生活

九、委托方私自复印1月出生安特卫普作为一个富有的商人的儿子。他是1611年3月15日受洗。1621年,他在安特卫普注册公会的圣路加福音当学徒的Hans van den Berghe(也称为“马瑞医生Jan van den”),一位荷兰画家和制图员培训Goltzius在哈勒姆后来鲁本斯在安特卫普。Fyt然后可能完成他的训练和领先的安特卫普动物画家弗朗斯·斯奈德从1629年到1631年。他成了主人的安特卫普公会的圣路加福音1630年。

后出发前往欧洲南部,1633年Fyt停止一段时间巴黎。他在前往意大利。他在威尼斯著名Sagredo和这座塔楼家庭。在意大利期间,他最有可能访问了那不勒斯,佛罗伦萨和热那亚。他居住在罗马在1635年。他加入了Bentvueghels主要是荷兰和佛兰德艺术家协会在罗马工作。这是惯例Bentvueghels采取一个吸引人的昵称,所谓的“弯曲的名字”。Fyt据说鉴于弯曲的名字“Goudvink”(“红腹灰雀”)。意大利艺术历史学家圣安东尼奥Orlandi九、委托方私自复印1704年声明在他Abecedario pittorico还花时间在西班牙和伦敦。

九、委托方私自复印在1641年被记录在安特卫普,他依然活跃在他的生活的其余部分除了短暂的旅行荷兰共和国他被认为是同年。Fyt跑一个成功的工作室在安特卫普,产生了许多他的作品的副本。他成为一个富有的人,保持与顾客的联系网络和艺术经销商国内外。他经常提到在安特卫普的司法文书与纠纷和案件与其他画家和他的家人的钱。

Fyt加入了公会的天主教徒在1650年。天主教徒的公会是一个社会的名人和艺术家活跃在安特卫普从16到18世纪。这是一个条件的会员成员访问了罗马。九、委托方私自复印1652年协会选择了院长。

Fyt嫁给弗朗索瓦丝van de Sande 1654年3月22日,这对夫妇有四个孩子。他死于1661年9月11日安特卫普。

Fyt的学生包括彼得·伯和杰奎斯van de Kerckhove九、委托方私自复印Pieter伯尔的风格仍然非常接近。

工作

Fyt是一个多才多艺的静物专家。虽然更好地了解他的狩猎、游戏和动物部分他也画美丽的静物作品用鲜花和水果。他非常多产和被认为是产生大约280画,他们中的许多人签名和日期。他的作品被重要的艺术收藏家的追捧,现在许多领先的国际博物馆的收藏。

Fyt动物静物画通常比弗朗斯·斯奈德更精致,他主要是为了满足贵族顾客的口味。他的调色板是可能影响他的意大利艺术和斯奈德的比这更引人注目。他的作品展示逐渐更多的动态运动和不对称。yt疯狂的不安的笔触,他的自由和更多的巴洛克式的构图风格也不同的斯奈德。Fyt特别熟练的精致呈现各种动物的毛皮和羽毛纹理描述。

猎枪

Fyt创新狩猎的类型片通过移动死亡游戏的场景从室内桌面显示到一个开放的格局。

他是第一个艺术家描绘打猎的游戏作为一门学科而不是食物显示在家庭或厨房。他没有水果和蔬菜在他的游戏作品,而是狗形成狩猎场景在一个户外景观的一部分。游戏不再显示为食物但作为战利品,这些作品被称为奖杯。这种新方法的显示游戏九、委托方私自复印作为狩猎造成的一部分,在这些作品包括狩猎设备和工具。猎犬发挥重要作用在这些片段,一起狩猎设备他们指出,邻近的主人。Fyt偶尔包括个人和家庭的画像在这些游戏金币。当狩猎当时仍然留给贵族消遣,富裕的城市精英九、委托方私自复印急于获得与这些令牌的游戏作品来装饰他们的房子的生活方式只有贵族。

他的一些比赛片段显示场景仿佛看穿一个动物的眼睛目睹现场。一个例子是死亡游戏,黄鼠狼1642年(c。底特律艺术学院)。采用动物的观点一直是九、委托方私自复印解释为反思的新哲学和科学思想的异同动物和人类意识是在17世纪的欧洲。

Fyt创新游戏作品影响力的艺术家练习类型在法国和荷兰共和国。

合作

当时的风俗安特卫普、Fyt合作定期与其他画家图等专业在其他领域,景观或建筑绘画。他因此依赖图画家等科尼利厄斯Schut,托马斯Willeboirts Bosschaert甚至有时雅各Jordaens并在图和建筑等画家伊拉斯谟Quellinus二世.

图纸

九、委托方私自复印1月产生了许多图纸的动物通常基于研究来自大自然。赫米蒂奇拥有大型水粉颜料画的狐狸打猎。丰富的色彩和认真执行,目的可能是为tapestry卡通作为一个模型。

雕刻

Fyt是一个完成的腐蚀装置他产生了一系列的蚀刻版画描绘主要动物和狗。这些发表在他的生命时间两组分别引用的狗和的动物。8集打印的狗系列于1642年出版。标题板显示了两个狩猎犬的基座与西班牙也卡洛Guasco奉献,侯爵的Soleno出版的赞助人。中间的其他板块显示狗的各种活动和情况。

的动物是一组8描绘比利山羊,一头牛,一匹马,一个伏卧的狗,一个伏卧牛,马车附近的一棵树,伏卧牛和两个狐狸。

Life

eagle

9. The client copies the son of Antwerp, a wealthy businessman, born in January. He was baptized on March 15, 1611. In 1621, Hans van den Berghe (also known as "Dr. Mary Jan van den"), a Dutch painter and cartographer, registered as an apprentice in St. Luke's Gospel in Antwerp, trained goltzius in Harlem and later Rubens in Antwerp. FYt may then complete his training with leading Antwerp animal painter Frans Snyder from 1629 to 1631. He became the master of the Antwerp Anglican Church of St. Luke in 1630.

After that, he left for southern Europe. In 1633, fYt stopped in Paris for a while. He is on his way to Italy. He is famous for sagredo and the tower family in Venice. While in Italy, he was most likely to visit Naples, Florence and Genoa. He lived in Rome in 1635. He joined bentvueghels mainly in the Netherlands and the Flemish Artists Association in Rome. It's customary for bentvueghels to take an attractive nickname, the so-called "curved name.". FYt is said to have given the curved name "goudvink" (the "red bellied sparrow"). Italian art historian San Antonio orlandi IX. the client copied the statement of 1704 without permission. In his abecedario pittorico, he also spent time in Spain and London.

Diana's hunting, collaboration and Thomas willeboirts bosschaert

9. The client made a private copy which was recorded in Antwerp in 1641. He is still active in the rest of his life except for a short trip to the Dutch Republic, which is considered the same year. FYt runs a successful studio in Antwerp, producing many copies of his work. He became a wealthy man, maintaining contact with customers and art dealers at home and abroad. He often mentioned judicial documents and disputes in Antwerp and cases with other painters and his family's money.

FYt joined the guild of Catholics in 1650. Catholic guilds are a society of celebrities and artists active in Antwerp from the 16th to 18th centuries. It is a condition for members to visit Rome. IX. the entrusting party copied the president of the association in 1652 without permission.

FYt married Francois Van de Sande on March 22, 1654. The couple had four children. He died in Antwerp on September 11, 1661.

FYt's students, including Peter bur and Jacques Van de Kerckhove IX, and the client's style of copying Pieter Bure privately, are still very similar.

Chasing the spoils of a dog

FYt is a versatile still life expert. Although he had a better understanding of his hunting, game and animal parts, he also painted beautiful still life works with flowers and fruits. He was very prolific and was thought to have produced about 280 paintings, many of them signed and dated. His works are sought after by important art collectors and are now collected in many leading international museums.

FYt animal still life paintings are usually more refined than Francis Snyder's, mainly to satisfy the taste of noble customers. His palette is likely to influence his Italian art and Snyder more dramatically than that. His works show gradually more dynamic movement and asymmetry. YT's frantic and uneasy brushwork, his freedom and more Baroque composition style are also different from Snyder's. FYt is particularly skilled at presenting the fur and feather texture descriptions of various animals.

Shotgun

FYt's innovative hunting genre shows the scene of the mobile death game from the indoor desktop to an open pattern

The dog of the game of death

He was the first artist to paint hunting games as a discipline rather than food displayed in the home or kitchen. He doesn't have fruit and vegetables in his game works, but dogs form part of a hunting scene in an outdoor landscape. Games are no longer displayed as food but as trophies, these works are called trophies. This new method of displaying game 9, the client copies the game as part of the hunt, including hunting equipment and tools in these works. Hounds play an important role in these clips, together with hunting equipment that they point out to neighboring owners. FYt occasionally includes portraits of individuals and families in these game gold coins. When hunting was still reserved for the aristocrats, the rich urban elite IX, the entrusting party privately copied the game works eager to obtain with these tokens to decorate their houses in a way of life only the aristocrats.

Some of his game footage shows the scene as if seeing through an animal's eyes to see the scene. An example is the game of death, the weasel, 1642 (C. Detroit Institute of Art). Adopting the view of animals has always been 9. The entrusting party copied and interpreted the similarities and differences between the new philosophy and scientific thought for reflection without permission. The animal and human consciousness were in Europe in the 17th century.

FYt's innovative game works influence the type of artist practice in France and the Netherlands.

cooperation

Depicting a boy, a man with Erasmus quellinus II

At that time, Antwerp and fYt cooperated regularly with other painters in other fields, such as landscape or architectural painting. He therefore relied on artists such as Cornelius Schut, Thomas willeboirts bosschaert and sometimes James Jordaens and Erasmus quellinus II in painting and architecture

Drawing

9. The animals that the entrusting party copied many drawings in January are usually based on the research from nature. Hermitage has a large gouache painting of fox hunting. Rich colors and careful execution may be the goal for tapestry cartoons as a model.

FYt is a finished etching device that produces a series of etched prints depicting major animals and dogs. These ones here