阿利桑得欧·阿楼瑞作品

阿利桑得欧·阿楼瑞，佛罗伦萨人，意大利巴洛克风格画家，1535年5月31——1607年9月22日，擅长人物肖像的创作。运用简单的线条，就可以刻画人物的特点，惟妙惟肖，表情丰富，准确反映出人物的内心以及所要表达的情感。

阿利桑得欧·阿楼瑞生于佛罗伦萨，1540年，他父亲死后，阿利桑得欧·阿楼瑞子在他父亲的一位好朋友，画家安诺罗·布隆奇诺那里学习绘画，所以，为了感谢老师，阿利桑得欧·阿楼瑞经常用老师的名字来命名他的作品。某种意义上说，阿利桑得欧·阿楼瑞是最后的一位佛罗伦萨画家。

阿利桑得欧·阿楼瑞跟着老师安德烈·德尔·萨托，画家学习，所以，风格上也就继承了巴洛克的风格。

阿利桑得欧·阿楼瑞的主要的代表作品有：《天使守护基督》《年轻男子的肖像》《女子肖像》等。

阿利桑得欧·阿楼瑞作品

Alessandro di Cristofano di Lorenzo del Bronzino Allori (Florence, 31 May 1535 – 22 September 1607) was an Italian portraitpainter of the late Mannerist Florentine school.

In 1540, after the death of his father, he was brought up and trained in art by a close friend, often referred to as his 'uncle', the mannerist painter Agnolo Bronzino, whose name he sometimes assumed in his pictures. In some ways, Allori is the last of the line of prominent Florentine painters, of generally undiluted Tuscan artistic heritage: Andrea del Sarto worked with Fra Bartolomeo (as well as Leonardo da Vinci), Pontormo briefly worked under Andrea, and trainedBronzino, who trained Allori. Subsequent generations in the city would be strongly influenced by the tide of Baroque styles pre-eminent in other parts of Italy.

Freedberg derides Allori as derivative, claiming he illustrates "the ideal of Maniera by which art (and style) are generated out of pre-existing art." The polish of figures has an unnatural marble-like form as if he aimed for cold statuary. It can be said of late phase mannerist painting in Florence, that the city that had early breathed life into statuary with the works of masters like Donatello andMichelangelo, was still so awed by them that it petrified the poses of figures in painting. While by 1600 the Baroque elsewhere was beginning to give life to painted figures, Florence was painting two-dimensional statues. Furthermore, in general, with the exception of the Counter-Maniera (Counter-Mannerism) artists, it dared not stray from high themes or stray into high emotion.

Among his collaborators was Giovanni Maria Butteri and his main pupil was Giovanni Bizzelli. Cristoforo del Altissimo, Cesare Dandini,Aurelio Lomi, John Mosnier, Alessandro Pieroni, Giovanni Battista Vanni, and Monanni also were his pupils.^[1] Allori was one of the artists, working under Vasari, included in the decoration of the Studiola of Francesco I.

He was the father of the painter Cristofano Allori (1577–1621).