罗多维科开襟羊毛衫(1559年9月21日- 1613年6月8日),也被称为Cigoli,是一个意大利画家和建筑师的晚了矫揉造作者和早期巴洛克式的期间,在他职业生涯早期在训练和活跃弗洛伦斯,和支出的最后九年他的生活罗马.

罗多维科开襟羊毛衫在维拉Castelvecchio di出生Cigoli,在托斯卡纳,他的名字是众所周知的。最初,Cigoli训练在佛罗伦萨热心的矫揉造作者历山德罗Allori。之后,最突出影响”Counter-Maniera“画家,桑蒂di铁托,以及Barocci,Cigoli矫揉造作的枷锁和注入他后期的绘画表现主义通常缺乏从16世纪佛罗伦萨绘画。

罗马赞助人,马西莫Massimi,他画了一个(现在在宫殿彼蒂)。据说unbenknownst任何画家,另外两个著名的当代画家,Passignano和卡拉瓦乔已经要求同一个主题的油画。这项工作后来拍摄的拿破仑到罗浮宫1815年,恢复到佛罗伦萨。

他早期的作品之一是该隐杀死亚伯。然后他获得了大公的雇佣一些工作彼蒂宫,他画了一个金星和好色之徒和艾萨克的牺牲。

其他重要的照片是圣彼得愈合的跛子圣彼得尚未完工的葬礼,圣保罗教堂的圣保罗服务的不均匀,^[3]和心灵的故事壁画的装饰方案波勒兹别墅Stephen;殉难,为他赢得了“佛罗伦萨的名称柯勒乔”,在佛罗伦萨的圣弗朗西斯的气孔。在他去世前不久,Cigoli了马耳他骑士的要求教皇保罗五世.^[4]

如上所述的17世纪著名画家,安德里亚·萨基Cigoli,”圣彼得愈合跛子”被认为是第三个最美丽的绘画在罗马之后,拉斐尔的“变形”和Domenichino圣杰罗姆的“最后的交流。“Cigoli的知名度和影响力,甚至来到罗马之前,这样的程度,佛罗伦萨这个城市大使欢迎艺术家到永恒之城。Baldanucci Notizie或生活的艺术家,Cigoli是唯一的艺术家,与米开朗基罗,因为独特的“神圣”的头衔。

Cigoli拉赫的一位私人好友伽利略,被他视为最伟大的画家年龄——画最后一波琳教堂的穹顶壁画在教会的圣玛丽亚大教堂在罗马,描绘了麦当娜站在月球orb麻子。这是第一个现存的例子,伽利略的发现月球的物理性质(正如他自己画的Sidereus中)有渗透的视觉艺术实践。直到这个形象,月亮在处女的图片一直是神话和光滑,完美的球形,被柏拉图和托勒密的传统。

他的学生包括Cristofano Allori(1577 - 1621),弗莱明乔凡尼Biliverti(1576 - 1644),多梅尼科Fetti,乔凡尼安东尼奥Lelli,奥利留的食物,彼得罗美第奇,格雷戈里奥帕加尼,安德里亚Comodi(1560 - 1638)。

Lodovico Cardi (21 September 1559 – 8 June 1613),also known as Cigoli, was anItalian painter and architect of the late Mannerist and early Baroque period, trained and active in his early career in Florence, and spending the last nine years of his life inRome.

Lodovico Cardi was born at Villa Castelvecchio di Cigoli, in Tuscany, whence the name by which he is commonly known. Initially, Cigoli trained in Florence under the fervid mannerist Alessandro Allori. Later, influenced by the most prominent of the "Counter-Maniera" painters, Santi di Tito, as well as by Barocci, Cigoli shed the shackles of mannerism and infused his later paintings with an expressionism often lacking from 16th-century Florentine painting.

For the Roman patron, Massimo Massimi, he painted an Ecce Homo (now in Palazzo Pitti). Supposedly unbenknownst to any of the painters, two other prominent contemporary painters, Passignano and Caravaggio, had been requested canvases on the same theme. This work was afterwards taken by Napoleon to the Louvre, and was restored to Florence in 1815.

One of his early paintings was of Cain slaying Abel. He then gained the employ of the Grand-Duke in some works for the Pitti Palace, where he painted a Venus and Satyr and a Sacrifice of Isaac.

Other important pictures are St. Peter Healing the Lame Man in St Peter's; an unfinished Burial of St. Paul in the church of San Paolo fuori le Mura,^[3] and a Story of Psyche in a fresco incorporated in the decorative scheme of theVilla Borghese; a Martyrdom of Stephen, which earned him the name of the "Florentine Correggio", and a Stigmata of St. Francis at Florence. Shortly before his death, Cigoli was made a Knight of Malta at the request of Pope Paul V.

As stated by the prominent 17th-century painter, Andrea Sacchi, Cigoli's, "St Peter Healing the Lame Man" came to be recognized as the third most beautiful painting in Rome after Raphael's "Transfiguration" and Domenichino's "The Last Communion of St Jerome." Cigoli's fame and influence, even prior to coming to Rome, was of such a degree that the Florentine ambassador to the city greeted the artist on his arrival to the Eternal City. In Baldanucci's Notizie or lives of the artists, Cigoli is the only artist, along with Michelangelo, given the unique title of "Divine".

Cigoli, a close personal friend of Galileo Galilei – and regarded by him as the greatest painter of the age – painted a last fresco in the dome of the Pauline chapel of the church of Santa Maria Maggiore in Rome, depicting the Madonna standing upon a pock-marked lunar orb. This is the first extant example of Galileo's discoveries about the physical nature of the moon (as he himself drew it in Sidereus Nuncius) having penetrated the visual arts practice of his day. Until this image, the moon in pictures of the Virgin had always been mythical and smooth, perfectly spherical as described by Platonic & Ptolemaic tradition.

His pupils include Cristofano Allori (1577–1621), the Fleming Giovanni Biliverti (1576–1644), Domenico Fetti, Giovanni Antonio Lelli, Aurelio Lomi, Pietro Medici, Gregorio Pagani, and Andrea Comodi (1560–1638).