亨丽埃塔.李博Henrietta Rae

亨丽埃塔.李博Henrietta Rae（1859年12月30日——1928年1月26日），英国画家。

中文名亨丽埃塔.李博
外文名Henrietta Rae
性别女
国籍英国
出生地伦敦
出生日期1859年12月30日
逝世日期1928年1月26日
职业画家

传

在出生于1859年12月30日哈默史密斯，伦敦，李博是最年轻七个孩子。她的父亲是公务员，母亲的音乐天赋的学生门德尔松。她的叔叔，查尔斯·雷伊，是艺术家和学生乔治·克鲁克香克。

她开始在十三岁学习艺术，在艺术的皇后广场学校，是教育艺术Heatherley的学校（作为其第一个女学生），以及大英博物馆。据报道，李博适用于皇家艺术学院，最终获得了七年之前奖学金学校至少五次。她的老师有包括弗兰克·伯纳德·迪克西，威廉·鲍威尔·弗里思和爵士劳伦斯·阿尔玛-塔德玛 ; 最后这些对Rae的后期工作影响力最强。

1881年开始，李博成了一年一度的皇家艺术学院演出频繁参展商。她她的职业生涯中获得肯定和成功的早期，专门从事古典，寓言和文学科目，这往往在盛大的风格和规模治疗。她在金星的王座赛琪（1894）7英尺（370 210厘米）测得的12和包含13数字。在全国同古典静脉她的许多其他的画，欧律狄刻（1886年）在展览会获得奖牌巴黎并在世界的哥伦比亚博览会在芝加哥。

她的画伊莱恩护兰斯洛特的盾（1885）提请灵感来自丁尼生的诗，她的绘画理查德·惠廷顿先生配药他的慈善机构从（1900年）中世纪的商人和伦敦四次市长。她还画了许多社会上突出保姆，包括dufferin阁下于1901年Rae的1891年图片南丁格尔，南丁格尔小姐斯库台（1854） ，经常被复制为夫人的灯，被公认为是她最著名的作品。

1884年，她嫁给了同乡的艺术家，欧内斯特·诺曼德。他们有两个孩子，一个儿子（出生于1886年）和一个女儿（出生于1893年）。亨丽埃塔李博把她的娘家姓结婚后，她就已经开始建立自己的使用情况下，声誉-当时的一个不寻常的选择。她和丈夫住在荷兰公园用一天的许多其他艺术家的Normands被“采纳为老画家人，其中他们住。他们的工作室不断走访的亲信顿，米莱斯，普林塞普，瓦，和其他人。“ 的关注并不总是受欢迎的。在她的回忆录中，李博描述有时霸道态度和高级工艺美术师的行为。在一个案例中，普林塞普把他的拇指钴蓝色油漆和标记的Rae的照片之一。作为回报，李博“不小心”烧她的炉子他的帽子。最后，在1893年Normands搬到上诺伍德，成为一个工作室，这是定制由诺曼德的父亲他们。

该Normands前往巴黎在1890年的研究Académie朱利安与儒勒·约瑟夫列斐伏尔和让-约瑟夫·本杰明恒。1897年举办的李博女性艺术家的作品展为禧维多利亚女王。

就像她的时间一些其他的女艺人，评审工作的支持者女权主义和妇女的参政权。

她死于1928年1月，26日。

English Introduction

Biography

Born on 30 December 1859 in Hammersmith, London, Rae was the youngest of seven children. Her father was a civil servant, and her mother a musically-talented student of Felix Mendelssohn. Her uncle, Charles Rae, was an artist and a student of George Cruikshank.

She began studying art at the age of thirteen, and was educated at the Queen Square School of Art, Heatherley's School of Art (as its first female pupil), and the British Museum. Rae reportedly applied to the Royal Academy schools at least five times before eventually gaining a seven-year scholarship. Her teachers there included Frank Bernard Dicksee, William Powell Frith, and Sir Lawrence Alma-Tadema; the last of these had the strongest influence on Rae's later work.

Beginning in 1881, Rae became a frequent exhibitor at the annual Royal Academy shows. She gained recognition and success early in her career, specializing in classical, allegorical, and literary subjects, which were often treated in a grand style and scale. Her Psyche at the Throne of Venus (1894) measured 12 by 7 feet (370 by 210 cm) and contained 13 figures.^[3] Among her many other paintings in the same classical vein, Eurydice (1886) won medals at exhibitions in Paris and at the World's Columbian Exposition in Chicago.

Her painting Elaine Guarding the Shield of Lancelot (1885) drew inspiration from a Tennyson poem, and her painting Sir Richard Whittington Dispensing His Charities (1900) from the medieval merchant and four-time Lord Mayor of London. She also painted many socially prominent sitters, including Lord Dufferin in 1901. Rae's 1891 picture of Florence Nightingale, Miss Nightingale at Scutari (1854), was frequently reproduced as The Lady with the Lamp, and is recognized as her best-known work.

In 1884, she married fellow artist, Ernest Normand. They had two children, a son (born in 1886) and a daughter (born in 1893). Henrietta Rae kept her maiden name after marriage as she had already begun to establish her reputation under its use — an unusual choice at the time. She and her husband lived inHolland Park with many other artists of the day The Normands were "adopted as the proteges of the older artists among whom they lived. Their studio was constantly visited by Leighton, Millais, Prinsep,Watts, and others." The attention was not always welcome. In her memoirs, Rae described the sometimes overbearing attitudes and conduct of senior artists. In one case, Prinsep dipped his thumb in cobalt blue paint and marked up one of Rae's pictures. In return, Rae "accidentally" burnt his hat on her stove.Finally, in 1893 the Normands moved to Upper Norwood, into a studio that was custom-built for them by Normand's father.

The Normands travelled to Paris in 1890 to study at the Académie Julian with Jules Joseph Lefebvre andJean-Joseph Benjamin-Constant. In 1897 Rae organised an exhibition of the work of female artists for the Jubilee of Queen Victoria.

Like some other female artists of her time, Rae was a supporter of feminism and women's suffrage.

She died on the 26th of January, 1928.