休·琼斯博尔顿Hugh Bolton Jones

休·琼斯博尔顿Hugh Bolton Jones（1848年10月20日——1927年9月24日），美国画家。

中文名休·琼斯博尔顿
外文名Hugh Bolton Jones
性别男
国籍美国
出生地马里兰州
出生日期1848年10月20日
逝世日期1927年9月24日
职业画家

早年

休波顿琼斯出生在一个大家族巴尔的摩，马里兰州10月20日1848年他的父母是休·伯吉斯-琼斯和劳拉伊丽莎博尔顿。他的母亲是从来到宾夕法尼亚州一个家庭的后裔威廉·佩恩，后来搬到巴尔的摩。他的父亲是一名官员在当地的保险公司。休出席了贵格会学校为他的中学教育。他继续在研究马里兰艺术学院根据大卫·艾奇逊伍德沃德的肖像画家在巴尔的摩。

1865年与1876年和琼斯花了他在纽约的大部分时间，同时保留作为巴尔的摩他的住所。1865年，他吸取了在纽约的艺术设计师凯莉·史密斯（1837年至1911年）。在几个月的时间，他师从贺拉斯·沃尔科特·罗宾斯罗宾斯和前（1842年至1904年），弗雷德里克·埃德温·丘奇（1826年至1900年）离开牙买加。教会对他的风格产生了重大影响。琼斯开始在展示设计的美国国家科学院在1867年。他成为画家的密友托马斯Hovenden（1840-1895）在纽约。1868年琼斯和Hovenden在巴尔的摩建立了一个共享的工作室。

在1870年夏天琼斯花了四个月欧洲与他的家人。他曾在1871年巴尔的摩艺术家展示销售来自英国和爱尔兰的场景。他通过1872年加入了艺术家和收藏家的奥尔斯顿协会在巴尔的摩他度过了1873年夏天在马里兰州和弗吉尼亚州的素描，铁路旅行。他1874年绘画在蓝岭夏季在国家设计学院展出，好评如潮。

1876年，琼斯和他的弟弟弗朗西斯·科茨琼斯离开了四年参观旅游和涂料在欧洲。他们参观了埃德温·奥斯汀修道院在他的家在伦敦转移到前蓬艾文，布列塔尼。。博尔顿琼斯可以在已经花了一些时间Académie朱利安。他花大部分的时间在美国艺术家在蓬艾文殖民地。有彩绘与托马斯Hovenden，兄弟罗伯特·怀利（1839年至1877年）和威廉·兰姆Picknell（1853年至1897年）。他们便宜的Gloanec养老，住在这里的高更会留在19世纪80年代后期。他还勾勒在西班牙，英格兰，意大利和摩洛哥。他陈列在伦敦和巴黎的沙龙和世界博览会的1878年。

后来的职业生涯

H.博尔顿琼斯回到了巴尔的摩在六月1880年在拍卖一套自己的画作。然后，他在西班牙和北非游历于1881年返回纽约前，在纽约，他分享了与他的弟弟弗朗西斯工作室。在1881年，琼斯成为美国艺术家协会的会员，并在1883年，他当选为院士设计的美国国家科学院。他加入了美国水彩画会（1882年），在艺术和文学研究所和国家艺术俱乐部。琼斯是一位热心的木雕，并提出他自己的框架。他还承担大部分的展品工作室的内部装修，他最终在曼哈顿西33第六十七街建立的。

琼斯涂在Annisquam，马萨诸塞州 1883年和1889年之间，威廉·兰姆Picknell等人从以前的艺术家蓬艾文的殖民地。在1888年琼斯兄弟搬到了克林顿工作室大厦与他们的妹妹路易丝丘博，谁是丧偶。琼斯前往美国西部1890年左右获得材料我们的意大利，一本关于美国西部由查尔斯·达德利华纳这是发表在1891年他买了夏季别墅在南埃格蒙特，马萨诸塞州。从这个基地，他画的伯克郡，并取得了远征马里兰和西弗吉尼亚州。他1893年和1915年之间赢得了各种大型展览奖牌

1905年或1906年，琼斯兄弟搬到Atalier大厦。博尔顿琼斯加盟世纪协会和巴尔的摩的木炭俱乐部。他的社会生活来围绕着世纪协会。他是一个受托人艺术巴尔的摩美术馆从创立于1914年，直到他的年龄去世78在纽约市于1927年9月24日恶性贫血。

English Introduction

Early years

Hugh Bolton Jones was born to a respected family in Baltimore, Maryland on 20 October 1848. His parents were Hugh Burgess Jones and Laura Eliza Bolton. His mother was descended from a family that had come to Pennsylvania with William Penn and later moved to Baltimore. His father was an officer in a local insurance company. Hugh attended the Quaker School for his secondary education. He went on to study at the Maryland Institute College of Art in Baltimore under David Acheson Woodward, the portrait painter.

Between 1865 and 1876 Jones spent a large part of his time in New York, while retaining Baltimore as his residence. In 1865 he took lessons in New York from the art designer Carey Smith (1837–1911). For a few months he studied under Horace Wolcott Robbins (1842–1904) before Robbins andFrederic Edwin Church (1826–1900) left for Jamaica.Church had a major influence on his style.Jones began to exhibit at the National Academy of Design in 1867.^[4] He became a close friend of the painter Thomas Hovenden (1840–1895) in New York. In 1868 Jones and Hovenden set up a shared studio in Baltimore.

In the summer of 1870 Jones spent four months in Europe with his family. He exhibited scenes from England and Ireland at the 1871 Baltimore Artists Sale. He had joined the Allston Association of artists and collectors in Baltimore by 1872. He spent the summer of 1873 sketching in Maryland and Virginia, traveling by railway. His 1874 painting Summer in the Blue Ridge was exhibited at the National Academy of Design and was highly praised.

In 1876 Jones and his younger brother Francis Coates Jones left for a four-year visit to travel and paint in Europe. They visited Edwin Austin Abbey in his home in London before moving to Pont-Aven, Brittany. H. Bolton Jones may have spent some time at the Académie Julian. He spent most of his time in the American artists' colony at Pont-Aven.There the brothers painted with Thomas Hovenden, Robert Wylie (1839–1877) and William Lamb Picknell (1853–1897).^[1] They lived cheaply at the Gloanec Pension, where Gauguin would stay in the late 1880s. He also sketched in Spain, England, Italy, and Morocco. He exhibited in London and in Paris at the Salon and the Exposition Universelle of 1878.

Later career

H. Bolton Jones returned to Baltimore in June 1880 and sold a set of his paintings in an auction. He then traveled in Spain and North Africa before returning to New York in 1881. In New York he shared a studio with his younger brother Francis. In 1881 Jones became a member of the Society of American Artists, and in 1883 he was elected an academician at the National Academy of Design. He joined theAmerican Watercolor Society (1882), the National Institute of Arts and Letters and the National Arts Club. Jones was an enthusiastic woodcarver, and made his own frames. He also undertook most of the interior decoration of the showpiece studio that he eventually established at 33 West Sixty-Seventh Street in Manhattan.

Jones painted in Annisquam, Massachusetts between 1883 and 1889 with William Lamb Picknell and others from the former artists' colony of Pont-Aven In 1888 the Jones brothers moved to the Clinton Studio Building with their sister Louise Chubb, who was widowed. Jones traveled to the western US around 1890 to obtain material for Our Italy, a book about western America by Charles Dudley Warner that was published in 1891. He bought a summer cottage in South Egremont, Massachusetts. From this base he painted the Berkshires, and made expeditions to Maryland and West Virginia. He won medals in various major exhibitions between 1893 and 1915.

In 1905 or 1906 the Jones brothers moved to the Atalier Building.H. Bolton Jones joined the Century Association and the Charcoal Club of Baltimore. His social life came to revolve around the Century Association. He was a trustee of the Baltimore Museum of Art from its foundation in 1914 until his death at age 78 from pernicious anemia on 24 September 1927 in New York City.

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美术百科参考资料

1、Hugh Bolton Jones