《山水图》扇页，清，董邦达绘，纸本，墨笔，纵16.2cm，横47.8cm。

　　扇页有自题：“臣董邦达恭绘。”钤“臣”朱文印、“邦达”白文印。

　　此图绘山水小景，构图疏密有致，远近景互衬互映。运笔沉着，墨色层次丰富，得黄公望温润高逸之格，画风在娄东、虞山派之间。董氏画作受到乾隆皇帝的高度赞誉，认为其艺术水平堪与五代大师董源相提并论，已达到所绘物象，无论从笔法到构图、意境均无法挑剔的地步。因此，只要是董氏之作，不论尺幅大小都大量收藏，仅被《石渠宝笈》著录的董氏画作就达202件（不含合作）。正如赵尔巽在《清史稿•列传》所记：董氏“久直内廷，进御之作，大幅寻丈，小册寸许，不下数百”。

 

--------Introduction in English--------

 

"Landscape Map" fan page, Qing, Dong Bangda drawing, paper, ink, 16.2 cm vertical, 47.8 cm horizontal.

Fan Page has its own title: "Minister Dong Bangda paints respectfully." Jun's "minister" Zhu Wenyin and "Bonda" Baiyin.

This picture draws a small landscape with dense and compact composition, reflecting each other in the long and near future. With calm brushwork and rich ink layers, Huang Gongwang's style of painting is warm, moist and elegant. His style is between Loudong School and Yushan School. Dong's paintings were highly praised by Emperor Qianlong. He believed that their artistic level was comparable to that of Dong Yuan, a master of the Five Dynasties, and that they had reached the point where they could not be criticized from brushwork to composition and artistic conception. Therefore, as long as Dong's works are collected in large quantities, regardless of size, there are 202 Dong's paintings (excluding cooperation) which are only recorded in Shiqu Baoding. As Zhao Erxun wrote in the History Manuscripts of the Qing Dynasty: Dong's "long straightforward imperial court, the imperial work, a large search, pamphlet inch Xu, not less than hundreds".