欧仁·德·布拉阿斯Eugene de Blaas(1843年7月24日-1932年2月10日),出生于罗马,是一位意大利画画家。
尤金·冯·Blaas:两个威尼斯妇女
在圣器安置所,1877年
他出生在Albano附近的罗马,奥地利的父母。他的父亲卡尔也是一个画家,他的老师。全家搬到了威尼斯当卡尔成为教授学院的威尼斯。他经常画场景在威尼斯,也和宗教油画肖像。
他的作品中有拉福马nuziale sacrestia;拉一种彩券Campielo威尼斯;在联合国educanciatu Una一场di burattini;Ninetta。艺术评论家路易吉Chirtani重回国家队的,当这幅画陈列在Mostra di威尼斯,形容这是漂亮,讨人喜欢,漂亮,抚摸,清洗,抛光,洗衣女工在一幅Blaas先生最喜欢威尼斯贵族的肖像画家,穿着晚会绸缎,闪亮的珠宝,发型的富人。
五彩缤纷,而戏剧威尼斯社会时期图像,例如在阳台上(1877;私人收藏),相比非常不同的彩笔和铜版画的庭院,阳台和现代威尼斯的运河。
尤金·德·Blaas”绘画展出皇家学院,美术的社会,新画廊和亚瑟牙齿和儿子画廊在伦敦,在利物浦的沃克艺术画廊。[2]
He was born at Albano, near Rome, to Austrian parents. His father Karl, also a painter, was his teacher. The family moved to Venice when Karl became Professor at the Academy of Venice. He often painted scenes in Venice, but also portraits and religious paintings.
Among his works are La forma nuziale in sacrestia ; La tombola in Campielo a Venezia; Una scena di burattini in un educanciatu; and La Ninetta. The art critic Luigi Chirtani, when the painting was displayed at the Mostra Nazionale di Venezia, described it as Beautiful, flattering, pretty, caressed, cleaned, polished, laundress in a painting by Mr. Blaas, the favorite portraitist of great Venetian aristocrats, dressed in gala satins, shining jewelry, hairstyles of the rich. [1]
His colorful and rather theatrical period images of Venetian society, e.g. On the Balcony (1877; Private Collection), were quite different compared to delicate pastels and etchings of the courtyards, balcony and canals of modern Venice.
Eugene de Blaas' paintings were exhibited at the Royal Academy, Fine Art Society, New Gallery and Arthur Tooth and Sons Gallery in London, and also at the Walker Art Gallery in Liverpool
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