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何家英

( 中国美协副主席 )

何家英,1957年出生于天津;1977年考入天津美术学院绘画系学习中国画,1980年毕业后留校任教。曾任第九、第十、第十一届全国政协委员;现任中国美协副主席、中国艺术研究院博士生导师、当代工笔画协会副会长、天津美术学院何家英工笔画研究所所长、天津画院名誉院长、天津美术馆名誉馆长。 曾获国家“有突出贡献的中青年专家”、中国文联“德艺双馨文艺工作者”、中宣部“四个一批”文艺人才、2012年在巴黎卢浮宫“2012沙龙展”中获绘画类金奖。 等荣誉。擅长当代工笔人物画创作。代表作品有《山地》、《十九秋》、《米脂的婆姨》、《酸葡萄》、《魂系马嵬》、《秋冥》、《朝*露*桑》、《舞之憩》、《杨开慧》等。

  • 中文名何家英
  • 性别
  • 国籍中国
  • 民族汉族
  • 祖籍河北任丘
  • 出生地天津
  • 出生日期1957年
  • 职业画家
  • 协会中国美术家协会
  • 毕业院校天津美术学院
  • 主要成就任全国政协委员,中国美协副主席
  • 代表作品《海田归》、《酸葡萄》
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专访:形居尘俗,心栖天外--访中国国画家何家英

中国美术网 09-18 浏览

“形居尘俗,心栖天外。”这是中国当代国画家何家英珍藏的一枚印章的印文,也是于21日在西班牙东北部古城巴塞罗那开幕的“何家英当代绘画展”的主题。  这个以强烈的精神审美追求为主的主题诠释了画...
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人物简历
何家英作品解析-三品名家

 著名画家

何家英:男,汉族。1957年生于天津,河北任丘人。著名国画家。1980年毕业于天津美术学院并留校任教至今。

现为全国政协常委、中国美术家协会副主席、天津美术学院教授、天津美术家协会副主席。国家有突出贡献专家,天津文联德艺双馨文艺工作者。 何家英是当代中国画坛的著名工笔人物画家,被誉为“最有希望最有代表性的年轻一代画家”。他着眼于中西方绘画的相通之处,在两者的契合点上参悟因革,尊重传统而不束于旧范,问途城外而不流于追随。他的创作高扬写实精神,注重生命体验。作品刻画具微,布置谨重,人物清丽莹洁。他的写意作品也能别创新意,含蓄、虚豁、自然大方。作品注重对心灵的卓越表现和对人性的深刻关注,为中国人物画的创新作了富有成就之探索。先后到日本、韩国、印度、香港等地参加画展。

作品及特点

 主要着作有《何家英作品集》、《何家英画集》、《当代实力派画家——何家英》、《名家手稿——何家英》、《当代国画大师代表作品集》等。

代表作品有《魂系马嵬》、《米脂的婆姨》、《酸葡萄》、《十九秋》、《秋冥》、《山地》、《街道主任》、《无声》等。多次参加全国美展并获银奖、全国青年美展、当代工笔画学会大展及文化部“中华世纪之光”中国画提名展,《秋冥》被选入百年中国画展。其作品风格严谨精致、朴素大方,造型准确,善于描绘处于静态的人物内心世界,具有完美的格局和象征性。

何家英技法全面,从国画的写意、工笔到西画的素描、油画、水彩、水粉,无所不通,因此探索新的艺术形式作品展示一(20张)时,尤显优势。作品《山地》的创作成功,标志着工笔人物作品展示二(20张)在中西结合上有了突破性进展,创造出一种新的绘画语言,其意义之重大,可谓画家借鉴油画手法,用高光强化光线效果,将整幅作品处理成偏红的暖色调,突出了烈日灼烤的感受。何家英认为,对低俗的艺术倾向应当抵制,它涉及到女性人格尊严,更反映出画家审美价值观的取向通过对其心灵自然流露出的纯真、作品展示三(20张)朴实、善良,表现出一种人格上的气质美;如《心语》、《十九秋》、《酸葡萄》、《人体》等,都能真实地反映了他的这种追求。作为画家,作品展示四(20张)最大的优势是有一双敏锐的眼睛,使他在准确深入地洞察感受物象方面胜过常人,但超凡的观察力往往同时得益于综合的知识修养。潘天寿先生认为:中国的、西方的、日本的、印度的、现代的、古典工笔画本来不宜太大,但他发现日本的浮世绘美人画尺寸并不小,效果作品展示五(10张)也不错,还是要艺术”的两难抉择中,何家英的作品却以其雅俗共赏、韵味绵长获得了“双赢”:或许他的探索找到了一种艺术与市场的最佳结合点,山东翰墨缘画廊推荐画家国画艺术欣赏。

人物评价

 社会总评

何家英为中国工笔人物画向当代性的转型做出了自己的贡献。他创造性地借鉴了中国工笔画的传统和西画中严谨扎实的造型技法,结合当代人的审美观点,创作出一大批洋溢着时代气息的作品。读他的画,会从中找到一种真诚细腻的激情和梦幻般的理想色彩。

何家英在工笔画领域能取得重大成就,自然与他独特的创作理念分不开。在他眼里,继承传统和创新其实是“一事两步”,哪一个都不能丢,丢了一个也就丢了另一个,真有传统者总想为创新开路,真求创新者不会拿传统祭刀。他的这一思路既是对当下中国画领域的时尚潮流的反思,也是对自己创作的要求。他力求在东西方不同的传统中探求相同的规律、彼此的契合点。

何家英除了对传统有着独到的认识外,对中国画吸收西画营养的方式也有自己的见解。他反对那种只吸收概念,只做表面文章的做法,借鉴具体方法解决问题。

他的探索找到了一种艺术与市场的最佳结合点,从而给人们以启迪。努力开拓,不断创新,兼融百家,自备一格。

名家点评

潘天寿先生认为:中国的、西方的、日本的、印度的、现代的、古典工笔画 本来不宜太大,但他发现日本的浮世绘美人画尺寸并不小,效果也不错,却陷入到要市场还是要艺术的两难抉择中,何家英的作品却以其雅俗共赏、韵味绵长获得了“双赢”,或许他的探索找到了一种艺术与市场的最佳结合点。

其他活动

 2014年2月17日,由中国美术家协会、中国艺术研究院、中国国际文化艺术中心、海南省文学艺术界联合会、海南省文化广电出版体育厅、海南世界联合公益基金会联合主办的“何家英画展”在海南省博物馆开幕。

2014年12月27日上午,市委宣传部在天津迎宾馆举行聘任仪式,聘请中国美协副主席、中国艺术研究院工笔画院院长、原天津画院院长何家英为天津画院名誉院长。市委常委、市委宣传部部长成其圣颁发聘书并讲话。市委宣传部常务副部长陈浙闽、市委宣传部副部长赵鸿友出席;院党组书记张桂元参加。

English Introduction

 Famous painter

He Jiaying: male, Han nationality. Born in 1957 in Tianjin, Hebei Renqiu person. Famous Chinese painter. 1980 graduated from Tianjin Academy of Fine Arts and teaches today.

He is currently standing committee of the National People's Political Consultative Conference, vice chairman of the Chinese Artists Association, Professor of Tianjin Academy of Fine Arts, vice chairman of Tianjin Artists Association. National expert with outstanding contribution, Tianjin Federation of DeYiShuangXin artists. He Jiaying is a contemporary China renowned fine brushwork painter, known as "the most promising the most representative of the young generation of artists". He focuses on the similarities between Chinese and Western painting, in the meeting point between the two to realize because of leather, respect for the traditional and not tied to the old fan, not to ask the way outside the city to follow. His creation of high realism, pay attention to life experience. A portrait of micro, layout Kinju, elegant white characters. His freehand works can also be don't creative, subtle and generous nature, virtual exclusion. The work pays attention to the remarkable performance of the soul and the profound attention to the human nature, has made the rich achievement for the innovation of Chinese figure painting. Has to Japan, South Korea, India, Hongkong and other places to participate in the exhibition.

The main works are "He Jiaying works" and "He Jiaying album", "contemporary artists of strength -- He Jiaying", "He Jiaying", "famous manuscripts of contemporary Chinese painting master representative works" etc..

Representative works are "soul", "Department of Mawei Mizhi Poyi", "sour grapes", "Nineteen", "autumn autumn night", "mountain", "street director", "silent" etc.. Has participated in the national art exhibition and won the silver medal, the National Youth Art Exhibition, exhibition of Contemporary Painting Institute and the Ministry of culture, "the light of the century" China painting Nomination Exhibition, "autumn night" was selected for the exhibition China hundred years. Its work style rigorous delicate, simple and generous, accurate modeling, good at depicting the inner world of the characters in a static, with a perfect pattern and a symbol of.

He Jiaying comprehensive techniques, from freehand painting, fine brushwork painting to sketch, oil painting, watercolor, gouache, no sense, so the exploration of works of art in the form of a new show (20), particularly the advantage. "Mountain" works creation success, marking the two works of fine brushwork figure (20) has been a breakthrough in the combination of Chinese and western, creating a new painting language, its significance is the painter painting techniques with high light use, enhanced light effect, the whole works into a warm bias red, the sun - baked feeling. He Jiaying believes that the vulgar art should resist the tendency, it relates to the dignity of women, but also reflects the artist's aesthetic orientation values through the heart reveals the nature of innocence, the works show three (20) simple, kind, show a kind of temperament beauty; such as "Xinyu", "Nineteen autumn", "sour grapes", "human", can truly reflect his pursuit. As a painter, works four (20) the biggest advantage is to have a pair of sharp eyes, make him in accurate insight into feelings than ordinary objects, but extraordinary observation often also benefited from comprehensive knowledge accomplishment. Mr. Pan Tianshou think: China, western, Japanese, India, modern, classical painting originally should not be too large, but he found that the Japanese Ukiyo-e painting size is not small, the effect of the five works (10) is also good, or to the dilemma of art ", He Jiaying's works are with its tastes, lingering charm won the" win-win ": perhaps his quest to find the best combination of points and an art market, Shandong Calligraphy Gallery painter painting art appreciation margin recommended.

Social evaluation

He Jiaying made his contribution to the transformation of the contemporary Chinese painting to the contemporary. He creatively uses rigorous modeling techniques China painting tradition and Western painting, combined with the aesthetic view of contemporary people, the creation of a large number of works filled with the spirit of the times. Read his paintings, will find a kind of sincere and delicate passion and dream of the ideal color.

He Jiaying can make great achievements in the field of meticulous painting, and his unique creative ideas can not be separated. In his eyes, inherit the tradition and innovation is a "two step", which can not be lost, lost a lost one, really have a tradition always want to open innovation, really for innovators won't sacrifice tradition. His thinking is not only a reflection of the trend of contemporary Chinese painting in the field of fashion, but also the requirements of their own creation. He sought to find the same law and the point of agreement among the different traditions of the East and the West.

But He Jiaying has a unique understanding of the tradition, but also have their own views on painting Western painting methods of nutritional absorption Chinese. He opposed the kind only absorb concept, only specious writing practices, using specific methods to solve the problem.

His quest to find a perfect combination of art and the market, so as to inspire people to. Pioneering efforts, continuous innovation, and financial 100, owned a.

Famous Reviews

Mr. Pan Tianshou think: China, western, Japanese, India, modern, classical painting originally should not be too large, but he found that the Japanese Ukiyo-e painting size is not small, the effect is also good, but fell into a dilemma to the market or to art, where Anglo's works are to it tastes, lingering charm won the "win-win", perhaps his quest to find the best combination of art and a market point.

By February 17, 2014, China Artists Association, Chinese Art Institute, Chinese International Cultural Arts Center, Hainan Provincial Federation of literary and art circles of Hainan Province Cultural Radio and Television Publishing sports hall, Hainan World Union community foundation co sponsored the "He Jiaying Art Exhibition" opened at the Museum of Hainan province.

The morning of December 27, 2014, the municipal Party Committee Propaganda Department held the appointment ceremony at the Yingbin Hotel in Tianjin, hired vice chairman, China Meixie China Art Research Institute, Tianjin Academy of fine art academy dean He Jiaying as honorary president of Tianjin painting academy. Municipal Committee, municipal Party Committee Propaganda Department Minister of the holy awarded and speech. Deputy Minister of municipal Party Committee Propaganda Department Chen Zhemin, Deputy Minister of municipal Party Committee Propaganda Department Zhao Hongyou attended the hospital party secretary Zhang Guiyuan to participate.

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