尼古拉斯Froment(c。1435,是乌斯,加尔省- c。1486阿维尼翁)是一个法国的画家意大利文艺复兴早期。尼古拉斯Froment是第二个最著名的代表之一阿维尼翁学院(高等d 'Avignon),一群艺术家在阿维尼翁的教皇的法院,他们从1309年到1411年,设在阿维尼翁.

他受到的佛兰德的风格是哥特式的最后阶段的特点。 

他进行了油漆的装饰画12 1470年2月在Aix一个富有的寡妇叫凯瑟琳Spifami;在面板的中心是一个描绘玛丽之死,侧板,圣徒抹大拉的马利亚和凯瑟琳。他认为从这个timetime很多作品,但这些归因可以被认为是可靠的。

这一组的一个最有趣的工作是祭坛装饰des Perussis或Perussis装饰画Golgatha描绘了空交叉的崇拜,和位于纽约的大都会博物馆。

作品

• 拉撒路的复活,三联画,(1461),弗洛伦斯,广场degli乌菲兹.
• 的Matheron记事板,(v.1475),油画,17 x 26厘米,巴黎,卢浮宫.
• Le Buisson热心、三联(1475 - 1476),蛋彩画在木材、410 x 305厘米,艾克斯,Saint-Sauveur路上.
• 的传说圣主教法冠(约1470),木油,艾克斯,Saint-Sauveur路上。

•  

• 

  基督和圣玛莎
  左面板复活的拉撒路

• 

  中央面板三部曲的拉撒路的复活

• 

  侧板的三部曲的燃烧的树丛

• 

  的Matheron双连画

• 

  圆的尼古拉•Froment Perussis装饰画大都会艺术博物馆

Nicolas Froment (c. 1435, Uzès, Gard – c. 1486 in Avignon) was a French painter of the Early Renaissance. Nicolas Froment is one of the most notable representatives of the Second School of Avignon, (École d'Avignon), a group of artists at the court of the Popes in Avignon, who were located there from 1309 to 1411, in Avignon.

He was influenced by the Flemish style that characterizes the last phase of the Gothic

He undertook to paint an altarpiece 12 February 1470 in Aix for a rich widow called Catherine Spifami; in the center of the panel is a depicting the Death of Mary, and on the side panels, the Saints Mary Magdalene and Catherine are shown. He was attributed a number of works from this timetime, but none of these attributions can be considered reliable.

One of the most interesting work of this group is the Retable des Pérussis or The Pérussis Altarpiece , depicts the adoration of the empty cross on Golgatha, and is located at the Metropolitan Museum in New York.