传记

他出生在摘录之间的一个村庄博洛尼亚和费拉拉。早年他就获得了绰号Guercino“斜视”(意大利语)因为他是斗鸡眼.主要是自学成才的,16岁时,他在店里做学徒Benedetto Gennari的画家波伦亚的学校.到1615年,他搬到博洛尼亚,他的工作被称赞卢多维Carracci。Guercino画两个大画布,以利亚的乌鸦和参孙被非利士人,因为红衣主教塞拉费拉拉,教皇使节。这些画有一个鲜明的博物学家Caravaggesque风格,虽然不太可能Guercino看到任何罗马卡拉瓦乔第一手的。

阿卡迪亚的牧人(Et在世外桃源的自我)同时绘于1618年的玛尔叙阿斯的剥皮阿波罗在宫殿彼蒂。它的戏剧性的成分是典型的Guercino的早期作品,这往往是混乱。他经常声称,他早期的风格受到的画布卢多维Carracci,他看到在集句卷尾教堂。他后来的一些作品更接近他的现代风格圭多雷尼,并涂上更多的明度和清洁度。

职业生涯

他被Marchese推荐恩佐监理、牛肉面Ludovisi教皇,教皇格里高利十五。1621年他在罗马,23岁,非常富有成效。从这一时期是他的壁画极光的赌场别墅Ludovisi的天花板圣Crisogono(1622)的圣Chrysogonus荣耀,教皇格里高利十五(现在的肖像盖蒂博物馆和圣Petronilla埋葬或圣Petronilla祭坛的装饰品梵蒂冈(现在的博物馆Capitolini),这被认为是他的杰作。

死后Gregory十五Guercino回到他的家乡。1626年,他开始了他的壁画在大教堂的皮亚琴察。他的职业生涯在1629年之后的细节都记录在帐簿,西西里一些孔蒂di Casa巴比里Guercino和他的兄弟保罗·安东尼奥·巴比里保持更新,已保存。在1618年至1631年之间,Giovanni Battista Pasqualini生产了67文档Guercino的早期生产的雕刻,这一些孔蒂不包括在西西里。死后1642年,圭多雷尼Guercino他繁忙的车间搬到博洛尼亚,成为这座城市的主要画家。1655年,方济会的雷焦付给他300金币的圣路加福音显示一幅装饰画麦当娜和孩子(现在Nelson-Atkins艺术博物馆堪萨斯城)。Corsini还付给他300金币为基督的鞭打创作于1657年。

Guercino非凡的极限速度的执行:他完成不少于106家大型教堂圣坛雕刻,和他的其他作品数量约144。他也是一位多产的绘图员。他生产包括许多图纸,通常在油墨、水洗墨水,或红色的粉笔。他们中的大多数是作为他的画作预备研究,但他也画风景,题材、漫画为自己的享受。Guercino图纸以流利的风格而闻名,“快速、书法笔画与点相结合,破折号,和并行孵化行描述形式”。Guercino继续画画,教直到1666年去世,积累一个显著的财富。他没有结婚,他的财产传给他的侄子和学生,Benedetto Gennari二世和凯撒Gennari.他的学生包括朱里奥Coralli,朱塞佩Bonati费拉拉,Cristoforo塞拉切塞纳,父亲凯撒Pronti费拉拉,Sebastiano Ghezzi,Sebastiano Bombelli,洛伦佐Bergonzoni博洛尼亚,弗朗西斯科·屋布雷西亚,Benedetto Zallone摘录,马特奥爱.

biography

He was born in a village between Bologna and Ferrara. He got the nickname Guercino "squint" (Italian) in his early years because he was a cockfighting eye. He was mainly self-taught. At the age of 16, he worked as an apprentice in the shop, Benedetto gennari's painter Bologna's school. By 1615, he moved to Bologna and his work was praised by ludovici Carracci. Guercino painted two large canvases, Elijah's crows and Samson by the Philistines, because cardinal Serra Ferrara, the Pope's envoy. These paintings have a distinctive naturalist caravagesque style, although it is unlikely that Guercino saw any Roman Caravaggio first-hand.

Arcadia's Shepherd (ET's self in the paradise) was also painted in 1618 by marxuas's skinned Apollo in the palace of Pitty. Its dramatic element is typical of Guercino's early works, which are often chaotic. He often claims that his early style was influenced by the canvases of ludovici Carracci, which he saw in the epilogue chapel. Some of his later works are closer to his modern style guidoreni and are painted with more brightness and cleanliness.

Career

He was recommended by Marchese to Enzo, Pope Ludovisi, Pope Gregory 15. In 1621 he was in Rome, 23, very productive. From this period was his fresco of the aurora casino villa Ludovisi with the ceiling of St. crisogono (1622) with the glory of St. chrysogonus, Pope Gregory 15 (now the portrait of the Getty Museum and the burial of St. Petronilla or the decoration of the altar of St. Petronilla in the Vatican (now the Museum of Capitolini), which is considered to be his masterpiece.

After his death, Gregory 15 Guercino returned to his hometown. In 1626, he began his murals in the Cathedral of Piacenza. The details of his career after 1629 are recorded in the books, and some contidi Casa barberi Guercino and his brother Paolo Antonio barberi in Sicily are kept up-to-date and preserved. Between 1618 and 1631, Giovanni Battista pasqualini produced 67 documents of the early production of sculptures by Guercino, some of which are not included in Sicily. After his death in 1642, Guercino, guidoreni's busy workshop, moved to Bologna and became the city's leading painter. In 1655, Franciscan Reggio paid him 300 gold coins for the gospel of St. Luke to display a decorative painting of Madonna and the child (now Nelson Atkins Art Museum, Kansas City). Corsini also paid him 300 gold coins for Christ's whipping in 1657.

Guercino's extraordinary extreme speed of execution: he completed no less than 106 Cathedral shrines, and the number of his other works is about 144. He is also a productive draftsman. His production includes many drawings, usually in ink, wash ink, or red chalk. Most of them are for his preliminary study of painting, but he also draws landscapes, themes and comics for his enjoyment. Guercino drawings are known for their fluency, "fast, calligraphy strokes combined with dots, dashes, and parallel incubator descriptions.". Guercino continued to draw and teach until his death in 1666, accumulating a remarkable fortune. He was not married, and his property passed on to his nephew and students, Benedetto gennari II and Caesar gennari. His students include Julio coralli, Giuseppe bonati Ferrara, Cristoforo celacesena, father Caesar pronti Ferrara, sebastino Ghezzi, sebastino Bombelli, Lorenzo bergonzoni Bologna, Francisco obricia, Benedetto zalone excerpt, Matteo love