约阿希姆·布克莱尔Joachim Beuckelaer

约阿希姆·布克莱尔Joachim Beuckelaer（1533年—1573年），佛兰德画家

中文名约阿希姆·布克莱尔
外文名Joachim Beuckelaer
性别男
国籍佛兰德
出生地安特卫普
出生日期1533年
逝世日期1573年
职业画家

生活

Beuckelaer出生在安特卫普,可能学会油漆车间的叔叔,Pieter Aertsen,他娶了他的姑姑。Aertsen最出名的是他的市场和厨房的场景,流派,Beuckelaer继续画画,当他在1560年确立了自己作为一个独立的主人。

工作

他的市场场景,像Aertsen,经常把圣经章节融入背景。^[4]他的四个元素系列,获得的伦敦国家美术馆在2001年,大规模的例证。水,例如,显示了一个鱼市场销售十二种类的鱼,代表十二个门徒的耶稣。通过一个拱门在后台可以看到基督的行走加利利海他复活后,使鱼奇迹般地出现在空网。

屠宰猪

Aertsen和Beuckelaer逐步发展的图像分离产生的世界他们早期的宗教内容混合图像。这些后来作品描绘的厨房或市场和人与这些活动相关,女性比男性多。后来的画作Beuckelaer显示一个更丰富的食品在市场上的场景,更重要的句首的女性农民一起沉浸在这些销售物品。Beuckelaer也产生一些鱼摊位的图像,通常与背景的宗教场景,但有时完全脱离任何额外的叙述或参考。

在1560年代,特别是在早期的十年中,他画一些纯粹的宗教作品,因为,与厨房和市场场景,图纸是已知的。在此期间他还设计了彩色玻璃。

Beuckelaer也采用绘画的数据等其他艺术家的作品Anthonis铁道部和Cornelis van Dalem.17世纪的传记作者卡雷尔·曼德声称,艺术家只能以较低的价格出售他的画,在他死后,他们才珍贵。然而,他后期的作品的大尺寸和车间变异产生的数量已经被视为成功的程度至少对他生命的终结。

他的静物画叫做屠宰猪的尸体1563年可能是最早的日期为这个主题的例子。

研究技术基础Beuckelaer的油画已经表明,他经常回收成分的产生从一个图像到另一个。他采用集群模式的项目通过轮廓明显不同,谱写新的图片。这种技术可以提高生产效率和降低成本的时间和精力。

他的工作是有影响力的画家在北部意大利,特别是Vincenzo皮 .

English Introduction

Life

Beuckelaer was born in Antwerp and possibly learned to paint in the workshop of his uncle, Pieter Aertsen, who had married his aunt. Aertsen was best known for his market and kitchen scenes, genres which Beuckelaer continued to paint when he established himself as an independent master in 1560.

Work

His market scenes, like Aertsen's, often incorporate biblical episodes into the background. His Four Elements series, acquired by the National Gallery, London in 2001,^[5] exemplifies this on a large scale. Water, for example, shows a fish market selling twelve kinds of fish, representing the twelve disciples of Jesus. Through an archway in the background Christ can be seen walking on the Sea of Galilee after his resurrection, making fish appear miraculously in empty nets.

Both Aertsen and Beuckelaer gradually developed images that detached the world of produce from the religious content of their earlier hybrid images. These later works depict either kitchens or markets and the persons associated with those activities, more often women than men. The later paintings by Beuckelaer show a greater profusion of foodstuffs in the market scenes, together with a more prominent foregrounding of female peasants immersed within these sales items. Beuckelaer also produced several images of fish stalls, often with background religious scenes, but sometimes completely separated from any additional narrative or reference.

During the 1560s, especially during the early part of the decade, he painted some purely religious works, for which, unlike the kitchen and market scenes, drawings are known. In this period he also made designs for stained glass.

Beuckelaer was also employed painting the figures in the work of other artists such asAnthonis Mor and Cornelis van Dalem.The 17th century biographer Karel van Manderclaimed that the artist was only able to sell his paintings at low prices, and that they only became prized after his deathHowever, the large size of his later works and the number of workshop variants produced has been taken as an indication of a degree of success at least towards the end of his life.

His still life of a carcass called Slaughtered Pig dated 1563 is likely the earliest dated example of this subject.

Research into the technique underlying Beuckelaer’s canvases has shown that he often recycled compositions of his produce from one image to the next. He employed patterns of clustered items through tracings to compose new pictures with apparent variety. This kind of technique allowed him to increase production efficiency and cut costs in time and effort.^[6]

His work was influential on painters in Northern Italy, particularly Vincenzo Campi .

艺术官网信息声明

1、本站美术网信息均来自于美术家自己或其朋友、网络等方式，本站无法确定每条信息或事件的真伪，仅做浏览者参考。

2、只要用户使用本站则意味着该用户以同意《本站注册及使用协议》，否则请勿使用本站任何服务。

3、信息删除不收任何费用，VIP会员修改信息终身免费(VIP会员点此了解)。

4、未经本站书面同意，请勿转载本站信息，谢谢配合！

信息统计与维护

美术百科参考资料

1、Joachim Beuckelaer