爱德华多.阿兰-布拉沃Eduardo Arranz-Bravo，1941年生于巴塞罗那，西班牙画家。
Arranz-Bravo就读于圣豪尔赫美术学校从1959年到1962年在巴塞罗那。
1961年,他举行了他的第一次个人展览,“Arranz 15画”,在俱乐部巴塞罗那自治大学。展览从巴塞罗那让他识别是组织的批评中心德文化Contemporania de巴塞罗那在1962年。从1968年到1970年,他是一群艺术家组成的杰拉德萨拉,罗伯特·Llimos和拉斐尔•Lozano Bartolozzi和他继续合作,直到1982年,集体和个人之间的交流展览。他接触这些艺术家他的早期作品的影响。Arranz-Bravo早期的工作是抽象和走向新的成形和波普艺术。所有的艺术家,然而,与此同时继续自己的工作。他与Bartolozzi一起工作壁画在工厂Tipel帕德尔水手(1968),在酒店建立在Magalluf(1973),正面的巴塞罗那国际摄影中心(1978)和在卡米洛·穆Cela在马略卡岛(1979),并且参加了展览在蓝色画廊在斯德哥尔摩举行(1971),他的Tauromaquias系列,提出了“草图和大理石雕塑”,加斯帕的画廊在巴塞罗那(1973年、1977年和1979年),在马德里Vandres画廊(1975和1980)和Tinell展览中心在巴塞罗那(1979):“中期共性”。他们还组织活动、出版书籍、雕塑和木质结构。1981年,他发表了他的第一次个人展览。1982年,他提出了他的系列Abracades米格尔在萨拉戈萨马科斯画廊,1983年,他举行了人类学展览他的作品在加斯帕在巴塞罗那展览中心。在1986年和1988年,他创建了一个名为拉之家的一系列的石版画,他画Pantocrator,电影中担任艺术总监Jaime El balcon开着卡米诺和卢斯y sombras。他参加了第八沙龙de Mayo(老圣克鲁斯医院在巴塞罗那,1964年)和展览具体德新艺术(的人),巴塞罗那1971;毕加索90年(罗浮宫博物馆,1971),Experiencias概念(葡方Eina在巴塞罗那,1971 - 72),80年米罗(马略卡岛,1973 - 74年),Artistas de Cataluna。之间el道al集合y洛杉矶概念(Santillana系列全集,1974),15岁de la Casa del siglo十五(塞戈维亚,1978),Els艺人我el seu不是每Eina(Trece de巴塞罗那画廊,1980)和1983年Mosaico(马德里),等等。从1986年到1988年他在西班牙和国外在多个城市展出,如马德里、巴黎和阿姆斯特丹里约热内卢。1989年,他提出了一个展览他的作品前三年的现代艺术博物馆在圣保罗和人类学在帕劳罗伯特在巴塞罗那展览。
在他的早期形象工作和neo-figurative工作1967年之后,他试图代表现代男人与他的问题,恐惧,孤独,焦虑和压抑。他还参加了第39威尼斯双年展1980年,他获得过许多奖项。他把大理石、青铜和陶瓷雕塑,其中一些他在加斯帕展览中心于1983年在巴塞罗那。他的作品L´acodillora(1985)站在Hospitalet de Llobregat的流浪者大街。他已经收到了,其他奖项,第二Bienal国际队del Deporte;双年展埃斯特拉达Saladich图奖,和Inglada-Guillot绘画奖。他的作品在现代艺术博物馆展出在马德里(博物馆Nacional Centro de雷纳索非亚艺术),美术博物馆维多利亚在塞维利亚的圣保罗博物馆和博物馆。
Arranz-Bravo studied at the San Jorge Fine Arts School in Barcelona from 1959 to 1962.
In 1961, he held his first individual exhibition, "15 paintings by Arranz", in the Club Universitario de Barcelona. The exhibition that brought him recognition from the Barcelona critics was that organized by the Centre de Cultura Contemporània de Barcelona in 1962. Between 1968 and 1970, he was part of a group of artists consisting of Gerard Sala, Robert Llimós and Rafael Lozano Bartolozzi, with whom he continued to collaborate until 1982, alternating between collective and individual exhibitions. His contact with these artists influenced his early work. Arranz-Bravo's early work was abstract and moved towards new figuration and pop art. All the artists, however, continued with their own work at the same time. He worked together with Bartolozzi on the mural at the factory Tipel in Parets del Vallès (1968),[2] in a hotel establishment in Magalluf (1973), on the façade of the Barcelona International Centre of Photography (1978) and in the house of Camilo José Cela in Mallorca (1979), and also took part in the exhibitions held in the Bleu gallery in Stockholm (1971), where his Tauromaquias series was presented, "Sketches and marble sculptures", in the Gaspar gallery in Barcelona (1973, 1977 and 1979), at the Vandrés gallery in Madrid (1975 and 1980) and at the Tinell Exhibition Centre in Barcelona (1979): "Mides universals". They also organized events, published books, sculptures and wooden structures. In 1981 he gave his first individual exhibition. In 1982, he presented his series Abraçades at the Miguel Marcos gallery in Zaragoza and in 1983 he held an anthological exhibition of his work at the Gaspar Exhibition Centre in Barcelona. Between 1986 and 1988 he created a series of lithographs called La Casa, he painted the Pantòcrator, and worked as artistic director in the films by Jaime Camino El balcón abierto and Luces y sombras. He took part in the Eighth Salón de Mayo (at the old Santa Cruz Hospital in Barcelona, 1964) and in the exhibitions Muestra de Arte Nuevo (MAN), Barcelona 1971; Picasso 90 (Louvre Museum, 1971), Experiencias conceptuales (Escola Eina in Barcelona, 1971–72), Miró 80 (Mallorca 1973-74), Artistas de Cataluña. Entre el Dau al Set y los conceptuales (Santillana del Mar, 1974), 15 años de la Casa del siglo XV (Segovia, 1978), Els artistes i el seu pas per Eina (Trece de Barcelona Gallery, 1980) and Mosaico 1983 (Madrid), among others. From 1986 to 1988 he exhibited in several cities in Spain and abroad, such as Madrid, Amsterdam, Paris and Rio de Janeiro. In 1989 he presented an exhibition of his work of the previous three years in the Museum of Modern Art in São Paulo and an anthological exhibition in the Palau Robert in Barcelona.
In his early figurative work and neo-figurative work after 1967, he tried to represent modern day man with his problems, fears, isolation, worries and repressions. He also participated in the 39th Venice Biennale in 1980 and he has received several awards. He has made marble, bronze and ceramic sculptures, some of which he presented in the Gaspar Exhibition Centre in Barcelona in 1983. His work L´acodillora (1985) stands on the Rambla of Hospitalet de Llobregat. He has received, among other awards, that of the Second Bienal Internacional del Deporte; the Figure award in the Biennial Estrada Saladich, and the Inglada-Guillot award for Drawing. His works are exhibited in the Museum of Modern Art in Madrid (Museo Nacional Centro de Arte Reina Sofía), in the Fine Arts Museum in Vitoria, in the São Paulo Museum and in the Seville Museum.
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