安布罗修斯.班森Benson, Ambrosius(1495年—1500年),意大利画家。
死亡的纯洁、日期未知。导致的强奸蒂利在后台可以看到的自杀。
虽然Ambrosius本森(或安布罗斯Benzone,他是被一个早期学者考虑到他Lombardian origin132)是由出生,意大利学者认为他的画家佛兰德的学校。典型的许多画家的流动方式的时候,他去了布鲁日c。1515年,他的学徒早期的荷兰的画家杰拉德•大卫。他后来成为了一个归化公民布鲁日。本森担任熟练工人之前,他是主1519年,成为的一员公会画家和saddlemakers。他最终成为一个院长,然后和州长的公会。他与安娜Ghyselin结婚,和她有两个儿子,1月威廉,两人成为画家。他后来再婚,有一个女儿安娜。据信,他是有至少两个女儿婚外情。
本森来到争端杰拉德大约在1519年,在许多油画和素描本森创造了包括一本书头和裸体的研究以及各种模式——在老主人的车间没有帮助他。大卫拒绝归还材料,本森追赶合法后,入狱服刑的拨款。
19世纪末期的他的一个Sibilla Persica画,显示一个半身的女性读一本书在她的手。[10]
他担任负责人圣卢克的公会从1537年到1539年和1543年到1544年。他的大部分工作是一次归因于西班牙艺术家只被称为塞戈维亚的主人,现在认为他们是同一个人。
可能的影响下Rogier van der Weyden15世纪的从良的妓女阅读,本森是第一个艺术家推广阅读的女性形象。它变成了一个主题为他,他画现场多次在他的画面玛丽从良的妓女和女巫Persica,他被视为几乎可以互换。
Although Ambrosius Benson (or Ambrose Benzone, as he is named by an early scholar in deference to his Lombardian origin132) was Italian by birth, scholars consider him a painter of the Flemish school. Typical of the itinerant manner of many painters of the time, he moved to Bruges c. 1515 and served his apprenticeship with the Early Netherlandish painter Gerard David. He later became a naturalized citizen of Bruges.[3]Benson worked as a journeyman before he was made master in 1519 and became a member of the guild of painters and saddlemakers. He eventually became a dean and then and governor of the guild. He married Anna Ghyselin, and had two sons with her, Jan andWillem, both of whom became painters. He later remarried and had a daughter Anna. He is believed to have had at least two other daughters from extra-marital affairs.
Benson came into dispute with Gerard around 1519, over a number of paintings and drawings Benson had created -including a book of studies for heads and nudes as well as various patterns- in the older master's workshop without his assistance. David refused to return the material, and after Benson pursued him legally, served time in prison for his appropriation.
He served as head of the Guild of Saint Luke from 1537 to 1539 and 1543 to 1544. Much of his work was at one time attributed to a Spanish artist known only as the Master of Segovia; it is now believed they were the same person.
Perhaps under the influence of Rogier van der Weyden's 15th-century The Magdalen Reading, Benson was one of the first artists to popularise images of women reading. It became a motif for him, and he painted the scene many times in his images of Mary Magdalen and the Sybil Persica, whom he treated as almost interchangeable.
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