保罗·古斯塔夫·菲舍尔（1860年7月22日在哥本哈根 - 1934年5月1日在根措夫特）是丹麦画家。

保罗菲舍尔属于第四代的Fischers的居住在丹麦。这个犹太家庭最初来自波兰。家庭是上层中产阶级; 保罗的父亲已经开始作为一个画家，但后来成功地制造涂料和油漆业务。

他的正规艺术教育只持续了很短的时间在他十几岁的时候，他花了两年时间在皇家艺术学院丹麦的哥本哈根。

菲舍尔开始作画时，他还年轻，他的父亲指导。这是由于他在出版了一幅画乌兰乌德OG Hjemme，他的名声开始演变为他进来时，年轻的丹麦接触博物学家。他的早期画作描绘的城市生活。为此，他被称为“哥本哈根的画家”或“KøbenhavnsMALER”。在停留后巴黎从1891年至1895年，他的颜色变得更加丰富，重量更轻。这是前不久菲舍尔获得名望的城市，不仅仅是一个画家哥本哈根，但是从场面斯堪的纳维亚半岛，意大利和德国，达到了1890年到1910年之间他的顶峰^。 他在同时代受益挪威和瑞典，尤其是卡尔·拉森。这一次，他还画了阳光明媚的场景洗澡，有的用裸女，并制定在海报的兴趣，启发泰奥菲尔斯坦伦和亨利·德·图卢兹-劳特累克。 

期间，当他积极画期间，丹麦艺术被统治Laurits Tuxen。尽管菲舍尔生前缺乏关键的认同，他的艺术卖得好。在他成功了Tuxen的一个重大事件是，当瑞典转移的主权挪威回挪威-菲舍尔，而不是Tuxen拿到佣金挪威国王画事件。 

Paul Gustav Fischer (22 July 1860 in Copenhagen – 1 May 1934 in Gentofte) was a Danishpainter.

Paul Fischer belongs to the fourth generation of Fischers to live in Denmark. This Jewish family originally came from Poland. The family was upper middle class; Paul's father had started as a painter, but later succeeded in the business of manufacturing paints and lacquers

His formal art education lasted only a short time in his mid teens when he spent two years at theRoyal Danish Academy of Art in Copenhagen.

Fischer began to paint when he was still young, guided by his father. It was thanks to a painting he had published in Ude og Hjemme that his reputation began to evolve as he came in contact with young Danish naturalists. His earlier paintings depict city life. For this reason, he has been called "Copenhagen's painter" or "Københavns maler". After a stay in Paris from 1891–1895, his colours became richer and lighter. It was not long before Fischer gained fame as a painter of cities, not just Copenhagen, but scenes from Scandinavia, Italy and Germany, reaching his zenith between 1890 and 1910.He benefited from contemporaries in Norway andSweden, especially Carl Larsson. Around this time, he also painted bright, sunny bathing scenes, some with nude women, and developed an interest in posters, inspired by Théophile Steinlen and Henri de Toulouse-Lautrec.

During the period when he actively painted, Danish art was dominated by Laurits Tuxen. Despite Fischer's lack of critical recognition during his lifetime, his art sold well. One major event in which he succeeded over Tuxen was when Sweden transferred the sovereignty of Norway back to the Norwegians - Fischer rather than Tuxen got the commission from the King of Norway to paint the event.^[4]