 (国家美术馆)是一个例外,和许多其他公民和教堂可能已经失去了工作法国大革命.

兄弟们也产生了微型(主要是归因于安东尼)肖像(归因于Mathieu)。马修成为官方画家(Peintre惯常的)1633年的巴黎,和更晚了骑士。在他的模特肖像玛丽·德·美第奇和红衣主教Mazarin,但这些作品似乎经消失了。

安东尼和路易于1648年去世。马修生活直到1677年,似乎画,直到1650年代中期,尽管没有作品在1648年签署。1662年,他收到了一个画家的不同寻常的荣誉圣迈克尔的顺序,但一年后被开除了,戴在1662年入狱的领子订单时无权。

勒南画在1840年代和复兴,谢谢你的努力Champfleury,出现在1848年卢浮宫的城墙。Champfleury是现实主义画家的朋友古斯塔夫·及库尔贝,现实主义的理论家和作家在法国流行的艺术。这些作品的“幼稚”质量,其静态姿势,“尴尬”成分和农民受试者欣赏,很有可能行使一些影响许多十九世纪的艺术家,特别是及库尔贝自己。他们通过20世纪仍受欢迎。

The two brothers were born in or near rabon in northern france. Matthew was born in 1607, and Anthony and initially thought to be born in 1588 and in 1593, respectively, but now think that after the birth of the The National Gallery to their date of birth, C. 1600 and C. 1603? "By 1630, all three live in Paris, they shared the studio by Anthony, he was admitted to the Paris painters' Guild of training, his two brothers in his pay. Within a few years they received an important Commission, Anthony's painting portrait of Senator of Paris in 1632. 1648, three brothers were received Academie de peinture de sculpture was established this year, et. [2]
Because similar style of painting and the difficulty in differentiating by each brother (they only signed their paintings and their name and many possible cooperation), they are often referred to as a single entity, lena. Louis is usually considered to be the most famous paintings, a series of scenarios of farmers' life; he may Pieter the effect of van laser have been to Italy and Holland artists, headquartered in Rome by France in the middle of 1620s. [3] these genre paintings are often quite literal, yet sympathetic; the subject never seems grotesque or derided. There are still some problems, however, whether some of the putative "farmers" are real rural class-many seem just bourgeois in leisure. Their sober execution and the color of the choice remember the characteristics of Spanish schools. They choose the theme is unusual: Paris world is busy myth fable, the king's "heroic deeds", while the three is mainly devoted to these topics Lena their humble life such as "the boy playing cards," "fake", or "farmers", "three photos of the Louvre now. They were in London in the adoration of the shepherds (The National Gallery) is an exception, and many other citizens and churches may have lost their jobs during the French Revolution.
The brothers also produced a miniature (largely attributed to Anthony) portrait (attributed to Mathieu). Matthew became the official painter (Peintre usual) in Paris in 1633, and later knight. In his model portraits of Mary de Medici and cardinal Mazarin, but these works seem to have vanished.
Anthony and Lu are easy to die in 1648. Matthew lived until 1677, and it seemed to be painted until the mid 1650s, although no work was signed in 1648. In 1662, he received the order of an artist's unusual honor St. Michael, but was fired a year later and was not entitled to wear a collar order in 1662.
Lenan painting in 1840s and Renaissance, thank you for your efforts in 1848 Champfleury, the wall of Le Louvre museum. Champfleury is a friend of realist painter Gustav Gecourbet, a realist theorist and writer of popular art in france. These works of "childish" quality, their static posture, "embarrassed" ingredients and the appreciation of the farmer's subjects, are likely to exercise some influence on many of the nineteenth Century artists, especially Courbet himself. They are still popular through twentieth Century.