克里斯蒂安Christian Bérard(1902年8月20日—1949年2月11日),法国艺术家,时尚插画家和设计师
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出生在巴黎1902年,-在学习公立中学詹森·德·帆作为一个孩子。1920年,他进入了Academie Ranson,他的风格影响了爱德华Vuillard和莫里斯·丹尼斯.
-展示了他在1925年第一次展览,在画廊皮埃尔。从一开始他的职业生涯,他戏剧感兴趣的风景和服装设计,以及戏剧的发展设计中发挥了重要作用在1940年代和1930年代。在1930年代早期-jean - michel弗兰克、绘画屏幕、木工和画项目地毯。正巧他也是个时尚插画家可可·香奈儿,埃尔莎夏,莲娜丽姿。-他最著名的成就可能是有光泽的,不可思议的设计让·科克托的电影La Belle La蠢人(1946)。
-突然去世的原因心脏病1949年2月11日,在舞台上剧院Marigny.弗朗西斯Poulenc的圣母悼歌在他的记忆(1950)由,让·科克托他的电影Orphee(1950)他。
Born in Paris in 1902, Bérard studied at the Lycée Janson de Sailly as a child. In 1920, he entered the Academie Ranson, where his style was influenced by Édouard Vuillard and Maurice Denis.
Bérard showed his first exhibition in 1925, at the Gallery Pierre. From the start of his career he had an interest in theatrical scenery and costume designs, and played an important role in the development of theatrical design in the 1930s and 1940s. In the early 1930s Bérard worked with Jean-Michel Frank, painting screens, wood-work and drawing projects for carpets. He also worked as a fashion illustrator for Coco Chanel, Elsa Schiaparelli, and Nina Ricci. Bérard's most renowned achievement was probably his lustrous, magical designs for Jean Cocteau's film La Belle et la Bête (1946).
Bérard died suddenly from a heart attack on 11 February 1949, on the stage of the Théâtre Marigny. Francis Poulenc's Stabat Mater (1950) was composed in his memory, and Jean Cocteau dedicated his film Orphée (1950) to him.
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