乔治·克劳森George Clausen(1852年4月18日—1944年11月22日),英国画家。
乔治·克劳森出生在伦敦1852年4月18日,丹麦裔装饰艺术家的儿子。从1867年到1873年,他参加了设计类南肯辛顿学校在伦敦取得了巨大的成功。然后他的工作室工作埃德温长RA,随后在巴黎Bouguereau和托尼Robert-Fleury在Academie朱利安.他是一个崇拜者的自然主义画家朱尔斯Bastien-Lepage关于他在1888年和1892年写道。
克劳森成为最早的现代画家的景观和农民的生活,在一定程度上的影响印象派画家,与他共享认为光线是真正的景观艺术的主题。他的照片擅长斑点户外阳光下呈现事物的外观,或阴暗的避难所的谷仓或稳定。他的女友在大门口被钱获得受托人,现在在泰特美术馆.
克劳森的创始成员新英语艺术俱乐部在1886年。1895年,他当选了皇家艺术学院的联系起来在1906年,一个完整的院士。作为皇家艺术学院绘画教授,他给了一个难忘的一系列讲座,学生们的学校,六幅专题发表(1904)和目标和理想在艺术(1906)。
克劳森在一战期间是一位官员战争艺术家在战争期间他女儿的未婚夫被杀,这一事件可能激发了他的画,青年哀悼,显示了一个入困境的年轻妇女哀悼在荒凉的景色。克劳森也贡献了六石版画的主题使政府打印组合英国出版的枪支和理想努力。
George Clausen was born in London on 18 April 1852, the son of a decorative artist of Danish descent. From 1867 to 1873, he attended the design classes at the South Kensington Schools in London with great success. He then worked in the studio ofEdwin Long RA, and subsequently in Paris under Bouguereau and Tony Robert-Fleury at the Académie Julian. He was an admirer of the naturalism of the painter Jules Bastien-Lepage about whom he wrote in 1888 and 1892.
Clausen became one of the foremost modern painters of landscape and of peasant life, influenced to a certain extent by the Impressionists, with whom he shared the view that light is the real subject of landscape art. His pictures excel in rendering the appearance of things under flecking outdoor sunlight, or in the shady shelter of a barn or stable. His Girl at the Gate was acquired by the Chantrey Trustees and is now at the Tate Gallery.
Clausen was a founding member of the New English Art Club in 1886. In 1895 he was elected an Associate of the Royal Academy, and a full Academician in 1906. As Professor of Painting at the Royal Academy he gave a memorable series of lectures to the students of the Schools, published as Six Lectures on Painting (1904) and Aims and Ideals in Art (1906).
Clausen was an official war artist during World War I. During the war his daughter's fiancé was killed; this event may have inspired his painting, Youth Mourning which shows a distressed young women mourning in a desolate landscape. Clausen also contributed six lithographs on the theme Making Guns for the Government published print portfolio Britain's Efforts and Ideals.
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