斯图尔特·戴维斯作品集

热仍然花葶为六色- 第七大道风格，1940年，波士顿美术博物馆斯图尔特·戴维斯生于1892年12月7日，在费城爱德华悦戴维斯的美术编辑费城新闻，和海伦斯图尔特·戴维斯，雕塑家。1909年开始，戴维斯开始在他的正规的艺术训练罗伯特·亨利，领导者的的垃圾桶学校，在纽约艺术罗伯特·亨利学院在1912年在此期间，戴维斯结识了画家约翰·斯隆，格伦·科尔曼和亨利Glintenkamp。

1913年，戴维斯是最年轻的画家在表现出的一个军械库展，在那里他显示五个水彩画画在垃圾桶派风格。[6] [7]在演出中，戴维斯被暴露了一些艺术家的作品包括梵高，马蒂斯和毕加索。戴维斯成为一个坚定的“现代”艺术家的主要指数立体主义和现代主义在美国。[6]他度过了夏天在画格洛斯特，马萨诸塞州，并取得了绘画前往哈瓦那于1918年，新墨西哥州于1923年[6]

在20世纪20年代，他开始了他的发展进入了成熟的风格; 抽象油画静物和风景。他使用的当代题材，如卷烟包装和火花塞的广告显示一个原波普艺术元素，他的工作。[8]

1928年，他访问了巴黎，法国，在那里他画的街景。在20世纪30年代，他变得越来越积极参与政治; 据塞西尔鳕鱼，戴维斯的目标是“调和抽象艺术主义和现代工业社会。” [6]在1934年，他加入了艺术家联盟 ; 他后来当选总统。[6] 1936年，美国艺术家代表大会选举他为全国秘书。他画壁画联邦艺术计划的的工作进展管理由他的热爱影响了爵士乐。

1938年戴维斯结婚洛神施普林格，并在纽约社会研究学院，并在度过了他的晚年教学耶鲁大学。

他被代表伊迪丝·格雷戈尔Halpert在纽约市的市中心画廊。

戴维斯去世的行程在纽约1964年6月24日，终年71岁。
 

戴维斯在1913年的欧洲现代主义作品的相互作用对他成长为一个艺术家一个显著的影响。现实主义者罗伯特·亨利曾经训练过戴维斯以写实的方式作画，因为戴维斯的青年，但是戴维斯的欧洲现代主义游览使他提高了现代主义的标志来代替。斯图尔特·戴维斯并没有切换到现代主义泄愤的亨利，而是从欣赏的存在艺术的多种形式。爱和采用欧洲现代的演变为政治和社会孤立，这是美国在20世纪20年代和30年代的主食。戴维斯在1920年代从未加入一个艺术团体，成为其中用于抽象的颜色和形状，显示美国的文化和政治环境的各种动态立体主义的唯一作者。从1915年到1919年，戴维斯在马萨诸塞州，他的艺术作品曾与简单的设计，一些艺术家戴维斯羡慕的军械库展的商标配对强烈的色彩托盘度过了夏天。早期的20世纪20年代，许多美国的艺术家放弃现代艺术，但戴维斯继续尝试探索如何落实他的形状和颜色的知识转化为自己的艺术作品。到了20世纪20年代末，戴维斯做了更多的工作和研究，立体主义和它的复杂程度不同级别比当时任何其他的美国艺术家。在20世纪30年代和40年代，戴维斯试图使与立体主义作品改变，更多的原创。虽然在几个壁画联邦艺术计划的工作，戴维斯试图寻找替代传统的立体派结构。抽象表现主义在20世纪40年代的出现提出了一些问题，戴维斯是否仍然在该国最大的现代派，但是，这种测试并没有动摇他的决心，他继续发展自己的绘画风格。

The heat is still the scape as six - Seventh Avenue style, Boston Museum of Fine Arts in 1940, Stuart Davis was born in December 7, 1892 in Philadelphia, Philadelphia news editor Edwark Davis art, and Helen Stewart Davies, sculptor. In 1909, Davies began his formal training in the art of Robert Henry, the leader of the ashcan school, Robert Henry College of art in New York during 1912 in here, Davies met the painter John Sloan, Glenn Coleman and Henry Glintenkamp.
In 1913, Davies is the youngest artist in an Armory Show, where he showed five watercolors in the trash style.  in the show, Davies was exposed to a number of artists' works including Van Gogh, the and the. Davies has become the main index of a firm "modern" artist cubism and Modernism in the United states. [6] spent the summer in Gloucester, Massachusetts, and made a painting trip to Havana in 1918, in  on 1923
In 1920s, he began his development into a mature style; abstract oil painting and landscape. He uses contemporary themes, such as cigarette packaging and spark plug advertising display an original pop art elements in his work. 
In 1928, he visited Paris, France, where he painted in the street. In 1930s, he became more and more active in politics; according to Cecil, Davies's goal was to reconcile abstract art and modern industrial society." in 1934, he joined the League of artists; he was elected president.  in 1936, the United States Congress of artists elected him Secretary of state. He painted the murals of the Federal Art Program for the management of the progress of work influenced by his love of jazz.
In 1938 Davies married Luo Springer, and at the New York Institute for social research, and spent his later years teaching in Yale University.
He was represented by Edith Gregor Halpert in downtown New York gallery.
Davies died in New York on June 24, 1964, aged 71.

The interaction of Davies's European modernist works in 1913 had a significant impact on his growth as an artist. The realist Robert Henry Davies had trained a realistic way of painting, because of Davies's youth, but Davies's European modernist tour he raised a symbol of modernism to replace. Stuart Davis did not switch to modernism's Henry, but from the various forms of art appreciation. Love and the adoption of modern European evolution for political and social isolation, which is the staple food of the United States in 1920s and in the year of 30s. Davies never joined an art group in 1920s, which became used to abstract the color and shape, the author only display various dynamic Cubism of American culture and the political environment. From 1915 to 1919, Davies in Massachusetts, his works of art and has simple design, some artist Davies envy of the Armory Show strong color trademark matching tray spent the summer. In the early years of the 1920s, many American artists gave up modern art, but Davies continued to try to explore how to implement the knowledge of his shape and color into his own works of art by. By the end of 1920s, Davies to do more work and study, the complexity of cubism and it than any other American artists at different levels.in 1930s and 40s, Davies tried to make changes and more of the original works of cubism. While working on several frescoes in the federal art project, Davies sought to replace the traditional cubist structure. Abstract expressionism presents some problems in 1940s, Davies is still in the country's largest modern, however, this test did not shake his determination, he continued to develop his own painting style.