巴尔托洛梅奥Bartolomeo Schedoni

巴尔托洛梅奥Bartolomeo Schedoni(1578年 - 1615年12月23日)是一个意大利早期巴洛克式的画家

中文名巴尔托洛梅奥
外文名Bartolomeo Schedoni
性别男
国籍意大利
出生地意大利
出生日期1578年
逝世日期1615年12月23日
职业画家

传记

他出生在摩德纳,搬到帕尔玛和他的父亲,可是曾法法院。1595年Schedoni前往罗马,在那里他曾短暂费德里科•Zuccari的赞助Ranuccio我法,帕尔马公爵在生病之后,他回到了帕尔马。巴洛克艺术史学家计数卡罗切萨雷·瓦(1616 - 1693)声称Schedoni训练Annibale Carracci在博洛尼亚,虽然这是有问题的,他的早期作品揭示了而是他的研究柯勒乔在帕尔玛。

Schedoni最早委员会是在1598年。他离开帕尔马监禁攻击后,搬到了摩德纳。他成为画家的法院凯撒·德,与Ercole戴尔'Abate在装修天花板的萨拉del Consiglio宫殿Comunale的气势。中断由于Schedoni监禁后另一个争执,这个工作是在1607年7月完成。

1607年12月后,他在帕尔马的法院工作Ranuccio我。公爵极大尊敬Schedoni,给了他一个农场Felegara(它)当Schedoni于1611年结婚。Schedoni的作品包括小的图像和巨幅装饰画神圣家族荣耀崇拜的党卫军施洗约翰,弗朗西斯的阿西西,劳伦斯和Peregrinus。

Schedoni于1615年12月23日死亡。根据摩德纳的史学家Giovanni Battista Spaccini,他死于一场可能激情的“适合”之后自杀一晚的赌博的损失。

风格

1613年沉淀,广场重回国家队的帕尔玛

Schedoni的绘画经常描绘的杰出人物设置在一个黑暗的背景下。伟大的重点,以色彩鲜艳的布料的角模式,根据艺术史学家劳伦斯高英,“几乎掩盖了叙事场景的内容,而是传播溥的情感紧急情况。”

Schedoni已故的方式显示的影响卢多维Carracci.另一个重要影响Schedoni的风格和主题卡拉瓦乔,他的埋葬基督的(1603 - 04)提供的原型Schedoni的沉积(c。1613)广场重回国家队的帕尔玛.^]帕尔玛画家乔凡尼Lanfranco在那些被发现灵感Schedoni的戏剧风格。

Schedoni的杰作在帕尔马的Galleria赢得冠军,并的两幅画的卷尾修道院教堂的祭坛Fontevivo帕尔马附近。

English Introduction

Biography

He was born in Modena, and moved to Parma with his father, a mask-maker who served the Farnese court. In 1595 Schedoni traveled to Rome, where he apprenticed briefly under Federico Zuccari with the sponsorship of Ranuccio I Farnese, Duke of Parma.^[2] After falling ill, he returned to Parma. The baroque art historian Count Carlo Cesare Malvasia (1616–1693) claims that Schedoni trained under Annibale Carracci in Bologna, although this is questionable; his early work reveals instead his study of Correggio's works in Parma.

Schedoni's earliest known commission was in 1598.^[2] He left Parma after an imprisonment for assault, and relocated to Modena. There he served as painter to the court of Cesare d’Este, and collaborated with Ercole dell'Abate in decorating the ceiling of the Sala del Consiglio Vecchio of the Palazzo Comunale. After an interruption caused by Schedoni's imprisonment for another altercation, this work was completed in July 1607.

After December 1607, he worked in Parma for the court of Ranuccio I. The duke greatly esteemed Schedoni, and gave him a farm at Felegara (it) when Schedoni married in 1611. Schedoni's works included small devotional images and the large altarpiece Holy Family in Glory Worshipped by SS John the Baptist, Francis of Assisi, Lawrence and Peregrinus.

Schedoni died on 23 December 1615. According to the Modenese chronicler Giovanni Battista Spaccini, he died in a "fit of passion"—possibly a suicide—after a night of heavy gambling losses.

Style

Schedoni's paintings often depict brilliantly lit figures set against a dark background. Great emphasis is given to the angular patterns of brightly colored drapery, which, according to the art historian Lawrence Gowing, "almost obscure the narrative content of the scene and instead disseminate a pervading sense of emotional emergency."

Schedoni's late manner shows the influence of Ludovico Carracci. Another important influence on Schedoni's style and subjects was Caravaggio, whose Entombment of Christ(1603–04) provided the prototype for Schedoni's Deposition (c. 1613) in the Galleria Nazionale of Parma. The Parmesan painter Giovanni Lanfranco was among those who found inspiration in Schedoni's theatrical style.

Schedoni's masterpieces are in the Galleria Nazionale of Parma, and were the two paintings intended for the altar of the church of the Capuchin convent in Fontevivo, near Parma.

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信息统计与维护

美术百科参考资料

1、Bartolomeo Schedoni