胡安·格里斯（Juan Gris）原名荷西·维克托里阿诺·冈萨雷斯（José-Victoriano González），1887年生于马德里，1927逝于塞纳河畔布洛涅。西班牙画家，是最早的立体派艺术家之一，以装饰性写实静物画和拼贴画而著称。与毕加索、勃拉克同为立体主义风格运动的三大支柱。代表作品有《棋盘》和《静物与模具》等
 

1887年3月23日出生于西班牙马德里一个富裕的商人家庭。父亲是卡斯蒂里亚人，母亲是安达西亚人。
1902年，进入马德里美术工艺学校学习。
1906年，参加西班牙全国美展落选后，又逢家庭变故，兵役问题，恋爱受阻等重重打击。就此离开祖国，远赴巴黎，并在那里结识了毕加索·阿波利奈尔与贾科普等人。
1910年，开始创作立体主义绘画，1912年参加巴黎独立沙龙展，并于同年10月参加了立体主义黄金分割首次展览。
1913年，开始在绘画颜料中混合沙与灰作画。
1916年进入建筑的构成时期，1919年以幽默风趣的“小丑”为题材，从事立体主义造型。
1920年，身患胸膜炎。
1920年以后，开始探索一种将形象进行简化、概括的方法，使他的抽象画庄重且富有情趣。
1923年—1924年，担任佳吉列夫芭蕾舞团的舞台和服装设计。
1924年5月15日，格里斯向巴黎大学哲学与科学研究组作了《绘画的可能性》报告，以法、德、西文发表，影响巨大。

1925年，他获得更大的成功，画出了一些最完美、明朗的作品。而他的身体却每况愈下。1925年赴土伦，1926年赴耶尔。但温和的气候也未能使他康复，高血压和哮喘都愈来愈重。他到达布杰·德尼也时，尿毒症发作，被送回巴黎，于1927年5月11日去世。

胡安·格里斯是“立体主义绘画”画家。胡安·格里斯的绘画是立体主义的空间与文艺复兴的空间完美的结合。其画面的空间，是从立体主义的含糊性和多面性的结构，转向外部空间细部的稳定和清晰，这是用传统的文艺复兴式绘画的眼光所观察到的。格里斯是认识到这种双重观察方式的立体主义画家。

胡安·格里斯虽然不是立体主义的创业者，但他却是坚定的守护者。1906年，当胡安·格里斯初到巴黎时，正值毕加索与勃拉克开创的立体主义绘画崭露头角之机，对秩序感与几何形式的热爱，使得胡安·格里斯对立体主义一见倾心，并迅速成为其中的一员。发生于1909年至1914年左右的立体主义运动，则由毕加索、勃拉克、胡安·格里斯等人共同发起。他们将传统绘画中坚实体积的概念打破，将自然形体分解为种种几何切面。然后互相重叠，以块面表现出一种新的面体结构的造型语言。1912年开始，胡安·格里斯与毕加索等人放弃了分析立体主义的造型方法，转而使用一种全新的、在一幅画中使用多种材质反映、描绘物质世界的造型手段——拼贴，艺术史家将此阶段的艺术称之为综合立体主义。而后，毕加索与勃拉克又从综合立体主义回到了装饰风格，然而此时的两人开始迷茫、犹豫，不知道未来的路将何去何从。惟有胡安·格里斯仍坚定地恪守着综合立体主义的方向，坚持着自己独立的个人风格。
在胡安·格里斯看来，立体主义就是一种古典的精神状态。他坚持从同一视点出发，在固定的光源下塑造物体的明暗与体积；同样是对物体进行扭曲整合，但不同于毕加索与勃拉克的是，胡安·格里斯的画面表达更加条理清晰，具有更强的秩序感与规律性。其画作往往给人以明确且庄重的感觉。胡安·格里斯宗旨是：“绘画中的结构部分是数学与抽象的问题，我要赋予它人性化。”
与毕加索、勃拉克相比，胡安·格里斯的绘画色彩显得更纯粹、更响亮。胡安·格里斯认为“一幅画则是一种综合，就像所有建构是一种综合。平面且着色的建构即是绘画的技巧，是色彩与形的关系。”《吉他》（1913）是他的立体主义画作中色彩相当浓艳的一张油画。胡安·格里斯在这张画中仿佛直接从锡管中挤出颜料，橙、黄、蓝、绿、紫色组合极耀目、抢眼，然而晕染在轮廓边缘的象牙黑如同一支高性能的调和剂，压住了这些不协调因素。胡安·格里斯在此尽显了他的色彩天赋与控制高明度色彩的能力。整张画面因而显得统一明确、醒目响亮。
 

Juan Gerrish (Juan Gris) formerly known as Jose Victoriano Gonzalez (Jos -Victoriano, Gonz lez), was born in 1887 in Madrid, 1927 died in Boulogne sur Senna. The Spanish painter, is one of the earliest Cubist artists, with realistic decoration still life paintings and collages known. Black and Picasso, the same as the three pillars of cubism movement. Representative works are "board" and "still life and die" etc.
Born in March 23, 1887 in Madrid, Spain, a wealthy merchant family. My father is rusticus card, mother anda West people.
In 1902, entered Madrid art school.
In 1906, the national art exhibition in Spain after the election, on the change of the family service problem, love blocked heavy blow. To leave the country and went to Paris, and met Picasso Apollinaire and Jia et al where science.
In 1910, began writing the cubist paintings, 1912 to participate in the Paris independent salon, and in October the same year participated in the first exhibition of the golden section of cubism.
In 1913, he began to paint sand and ashes in paint.
In 1916 to enter the building form period, 1919 to humorous "clown" as the theme, in the form of cubism.
In 1920, suffering from pleurisy.
After 1920, began to explore a way to simplify the image, the generalization of the method, so that his abstract painting solemn and full of fun.
1923 - 1924, as Diaghilev ballet stage and costume design.
In May 15, 1924, Griess to the Paris University of science and philosophy research group made "the possibility of the painting" report, France and Germany, Western published a huge impact.
In 1925, he was even more successful, drawing some of the most perfect, bright works. And his body went from bad to worse. Go to Toulon in 1925, 1926 went to yale. But the mild climate also failed to make him recover, hypertension and asthma are getting heavier. He also came to Dabuje Denis, uremia attack, was sent back to Paris, died in May 11, 1927.
Juan Gerrish is the "Cubism" painter. Juan Gerrish's painting is a combination of space and Renaissance Cubism space perfect. The picture is from the vague space, structure and multi-faceted character of Cubism, turned to the external space of detail stable and clear, this is a Renaissance painting traditional vision observed. Griess is aware of the dual observation of cubism painter.Although Juan Gerrish is not a cubist entrepreneur, but he is a steadfast guardian. In 1906, when Juan Gerrish first arrived at Paris, when Picasso and Black started to emerge cubism in the machine, the order of love and geometric forms, makes Juan Gerrish to Cubism at first sight, and quickly become one of them. In 1909 to 1914 about cubism, by Picasso, Black, Juan Gerrish, et al. Co sponsored. They break the concept of a solid volume in the traditional painting and decompose the natural form into various geometric shapes. And then overlap each other, to block surface to show a new face structure of the modeling language. Beginning in 1912, to give up other analysis methods of cubism Juan Gerrish and Picasso et al., to use a new, using a variety of materials in a painting depicting the physical world, reflect other means of collage art historians of this stage art called synthetic cubism. Then, Picasso and Black from the Synthetic Cubism returned to decorative style, but two people at this time began to confusion, hesitation, do not know the future road will decide on what path to follow. But Juan Gerrish still firmly adhere to the Synthetic Cubism direction, adhere to their own personal style.
In the opinion of Juan Griess, cubism is a kind of classic mental state. He insisted on starting from the same point of view, shaping the intensity and volume of the object in a fixed light source; also distort the integration of objects, but unlike Picasso and Black, Juan Gerrish's paintings express more clarity, a sense of order and regularity is more. His paintings often give a clear and solemn feeling. The purpose of Juan Gerrish is: "the structural part of painting is the problem of mathematics and abstraction."
Compared with Picasso and Black, the color of the painting of the Chinese painting is more pure and louder than that of the other people in the world. The color of the painting is more pure and louder than that of the other, and the. Juan Gerrish said, "a picture is a synthesis, just as all construction is a synthesis. The construction of plane and color is the skill of painting and the relationship between color and form." "Guitar" (1913) is a painting of his paintings in the rich color of cubism. Juan Gerrish in the picture as if directly from the tin tube extrusion paint, orange, yellow, blue, green, purple combination, dazzling eye-catching, but blooming in the contour edge of ivory black as a high performance additive, on the uncoordinated factors. Juan Gerrish here shows his ability to control the color of the color and brilliance. Therefore, the whole picture is unified and clear.