格拉尔·德·特鲍赫作品集

传

杰拉德之三博创生于1617年十二月兹沃勒在省上艾瑟尔在荷兰共和国。 

他接到了父亲优秀的教育杰拉德之三博创长辈，也是一个艺术家，并很早就开发了他的才华。在头部的研究铭文证明，泰尔博创在阿姆斯特丹在1632年，他在那里下可能影响威廉Cornelisz Duyster或彼得Codde。Duyster的影响力可以在画面注明日期为1638追查，在lonides遗赠（维多利亚和阿尔伯特博物馆）。1634年师从彼得·Molijn在哈勒姆。哈勒姆期间的记录是咨询在（1635），柏林画廊。 

1635年他在伦敦，随后他在德国，法国，西班牙和前往意大利。他的姐姐Gesina也成了画家。可以肯定的是他在罗马在1641年，当他画上的铜人像小扬六，一位年轻的女士（六集，阿姆斯特丹）和一个绅士（DMK收集Nuermberg）的画像。1648年，他在明斯特的过程中，凡批准和平条约大会的会议西班牙人和荷兰人之间，并执行他的著名的小图片，画在铜，组装全权代表 -a工作当中，随着肖像一的男子站在，现在代表在伦敦国家收藏的大师。图片由赫特福德在侯爵买Demidoff销售为1280，并提交给国家美术馆由理查德·华莱士爵士，在他的秘书，约翰·穆雷斯科特爵士的建议。

这时泰尔博创应邀访问马德里，在那里他获得就业和爵位的荣誉腓力四世，但是，在一个阴谋的结果，这是说，他被迫返回荷兰。他似乎已经居住在哈勒姆时间; 但他终于落户芬特尔，在那里他成为镇议会，因为这是他现在出现在画像在海牙的画廊中的一员。他于1681年在戴芬特死亡

作品

泰尔博创是流派科目的显著画家。他知道他在窗帘的质地呈现，例如在信件和英勇的对话，由刻有约翰·格奥尔格WILLE。

泰尔博创的作品是比较罕见的; 大约80个已编目。这些六是在冬宫，六在柏林博物馆，五在卢浮宫，四在德累斯顿博物馆，三在盖蒂中心，两个在华莱士收藏。一对画像的位置在科科伦画廊在华盛顿特区，突出表现在2010年布莱克高普尼克。

艺术家的绘画求婚者的访问，C。1658布面油画，在安德鲁·梅隆收集80×75厘米（31½×29 9/16英寸），于封面用玛丽莲Stokstad的第二版艺术史。

Gerard ter Borch

From Wikipedia, the free encyclopedia

Biography

Gerard ter Borch was born in December 1617 in Zwolle in the province ofOverijssel in the Dutch Republic

He received an excellent education from his father Gerard ter Borch the Elder, also an artist, and developed his talent very early. The inscription on a study of a head proves that Ter Borch was at Amsterdam in 1632, where he studied possibly under Willem Cornelisz Duyster or Pieter Codde. Duyster's influence can be traced in a picture bearing the date 1638, in the lonides Bequest (Victoria and Albert Museum). In 1634 he studied underPieter de Molijn in Haarlem. A record of this Haarlem period is theConsultation (1635) at the Berlin Gallery.

In 1635 he was in London, and subsequently he travelled in Germany, France, Spain and Italy. His sister Gesina also became a painter. It is certain that he was in Rome in 1641, when he painted the small portraits on copper of Jan Six ,A Young Lady(Six Collection, Amsterdam) and the portrait of a Gentlemen (DMK Collection Nuermberg). In 1648 he was at Münster during the meeting of the congress which ratified the treaty of peace between the Spaniards and the Dutch, and executed hiscelebrated little picture, painted upon copper, of the assembled plenipotentiaries—a work which, along with the a portrait of a Man Standing, now represents the master in the national collection in London. The picture was bought by the marquess of Hertford at the Demidoff sale for 1280, and presented to the National Gallery by Sir Richard Wallace, at the suggestion of his secretary, Sir John Murray Scott.

At this time Ter Borch was invited to visit Madrid, where he received employment and the honour of knighthood fromPhilip IV, but, in consequence of an intrigue, it is said, he was obliged to return to the Netherlands. He seems to have resided for a time in Haarlem; but he finally settled inDeventer, where he became a member of the town council, as which he appears in the portrait now in the gallery of the Hague. He died at Deventer in 1681

Works

Ter Borch is a significant painter of genre subjects. He is known for his rendering of texture in draperies, for example in The Letter and in The Gallant Conversation, engraved by Johann Georg Wille.

Ter Borch's works are comparatively rare; about eighty have been catalogued. Six of these are at the Hermitage, six at the Berlin Museum, five at the Louvre, four at the Dresden Museum, three at the Getty Center,and two at the Wallace Collection.  A pair of portraits are located at the Corcoran Gallery in Washington D.C., highlighted in 2010 by Blake Gopnik.

The artist's painting The Suitor's Visit, c. 1658, oil on canvas, 80 x 75 cm (31½ × 29 9/16 in.) in the Andrew W. Mellon Collection, was used on the cover of Marilyn Stokstad's second edition of Art History.