《花卉图》轴，清乾隆，李方膺绘，纸本，设色，纵158cm，横81cm。

　　此为画家52岁时的佳作，图写蜀葵盛开，阔叶疏落，块石伶仃，暑气淡然。全幅笔法多为粗简，横涂竖抹可见纵放洒脱的襟怀，用色不求艳丽，雄肆浑厚流露沉着痛快的风格，布局明快爽朗，脱略恣纵尽显气势之胜。论者以为其画“苍老浑古，墨气淋漓，有乱头粗服之致”，确是的评。

　　自题：“乾隆十二年（1747）夏初，写于梅花楼，晴江李方膺”。钤“仙李”（朱文方印），“晴江的笔”（白文方印）。

 

--------Introduction in English--------

 

Flower Chart axis, Qianlong of Qing Dynasty, Li Fang's rendering, paper, color, 158 cm vertical and 81 cm horizontal.

This is the painter's masterpiece when he was 52 years old. It depicts the hollyhock blooming, the broad leaves falling apart, the stones are bright and the summer air is calm. Most of the brushwork is rough and simple. The horizontal and vertical painting shows the free and unrestrained mind. The color is not for gorgeousness. It shows a calm and pleasant style. The layout is bright and bright. It shows the victory of the momentum without being slightly unconstrained and unconstrained. The critics think that his paintings are "old and ancient, full of ink and rough clothes", which is really a comment.

Self-titled: "In the early summer of the twelve years of Qianlong (1747), it was written in Plum Blossom Tower, Li Fangyuan of Qingjiang River". Jun "Xianli" (Zhu Wenfang Yin), Qingjiang pen (Bai Wenfang Yin).