查尔斯·弗雷德里克·戈尔迪Charles Goldie

查尔斯·弗雷德里克·戈尔迪 OBE(1870年10月20日- 1947年7月11日)是一个新西兰最出名的艺术家。

中文名查尔斯·弗雷德里克·戈尔迪
外文名Charles Goldie
性别男
国籍新西兰
出生地奥克兰
出生日期1870年10月20日
逝世日期1947年7月11日
职业艺术家

早期的生活

戈尔迪出生在奥克兰1870年10月20日。后,他被任命为他的外祖父,查尔斯·弗雷德里克·帕廷建造了具有里程碑意义的奥克兰风车。他的父亲,大卫·戈尔迪,是一位著名的木材商人和政治家,一个严格的原始卫理公会辞去奥克兰的市长而不是烤面包杜克大学和康沃尔公爵夫人和纽约用酒精。玛丽亚帕廷,他的母亲是一个业余艺术家和鼓励他的艺术才能。高迪是受过教育的奥克兰文法学校,同时还在学校获得了许多奖项从艺术和新西兰的奥克兰社会艺术学生协会。

艺术教育

戈尔迪研究艺术兼职在路易斯·约翰·斯蒂尔,离开学校后在父亲的业务工作。前新西兰州长先生,乔治灰色,印象深刻的两个戈尔迪在奥克兰的静物画,表现出艺术学院(斯蒂尔的艺术协会,其中戈尔迪名誉秘书)在1891年,他说服大卫·戈尔迪允许他的儿子到国外进行进一步的艺术培训。

在著名的戈尔迪去了巴黎Academie朱利安，戈尔迪收到了强烈的接地在绘画。

艺术生涯

他回到新西兰,1898年建立了“法国艺术学院”,路易斯·j·斯蒂尔曾在他离开之前他的导师。他们合作的到来的巨幅油画Māoris在新西兰,基于西奥多Gericault的美杜莎的木筏。它描绘疲惫、饥饿和stormtossed波利尼西亚水手看到土地由双体船经过长时间的旅行。它已被批评为历史上不准确(即使在当代人类学知识)的外观船员和船只和near-shipwreck描述的情况。然而,它被广泛赞扬。

戈尔迪和斯蒂尔分道扬镳之后不久,戈尔迪成立自己的工作室。从1901年他做了实地考察,以满足,草图和照片Māori人在自己的位置,他也支付Māori参观奥克兰为他坐。大多数这些首领参观祖国法院.

到目前为止戈尔迪的大部分受试者老年人,纹身Māori相当大的站在自己的社会。(纹身的实践(Tā文身制)不再是当前的时间,剩下的例子大多是老年人,这也是一个练习主要局限于个人地位。)

石油的画像在Te Papatahi戈尔迪(1902)。

戈尔迪的以后的工作主要是照片,作为他的老年模型已经死了。谣言产生的绘画是在机械的帮助下投影系统不是伯恩比较与油画的照片,虽然这个快捷方式显然是练习戈特弗里德林道市,另一个新西兰艺术家Māori肖像而闻名。

1920年10月31日戈尔迪前往悉尼,11月18日在50岁他娶了35岁的橄榄Ethelwyn Cooper,澳大利亚出生但奥克兰的居民。显然,婚姻在悉尼绕过戈尔迪家庭反对的奥克兰的著名艺术家和女帽设计师之间的关系从Karangahape道路的合算的买卖。

戈尔迪的健康恶化最终通过铅中毒的结合使用的铅白色(准备他的画布)和酗酒。他在1920年代产生的小工作。在总督的鼓励下,并且主戈尔迪恢复画约1930,在1934年和1935年他在伦敦的皇家艺术学院展出,1935年,1938年和1939年,法国的沙龙des艺人法语。

他在1941年完全停止绘画,于1947年7月11日享年1947岁。

著名的模特

高迪是奥克兰的基础,他的对象主要是那些来自上层的部落北岛.

Wiripine Ninia的Ngati那边

的Te Aho-o-te-Rangi Wharepu Ngati Mahuta(1905)

Te阿霍Te让依WharepuNgati Mahuta
在Te Papatahi(也称为Ena)Nga Puhi
Harata Rewiri Tarapata的Nga Puhi

荣誉

1935年,戈尔迪被授予英王乔治五世银禧奖章。不久之后,他被任命为一个大英帝国的军官服务艺术在新西兰在1935年国王的生日和银禧年的荣誉。

遗产

高迪的作品已被批评为“种族主义”,当然他举行了维多利亚时代的态度一起成长,Māori“死亡竞赛”,在许多方面不如欧洲人。然而,许多Māori他祖先的图像高度值。尽管一些批评人士考虑他的画作“不是艺术”,在极少数情况下出售他们卖高价,新西兰画作名列前茅。2008年3月,400000新西兰元(454000新西兰元包括买方溢价)是在奥克兰的一个国际艺术中心拍卖这幅画”Hori Pokai——睡眠,这温柔的东西。早些时候,530000新西兰元(589625美元包括买方溢价)是实现戈尔迪在线拍卖由费舍尔画廊工作。2010年11月19日歌剧女主角Kiri女士Te Kanawa卖油画打盹,Rutene Te的肖像Uamairangi为573000美元。这是最支付拍卖一幅画在新西兰。

许多金黄的在公共集合,包括那些在奥克兰艺术画廊,奥克兰理工学院和博物馆,新西兰Te Papa Tongarewa博物馆。有一个持续争论的繁殖戈尔迪的绘画在公共场合举行的Māori集合作为商业销售打印。

由卡尔Sim伪造

被艺术伪造者卡尔·辛普森改名合法卡尔·费戈尔迪在1980年代为了能“合法”标志他戈尔迪副本“戈尔迪严峻”。他不再试图通过他们的最初的严峻戈尔迪,然而。他出版了一本自传与蒂姆·威尔逊在2003年叫戈尔迪。

English Introduction

Early life

Goldie was born in Auckland on 20 October 1870. He was named after his maternal grandfather, Charles Frederick Partington, who built the landmark Auckland windmill. His father, David Goldie, was a prominent timber merchant and politician, and a strict Primitive Methodist who resigned as Mayor of Auckland rather than toast the visiting Duke and Duchess of Cornwall and York with alcohol. His mother, Maria Partington, was an amateur artist and encouraged his artistic ability. Goldie was educated at Auckland Grammar School, and while still at school won several prizes from the Auckland Society of Arts and the New Zealand Art Students' Association.

Art education

Goldie studied art part-time under Louis John Steele, after leaving school to work in his father's business. A formerGovernor of New Zealand, Sir George Grey, was impressed by two of Goldie's still-life paintings that were being exhibited at the Auckland Academy of Art (Steele's art society, of which Goldie was honorary secretary) in 1891, and he talked David Goldie into permitting his son to undertake further art training abroad.

Goldie went to Paris to study at the famous Académie Julian. where Goldie received a strong grounding in drawing and painting.

Artistic career

He returned to New Zealand in 1898 and established the "French Academy of Art" with Louis J. Steele, who had been his tutor prior to his departure. They collaborated on the large painting The Arrival of the Māoris in New Zealand,^[2] based onThéodore Géricault's The Raft of the Medusa. It depicting exhausted, starved and stormtossed Polynesian mariners sighting land after a long journey by catamaran. It has been criticised as historically inaccurate (even in terms of contemporary anthropological knowledge) in its appearance of the crew and their vessel and in the situation of near-shipwreck depicted .^{[citation needed]} However, it was widely praised at the time.

Goldie and Steele parted ways not long afterwards and Goldie established his own studio. From 1901 he made field trips to meet, sketch and photograph Māori people in their own locations, and he also paid Māori visitors to Auckland to sit for him. Most of these were chiefs visiting the Native Land Court.

By far the majority of Goldie's subjects were elderly, tattooed Māori of considerable standing in their own society. (The practice of tattooing (Tā moko) was no longer current at the time, and the remaining examples were mostly elderly; it was also a practice largely confined to high-status individuals.)

Goldie's later work was largely from photographs, as his elderly models had died. Rumours that the paintings were produced with the help of a mechanical projection system are not bourne out by a comparison of the photographs with the paintings, though this shortcut was apparently practiced by Gottfried Lindauer, the other New Zealand artist well known for Māori portraits.

On 31 October 1920 Goldie travelled to Sydney, where on 18 November at the age of 50 he married 35-year-old Olive Ethelwyn Cooper, an Australian by birth but a resident of Auckland. Apparently, marriage in Sydney circumvented Goldie family's disapproval of the relationship between Auckland's famous artist and the milliner from Karangahape Road's Bon Marché.

Goldie's health eventually deteriorated through a combination of lead poisoning (from the lead white used to prepare his canvases) and alcoholism. He produced little work in the 1920s. Encouraged by the Governor-General, Lord Bledisloe, Goldie resumed painting around 1930; in 1934 and 1935 he exhibited at the Royal Academy of Arts in London, and in 1935, 1938 and 1939; the Salon of the Société des artistes français.

He stopped painting altogether in 1941 and died on 11 July 1947 aged 77.^{[citation needed]}

Known sitters

Goldie was Auckland based and his subjects were mainly those from the tribes in the upper North Island.

Wiripine Ninia of Ngati Awa

Te Aho te Rangi Wharepu of Ngati Mahuta
Ina Te Papatahi (also known as Ena) of Nga Puhi
Harata Rewiri Tarapata of Nga Puhi

Honours

In 1935, Goldie was awarded the King George V Silver Jubilee Medal. Soon after, he was appointed an Officer of the Order of the British Empire for services to art in New Zealand in the 1935 King's Birthday and Silver Jubilee Honours.^[8]

Legacy

Goldie's work has been criticised as "racist" ,^{[citation needed]} and certainly he held the Victorian attitudes he had grown up with that the Māori were a "dying race" and in many ways inferior to Europeans .^{[citation needed]} However, many Māori value his images of their ancestors highly. Despite some critics considering his paintings "not art" ,^{[citation needed]} on the rare occasions they are offered for sale they fetch high prices, among the highest for New Zealand paintings. In March 2008, NZ$400,000 (NZ$454,000 including buyer's premium) was paid at an International Art Centre auction in Auckland for the painting "Hori Pokai - Sleep, 'tis a gentle thing.^[9] Earlier, NZ$530,000 ($589,625 including buyer's premium) was achieved for a Goldie work in an online auction conducted by Fisher Galleries. On 19 November 2010 opera diva Dame Kiri Te Kanawa sold the oil on canvas Forty Winks, a portrait of Rutene Te Uamairangi for $573,000. This is the most paid for a painting at auction in New Zealand.

Many Goldies are held in public collections, including those at the Auckland Art Gallery, the Auckland Institute and Museum, and the Museum of New Zealand Te Papa Tongarewa. There is an ongoing controversy about the reproduction of Goldie's paintings of Māori that are held in public collections as prints for commercial sale.

Forgeries by Karl Sim

The convicted art forger Karl Sim changed his name legally to Carl Feodor Goldie in the 1980s in order to be able to "legitimately" sign his Goldie copies "C.F. Goldie". He no longer tries to pass them off as by the original C.F. Goldie, however. He published an autobiography with Tim Wilson in 2003 called Good as Goldie.

艺术官网信息声明

1、本站美术网信息均来自于美术家自己或其朋友、网络等方式，本站无法确定每条信息或事件的真伪，仅做浏览者参考。

2、只要用户使用本站则意味着该用户以同意《本站注册及使用协议》，否则请勿使用本站任何服务。

3、信息删除不收任何费用，VIP会员修改信息终身免费(VIP会员点此了解)。

4、未经本站书面同意，请勿转载本站信息，谢谢配合！

信息统计与维护

美术百科参考资料

1、C. F. Goldie