《蓬莱仙馆图》页，宋，绢本，设色，纵26.4cm，横27.9cm。

　　本幅无款印。对幅清朝乾隆皇帝题七言绝句一首。钤乾隆内府诸收藏印。

　　此图设色画屋宇、远山、溪水、奇石异木、各式陈设，宛似仙境，正如乾隆所题：“参差仙馆类蓬瀛，临水依山风物清。可望不可即之处，画家别有寄深情。”画中楼台参差，亭榭栉比，曲槛回廊错落有致，整幅布局繁复，法度谨严，折算准确，透视比例亦合乎画理。同时，在处理建筑主体与周围环境气氛的关系上比北宋有进一步提高，体现出南宋楼阁画家在构图与技法上的发展。

 

--------Introduction in English--------

 

"Penglai Xianguan Tu" page, Song Dynasty, silk, color, vertical 26.4 cm, horizontal 27.9 cm.

This picture has no stamp. This is a seven-word quintessence of the Qing Emperor Qianlong's inscription. The collection seals of the Neifu in Jun Qianlong.

This picture paints houses, distant mountains, streams, exotic stones and wood, all kinds of furnishings, like fairyland, as Qianlong put it: "Heterogeneous fairy halls are full of prosperity, and the scenery is clear along the mountains and rivers." Where it is not possible, the painter does not express his affection." In the painting, the terraces are uneven, the pavilions are crowded, the winding sills and corridors are scattered, the whole layout is complex, the law is rigorous, the conversion is accurate, and the perspective ratio is reasonable. At the same time, in dealing with the relationship between the main body of the building and the surrounding environment atmosphere, it is further improved than the Northern Song Dynasty, reflecting the development of the Southern Song Dynasty Pavilion painters in composition and techniques.