彼得Ilsted（1861年2月14日，Sakskøbing - 1933年4月16日，哥本哈根）是一家领先的丹麦艺术家和版画家。Ilsted，卡尔Holsøe和Ilsted的兄弟媳妇，VilhelmHammershøi，是在20世纪早期的丹麦的著名艺术家。所有这三个艺术家们“自由展”，1890年左右建立一个进步的艺术社会他们是著名的绘画图像“阳光与无声室”，都在微妙的颜色的成员。他们的作品反映了一个安宁的生活的有序-类似的早期作品威猛。他们的艺术，后来被称为“哥本哈根内饰学校”。这些内饰唤起一次平静的感觉，还有一种神秘感。有序房间经常从背后-致一人怀疑，如果场面真的是宁静还是其他什么东西看。詹姆斯·麦克尼尔惠斯勒，Duret的和重要的艺术批评家是早期的崇拜者和Ilsted的作品的收藏家。

Ilsted是Hammershøi的兄弟媳妇。虽然乍看之下他们的工作看来相似的，它实际上是相当不同的。Hammershøi的工作有一个孤傲的紧缩政策，而相比之下，普通的生活Ilsted的场景。虽然有时Hammershøi丰富多彩的早期照片让人想起詹姆斯·天梭，他的作品是典型的丹麦。然而，Ilsted更是一个技术人员，他让图形艺术领域相当大的贡献。Ilsted的金属版画（有时彩色打印点菜poupeé）非常受欢迎，在他那个时代非常重要的。他们在媒体上的一个创新。Ilsted展出他的作品遍及欧洲，在伦敦1907年，在德国和在巴黎沙龙。正是在那里，他的工作是第一次接触到欧洲的艺术社区。

Ilsted在他的一生中取得了巨大成功，并赢得了他的工作许多奖项和荣誉。他是该组的唯一成员还注重版画。Ilsted在金属版画的成就是革命性的。他的一些的金属版画，其中大部分以黑色和彩色版本被创建，是有史以来最伟大的考虑之中。其中他最伟大的贡献TF西蒙，曼努埃尔·罗伯，以及其他看似采用的是，墨板的点菜poupée。一些艺术历史学家认为这3名男子大约在同一时间，但未经协商产生的技术。这种信念是不确定的。

在大都会艺术博物馆（纽约）在Ilsted，Hammershøi，和维米尔2001年工作召开的一次重要展览。

Peter Ilsted (14 February 1861, Sakskøbing – 16 April 1933, Copenhagen) was a leading Danish artist and printmaker. Ilsted, Carl Holsøe and Ilsted’s brother-in-law, Vilhelm Hammershøi, were the leading artists in early 20th-century Denmark. All three artists were members of ‘The Free Exhibition’, a progressive art society created around 1890. They are famous for painting images of "Sunshine and Silent Rooms", all in subtle colors. Their works reflects the orderliness of a tranquil life –- similar to the earlier works of Vermeer. Their art was later referred to as the ‘Copenhagen Interior School’. These interiors evoke at once a sense of calm, as well as a sense of mystery. The orderly rooms are often viewed from behind—causing one to wonder if the scenes are really tranquil or something else. James McNeill Whistler, Duret and important art critics were early admirers and collectors of Ilsted’s work.

Ilsted was Hammershøi's brother-in-law. While at first glance their work appears similar, it is in fact quite different. Hammershøi’s work has an aloof austerity, in contrast to Ilsted's scenes of common life. Though sometimes Hammershøi’s colorful early pictures are reminiscent of James Tissot, his work is quintessentially Danish. However, Ilsted was more of a technician, and he made considerable contributions in the field of graphic art. Ilsted’s mezzotints (sometimes printed in colour à la poupeé) were very popular and important in his day. They were an innovation in the media. Ilsted exhibited his work all over Europe, in London in 1907, in Germany and at the Paris Salon. It is there that his work was first exposed to Europe’s art community.

Ilsted was a great success in his lifetime and won many awards and accolades for his work. He was the only member of the group to also focus on printmaking. Ilsted’s achievements in mezzotints were revolutionary. Some of his mezzotints, most of which were created in black as well as color editions, are considered among the greatest ever made. His greatest contribution which T.F. Simon, Manuel Robbe, and others seemingly adopted was that of inking the plate à la poupée. Some art historians have argued that these 3 men created the technique at about the same time but without consultation. This belief is not certain.

The Metropolitan Museum of Art (New York) held an important exhibition on the work of Ilsted, Hammershøi, and Vermeer in 2001.