早期的生活和工作

查尔斯的讯息Angrand出生在Criquetot-sur-Ouville,诺曼底法国,校长查尔斯·p·Angrand(1829 - 96)和他的妻子玛丽(1833 - 1905)。

他收到艺术培训鲁昂在Academie de Peinture et de图样。他第一次访问巴黎是在1875年,去看吗回顾工作的Jean-Baptiste-Camille旋转在美术学院.是一个影响Corot Angrand的早期作品。

被拒绝进入美术学院后,1882年他搬到巴黎,在那里他开始教数学大学Chaptal.他的生活区附近的咖啡馆d 'Athenes,咖啡馆Guerbois,黑勒聊天和其他艺术家经常光顾的场所。Angrand加入了巴黎的艺术世界前卫的与等名人成为朋友乔治·修,文森特·梵高,保罗Signac,马克西米连卢斯,亨利。埃德蒙交叉.影响他的前卫艺术和文学联系他,他在1884年创立法国des艺人独立以及修Signac,Odilon贺东等等。

艺术

Angrand的印象派画的1880年代早期,通常描绘农村对象和包含破碎的笔触和调为主色,反映的影响克劳德·莫奈,卡米尔毕沙罗,和朱尔斯Bastien-Lepage.通过他与修、Signac和其他人在1880年代中期,他的风格演变Neo-Impressionism.从1887年他的画作Neo-Impressionist和他的图纸修的tenebrist风格。Angrand拥有“能力提炼诗从最平凡的郊区场景”。1887年,他会见了梵高提出一幅交换(最终没有发生)。梵高受到Angrand厚重的笔触和从日本菜得到灵感的成分不对称。同样是在1887年,L 'Accident,他的第一次新印象画派的绘画,在沙龙展出独立。Angrand加入修练习画上La的确是的岛。

Angrand实施的点彩派画家的技术不同于它的一些主要的支持者。他画比修更柔和的调色板和Signac,曾经明亮的对比色。见夫妇在街上,Angrand用各种颜色的点来提高阴影和提供适当的基调,同时避免暴力色中发现许多其他Neo-Impressionist作品。他的黑白蜡笔画图纸上面,比如他的自画像,也证明他的微妙的光线和阴影的处理,^[8]被Signac评估:“……他的画的杰作。无法想象一个更好的利用白人和黑人……这些都是最美丽的图画,诗歌,细组成和执行。”

在莱斯独立Angrand展出他的作品在巴黎,Galerie Druet,画馆杜兰德-鲁埃尔Bernheim-Jeune,鲁昂。他的作品出现在布鲁塞尔在1891年的显示Les XX.在1890年代期,他放弃了绘画,而不是创建彩色图纸和彩笔的主题包括农村场景描写母亲和孩子,意识到在黑暗象征主义强度。在此期间,他还画了插图无政府主义者出版物等Les临时工新;其他Neo-Impressionists导致这些出版物包括Signac,卢斯,Theo van Rysselberghe.

晚年

1896年,他搬到了Saint-Laurent-en-Caux,在上诺曼底.他又画了1906年左右,模仿Signac和交叉的风格和颜色。点彩派Angrand开发自己独特的方法,更大的笔触。这导致粗糙光学混合比小点,他通过使用补偿更鲜艳的颜色。从这一时期几乎是他的一些风景非写实的.在第一次世界大战之前,他住了一年迪耶普。然后他搬回鲁昂,住在那里的余生。他是非常封闭的最后三十年,但仍然是一个专用的记者。1926年4月1日Angrand死在鲁昂。他被埋在Cimetiere不朽de鲁昂.

集合

Angrand的工作在许多博物馆的收藏,其中包括Ateneum (芬兰国家美术馆),克利夫兰艺术博物馆,赫克特博物馆,印第安纳波利斯艺术博物馆,大都会艺术博物馆,奥赛博物馆,波士顿美术博物馆,和纽约嘉士伯Glyptotek.

Early life and work

Charles' message: angland was born in criquetot sur ouville, Normandy, France. President Charles P. angland (1829 - 96) and his wife Mary (1833 - 1905) were born in France.

He received art training from Rouen in Academie de peinture et de drawing. His first visit to Paris was in 1875, when he went to see Jean Baptiste Camille spinning at the Academy of fine arts. It was an early work that influenced Corot angrand.

After being refused admission to the Academy of fine arts, he moved to Paris in 1882, where he began teaching at the University of mathematics Chaptal. Angrand joined the avant-garde and other celebrities in the art world of Paris to become friends with George Hugh, Vincent Van Gogh, Paul signac, Marc similianus and Henry. Edmund cross. Influenced his avant-garde art and literature to contact him. He founded the independence of French des artists in 1884 and repaired signac, Odilon Hedong, etc.

Western Railway in its exit from Paris, 1886, oil on canvas, 73 × 92 cm

On the street, 1887,

Orsay Museum, canvas, 38.5 x 33.0 cm

In the early 1880s, angrand's Impressionist paintings usually depict rural objects and contain broken strokes and key colors, reflecting the influence of Claude Monet, Camille pissaro, and Jules Bastien Lepage. Through him and Hugh, signac and others in the mid 1880s, his style evolved into Neo impression ism. From his painting Neo impression ist in 1887 and his drawing tenebrist style Lattice. Angrand has "the ability to refine poetry from the most mundane suburban scenes.". In 1887, he met with Van Gogh to propose an exchange (which ultimately did not happen). Van Gogh's heavy brushwork is asymmetrical with the ingredients inspired by angrand's Japanese cuisine. Also in 1887, l'accident, his first new impressionist painting, exhibited independence in the salon. Angrand joined in the practice painting. La is indeed an island.

Angrand's stippling techniques differ from some of its main supporters. He painted a softer palette than Hugh and signac, once a bright contrast. Seeing the couple on the street, angrand uses dots of various colors to raise the shadows and provide the right tone, while avoiding many other Neo Impressionist Works found in violent colors. His black and white crayon drawings, such as his self portrait, also prove his subtle handling of light and shadow,  evaluated by signac: " A masterpiece of his painting. Can't imagine a better use of white and black These are the most beautiful pictures, poems, compositions and execution. "

In Les independent angrand, his works are exhibited in Paris, Galerie druet, the Museum of painting Durand Ruhr Bernheim Jeune, Rouen. His work appeared in Brussels in 1891 to show Les XX. In the 1890s, he gave up painting, rather than creating color drawings and pens on themes including rural scenes depicting mothers and children, realizing the intensity of symbolism in the dark. During this period, he also drew illustrations, such as the anarchist publications, and other Les temporary works; other Neo Impressionists led to these publications, including signac, Luce, Theo van rysselberghe

Charles angrand Reaper - 1892

In 1896, he moved to Saint Laurent en Caux, in upper Normandy. He painted around 1906, imitating the style and color of signac and crossover. The stippling school angrand develops its own unique method and larger strokes. This results in a rougher optical blend than the smaller dots he uses to compensate for the brighter colors. From this time on, it was almost his scenery that was not realistic. Before the first World War, he lived in Dieppe for a year. Then he moved back to Rouen and lived there for the rest of his life. He was very closed for the last 30 years, but still a dedicated journalist. Angrand died in Rouen on April 1, 1926. He was buried in cimetiere's immortal de Rouen

Angrand's work is in many museum collections, including Ateneum, Cleveland Museum of art, Hector Museum, Indianapolis Museum of art, Metropolitan Museum of art, Orsay Museum, Boston Museum of art, and New York's Carlsberg glyphtek