巴尔托洛梅奥.曼弗雷迪Bartolomeo Manfredi

巴尔托洛梅奥.曼弗雷迪Bartolomeo Manfredi（1582年8月25日—1622年12月12日），意大利画家。

中文名巴尔托洛梅奥.曼弗雷迪
外文名Bartolomeo Manfredi
性别男
国籍意大利
出生地意大利
出生日期1582年8月25日
逝世日期1622年12月12日
职业画家

生活

曼出生于Ostiano,近了克雷莫纳。他可能是卡拉瓦乔的瞳孔在罗马:1603年在他著名的诽谤审判卡拉瓦乔桑巴特鲁姆提到一定控分发下流诗歌攻击卡拉瓦乔的厌恶竞争对手Baglione,他的一个仆人。当然,巴特洛曼知道艺术史是卡拉瓦乔的关闭追随者的革新的风格,以其提高明暗对比的和坚持自然主义,通过表情和肢体的语言讲故事的天赋。

卡拉瓦乔在他短暂的职业生涯,他在1600年飙升成名,被流放从罗马1606年,并在1610年死了,年轻一代的艺术家产生了深远的影响,尤其是在罗马和那不勒斯。和这些Caravaggisti(卡拉瓦乔的追随者),曼似乎反过来在传输最具影响力的大师的遗留给下一代,尤其是与画家法国和荷兰来到意大利。没有记录,签署通过曼生存,和几个四十左右的作品现在归因于他以前认为是卡拉瓦乔。卡拉瓦乔的稳定理曼已经明确表示,这是曼,而不是他的主人,他主要是负责普及落魄潦倒类型在第二代Caravaggisti作画。

曼是一个成功的艺术家,能保持自己的仆人在他三十岁之前,“一个杰出的外表和细的人行为”根据传记作家朱里奥曼奇尼,虽然很少交际。他创办自己的事业,在架上绘画为私人客户,而且从不追求更广泛的公共委员会名誉被建造,但他的作品被广泛收集在17世纪,他被认为是卡拉瓦乔的平等甚至优越。惩罚他的火星丘比特提供了一个诱人的暗示了卡拉瓦乔:主承诺一幅曼奇尼这个主题,但卡拉瓦乔的另一个赞助人,红衣主教弗朗西斯科·玛丽亚·德尔蒙特了,因此曼奇尼委托曼画另一个对他来说,曼奇尼认为曼的最好的作品。

English Introduction

Life

Manfredi was born in Ostiano, near Cremona. He may have been a pupil of Caravaggio in Rome: at his famous libel trial in 1603 Caravaggio mentioned that a certain Bartolomeo, accused of distributing scurrilous poems attacking Caravaggio's detested rival Baglione, had been a servant of his. Certainly the Bartolomeo Manfredi known to art history was a close follower of Caravaggio's innovatory style, with its enhanced chiaroscuro and insistence on naturalism, with a gift for story-telling through expression and body-language.

Caravaggio in his brief career — he rocketed to fame in 1600, was exiled from Rome in 1606, and was dead by 1610 — had a profound effect on the younger generation of artists, particularly in Rome and Naples. And of these Caravaggisti(followers of Caravaggio), Manfredi seems in turn to have been the most influential in transmitting the master's legacy to the next generation, particularly with painters from France and the Netherlands who came to Italy. No documented, signed works by Manfredi survive, and several of the forty or so works now attributed to him were formerly believed to be by Caravaggio. The steady disentangling of Caravaggio from Manfredi has made clear that it was Manfredi, rather than his master, who was primarily responsible for popularising low-life genre painting among the second generation of Caravaggisti.

Manfredi was a successful artist, able to keep his own servant before he was thirty years old, "a man of distinguished appearance and fine behaviour" according to the biographer Giulio Mancini, although seldom sociable. He built his career around easel paintings for private clients, and never pursued the public commissions upon which wider reputations were built, but his works were widely collected in the 17th century and he was considered Caravaggio's equal or even superior. His Mars Chastising Cupid offers a tantalising hint at a lost Caravaggio: the master promised a painting on this theme to Mancini, but another of Caravaggio's patrons, Cardinal Francesco Maria Del Monte, had taken it, and Mancini therefore commissioned Manfredi to paint another for him, which Mancini considered Manfredi's best work.

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美术百科参考资料

1、Bartolomeo Manfredi