《仿黄鹤山樵山水图》轴，清，王原祁绘，纸本，墨笔，纵154cm，横64.5cm。

　　本幅自识：“黄鹤山樵为赵吴兴之甥，酷似其舅，有扛鼎之笔。以清坚化为柔软，以澹荡化为天矫，其骨力在神不在形，此画中之犹龙也。写此请正澹翁，亦另开一面耳，非敢望出蓝之誉也。丙戌冬日王原祁画并题。”钤“王原祁印”白文印，“麓台”、“西庐后人”朱文印。

　　“丙戌”为清康熙四十五年（1706年），王原祁时年65岁。《古书画过目汇考》著录。

　　图绘重峦叠嶂，流泉飞瀑，为画家心目中的理想仙境。作者虽云仿自元人黄鹤山樵，即王蒙，实际上是作者集古人大成之作。图中不仅有王蒙细密的笔墨，还有五代董源和巨然气势雄伟、于严整中求变化的构图，明董其昌所提倡的书卷之气亦迷漫于清疏秀逸的意境中。此图表现出作者成熟期的山水画风貌和深厚的传统笔墨功底。

 

--------Introduction in English--------

 

"Imitating Huanghe Mountain Qiao Landscape Map" axis, Qing Dynasty, Wang Yuanqi painting, paper, ink, 154cm vertical, 64.5cm horizontal.

This piece of self-knowledge: "Huanghe Mountain Qiao is a nephew of Zhao Wuxing, like his uncle, has the pen of carrying tripod. To turn firmness into softness, to turn Dandang into heaven correction, its bones are not in the form of god, and the dragon in this painting is also the Jewish dragon. Write this please Zhengdanweng, but also open another ear, not dare to see the reputation of blue. Wang Yuanqi's paintings in Bingxu Winter are on the same page." Jun's "Wang Yuan Qi Yin" in white, Lutai and Xilu descendants in Zhu.

"C Xu" was in the forty-fifth year of Kangxi (1706), and Wang Yuanqi was 65 years old. Description of Ancient Calligraphy and Painting Catalogues.

Pictures overlapping mountains, springs and waterfalls are the ideal fairyland in the painter's mind. Although the author imitates Huanghe Shanqiao (Wang Meng), the Yuan Dynasty, he is actually a masterpiece of the author's collection of the ancients. In the picture, there are not only Wang Meng's fine brush and ink, but also Dong Yuan's magnificent and magnificent composition of seeking change in strictness in the Five Dynasties. The spirit of books advocated by Dong Qichang in the Ming Dynasty is also fascinated by the elegant and elegant mood. This chart shows the author's mature landscape painting style and profound traditional brush and ink skills.