他出生，工作，并在巴黎去世。他的工作室是在街马萨林。他的臣民被涂上了一种坚定，坚实，表面光滑，这给了最高的完成的外观。这质地一天的方式和韦尔，作品还发现阿雷雅伯，路易·利奥波德罗伯特和让·奥古斯特·多米尼克·安格尔。在他的学生们的英国风景画家亨利·马克·安东尼，英国历史画家爱德华·阿米蒂奇和查尔斯·露西，以及美国画家/摄影师阿尔弗雷德BOISSEAU（1823年至1901年）。

展出第一德拉罗什照片是大的约兰节省约阿施（1822）。本次展览使他结识了西奥多·杰利柯和欧仁·德拉克洛瓦，与他形成了一大群巴黎历史画家的核心。他于1838年和1843年，当他的父亲在法律，访问了意大利霍勒斯·韦尔，是导演罗马法兰西学院。1845年，他被选进了设计的美国国家科学院，纽约，担任名誉院士。

德拉罗什的画，用自己的简单的技术和戏剧性的成分，变得非常普遍。他本质上应用相同的待遇遥远的历史时期的人物，基督教的创始人，和他自己一天的不同人物，如拿破仑在枫丹白露，拿破仑在圣赫勒拿岛，或绝代艳后离开她公约一句之后。

历史著作和准确性
他的戏剧作品包括斯特拉福德的带领下，以执行，描绘了英国大主教劳德伸展双臂从他的牢房祝福的小高层窗口的托马斯·温特沃斯，斯特拉福德的第1伯爵，为斯特拉福德沿着走廊传递给被执行，并且刺杀在布卢瓦的公爵吉斯。另一个著名的工作表明，红衣主教黎塞留在一个华丽的驳船，载着船前面的五首火星和德祢带到其执行。其他重要德拉罗什作品包括的中塔王子和拉热恩Martyre（显示一个年轻的女烈士浮尸在台伯河）。

德拉罗什的工作有时会包含史实不符。克伦威尔抬起棺材盖，看着的身体查尔斯是基于一个都市传奇，和夫人简·格雷的执行被表示为发生在一个地牢，这是严重不准确的。他往往更关心比历史真相戏剧性的效果：又见国王在警卫室，在那里罪恶的清教徒士兵打击烟草烟雾中的国王查尔斯的脸，伊丽莎白女王死在地面。

婚姻路易斯韦尔
德拉罗什对贺拉斯韦尔的女儿路易丝的爱情是他生命的激情吸收。他于1835年结婚的路易丝，其中一年他还展出了天使的负责人，这是基于对她的研究。据说德拉罗什从来没有从她的死亡的震惊中回过神来于1845年在31她的损失后，他产生了耶稣的事故精心制作的小图片序列中的时代激情。他重点关注的激情戏中人，如绘画，其中玛丽和使徒听到人群的欢呼耶稣通过苦难之路，而另一个在那里圣约翰护送她的儿子去世后，玛丽的家。

该半圆形
1837年德拉罗什收到的佣金，后来被称为伟大的图片半圆形，一个画面拉斐尔受以下因素影响雅典学院。这是一幅壁画27米（88.5英尺）长，在奖剧院的半圆形巴黎美术学院。该委员会来自该学校的建筑师，费利克斯密度板。这幅画描绘75各年龄段的伟大的艺术家，在谈话中，聚集在团体上的白色大理石台阶中央海拔两只手，其上的三个王位由创作者充满了最上面的帕台农神庙：建筑师菲迪亚斯，雕刻家伊克提诺斯，和画家阿佩利斯，象征着这些艺术的统一。

在这个庞大的组分供阴件他介绍了第二代还是缪斯，谁象征或统治艺术，靠在栏杆的台阶上，描绘理想化的女性形象。这幅画是不是壁画而是直接在油墙完成。德拉罗什完成了这项工作在1841年，但它大大由1855年他立即着手试图重新油漆和恢复工作烧毁，而是死于1856年11月4日，他已经完成大部分在此之前。恢复被完成约瑟夫-萨科罗伯特-弗勒里。
 

He was born, worked, and died in Paris. His studio is in the street mazarin. His subjects were painted with a firm, solid, smooth surface, which gave the highest finish appearance. This texture day and Maxwell, works also found ray Scheffer, Louis Leopoldrobert and Jean August Dominique Angel. In his students' English landscape painter Henry Mark Anthony, British history painter Edward Amidiqi and Charles Lucy, and American painter / photographer Alfred BOISSEAU (1823 to 1901).
The exhibition of the first photos of Delaroche's big savings Joash (1822) and. The exhibition enabled him to get acquainted with Theodore Jellico and Eugene Delacroix, with whom he formed the nucleus of a large group of Paris historical painters. He was in 1838 and in 1843, when his father in law, visited Italy Horace Weir, is director of Rome College France. In 1845, he was elected to the National Academy of Sciences, New York, as honorary fellow.

Delaroche's paintings, with their own simple technique and dramatic composition, became very common. He was essentially the same treatment application of distant history character, the founder of Christianity, and his own different characters of the day, such as Napoleon in Fontainebleau, Napoleon in St. Helena, or Marie Antoinette left her after a convention.
Historical works and accuracy
His plays include Stratford led to execution, depicts the British Archbishop laud stretched his arms and blessing from his cell high-rise window Thomas Wentworth, first Earl of Strafford, was transferred to Stratford along the corridor is executed, and the Duke of guise in the assassination of blois. Another famous work shows cardinal Richelieu in a gorgeous barge carrying a ship in front of the five Mars and Germany to bring it to its execution. Other important works of Delaroche in the tower and pull Martyre (Prince geuns showed a young female martyrs floating in the Tiber River).
Delaroche's work sometimes contains historical facts. Cromwell lifted the coffin cover and looked at the body of Charles was based on an urban legend, and the execution of Mrs. Jan Grey was represented as a dungeon that was seriously inaccurate. He tends to be more concerned with the dramatic effect than the historical truth: see the king in the guard room, where the evil Puritan soldiers fight tobacco smoke in the face of King Charles, Queen Elizabeth dies on the ground.
Marriage Luis Weir
Delaroche Horace's daughter Louise to love his life passion absorption. He married Louise in 1835, and one year he also exhibited the head of the angels, which was based on her research. It is said that Delaroche never came back from the shock of her death in 1845 in the 31 years after her loss, he produced a small sequence of pictures of Jesus's accident in the era of passion. He focuses on the passion of the play in the people, such as the paintings, where Marie and the apostles heard the crowd cheering Jesus through the road of suffering, while the other was there in Saint John to escort her son after the death of the home of the president of the state of the world, the home of the people of the world.
The half circle
Delaroche received a commission in 1837, which was later called the great picture of a semicircle, a picture of the influenced by the following factors of Athens college. This is a mural 27 meters (88.5 feet) long, in the award of the theater of the semi-circular Paris Academy of Fine Arts. The committee comes from the school's architect, Felix density board. This painting depicts the 75 great artists of all ages, in the conversation, gathered in groups on the white marble steps the elevation of two hands, three on the throne by the Creator with the top of the Parthenon Temple: Architect Faye Diaz, sculptor Ike Tino J, and painter A Perlis, a symbol of the unity of art.
In this huge component for the shade he introduced the second generation or Mousika, who symbolizes or rules art, leaning on the railing of the stairs, depicting the idealized image of women. Is this painting a mural instead of a wall. Delaroche completed the work in 1841, but it was greatly reduced by 1855, he immediately started to try to re paint and restore the work to burn, but died in November 4, 1856, he had completed most of it before. Recovery is completed Joseph Sarkozy's Robert fleury.