《秀野轩图》卷，元，朱德润作，纸本，水墨淡设色，纵28.3cm，横210cm。

　　该图末有朱德润自识：“至正二十四年歲甲辰(1364年)四月十日，睢陽山人時年七十一歲。朱德潤並肩。”后钤私印两方。系朱氏临终前的极晚之作。是图画江南山川的平远之景，山林间有文人对坐于书斋中，笔法粗放纵逸，墨色简洁，有苍茫之意。画家大胆地将北宋李成、郭熙描绘北方山水的笔墨转化为表现江南风物的造型语言，并揉进了文人儒雅清澹的审美意趣。画中的书斋为“秀野轩”，将文人的书斋和活动绘于佳山秀水中，是这个时期新出现的山水画题材，直接影响了元末明初早期吴派山水画的审美取向。

　　清《佩文斋画谱》、《江村画目》著录。

 

--------Introduction in English--------

 

"Xiuyexuan Tu" Volume, Yuan, Zhu Derun, paper, ink light color, vertical 28.3 cm, horizontal 210 cm.

At the end of the picture is Zhu Derun's self-awareness: "Up to the age of 24, Jiachen (1364) April 10, Suiyang Mountain was 71 years old. Zhu Derun is side by side. Private stamps are made on both sides. It was Zhu's last work before he died. It is a picturesque view of the mountains and rivers in the south of the Yangtze River. There are literati sitting in their study in the mountains and woods. Their brushwork is extensive and easy, and their ink color is concise and meaningless. The painter boldly transformed Li Cheng and Guo Xi's brush and ink describing the northern landscape of the Northern Song Dynasty into the plastic language expressing the scenery of the south of the Yangtze River, and blended the aesthetic interest of the scholar Confucianism, elegance and calmness. The study in the painting is "Xiuyexuan". The painting of literati's study and activities in beautiful mountains and waters is a new theme of landscape painting in this period, which directly affects the aesthetic orientation of Wu School landscape painting in the late Yuan and early Ming Dynasty.

Descriptions of Painting Spectrum of Pei Wenzhai and Painting Catalogue of Jiangcun in Qing Dynasty.