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王原祁仿王蒙秋山萧寺图轴-清朝-山水

 

《仿王蒙秋山萧寺图》轴,清,王原祁绘,纸本,墨笔,纵96cm,横46.7cm。

  自题:“癸未春,行武林道中,因忆黄鹤山樵‘萧寺秋山’,舟中成稿未竟,适以公冗而罢。乙酉、丁亥两次扈从仍未脱稿。近在海淀寓直,雨窗多暇遂成此图,方知古人‘十日一山,五日一水’之说不虚也。康熙庚寅春仲题。王原祁。”

  引首章钤“御画图留书与人看”朱白圆文印。款下钤“王原祁印”白文印、“麓台”朱文印,右下角钤“西庐后人”朱文印。

  款识中的“庚寅”是清康熙四十九年(1710年),王原祁时年69岁。

  图绘烟云缭绕、草木华滋的江南景致。其笔墨追摹元代画家王蒙繁密的画风,并充分发挥了王蒙干笔皴擦的技法,笔墨随着山形地貌的变幻,或作长线直皴,或作曲线弧皴,在皴的基础上,又以墨由淡而浓地反复晕染。整幅作品具有淡而厚、实而清的书卷之气,得山峦于风骨奇峭中包孕秀爽清润之美。是王原祁晚年仿王蒙山水画的代表作。

 

--------Introduction in English--------

 

"Imitating Wang Meng Qiushan Xiaosi Tu" axis, Qing Dynasty, Wang Yuanqi painting, paper, ink, 96 cm vertical, 46.7 cm horizontal.

Self-titled: "Before spring, in martial arts, because of recalling Huanghe Mountain Qiao's Xiaosi Qiushan, Zhouzhong has not finished the manuscript, it is appropriate to use public redundancy. The two subordinates of Yi You and Ding Hai have not yet finished their manuscripts. Close to Haidian, where there are plenty of rain windows, this picture is made. It is well known that the ancient saying of "ten days, one mountain, five days, one water" is true. Kangxi Geng Yin Chunzhong topic. Wang Yuanqi."

The first chapter is Jun's Zhu Baiyuan print of "Imperial Paintings, Retaining Books and People's Reading". Section under Jun "Wang Yuan Qi Yin" white print, "Lutai" Zhu print, the lower right corner of Jun "Xilu descendants" Zhu print.

"Geng Yin" in Qian Xue was in the 49th year (1710) of Kangxi in Qing Dynasty. Wang Yuanqi was 69 years old.

Picture the scenery of the south of the Yangtze River with smoky clouds and lush vegetation. His brush and ink traced Wang Meng's dense painting style in Yuan Dynasty, and gave full play to Wang Meng's dry brush rubbing technique. With the change of mountain topography, his brush and ink were dyed repeatedly by light and thick ink on the basis of long straight lines or curved arcs. The whole work has the air of light and thick, solid and clear scrolls, and the beauty of beauty, refreshment and moisturization is pregnant with the mountains and rocks. It is Wang Yuanqi's masterpiece of imitating Wang Meng's landscape painting in his later years.

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