《松梅图》卷，清，弘仁绘，纸本，前段设色，纵27.8厘米，横269.7厘米；后段墨笔，纵27.8厘米，横86.7厘米。

　　此卷分前后两段。前段画末有弘仁书写的程守蚀庵《省静堂集·一年诗》中的七言绝句《遍阅山中诸碑》，款署：“丙申春日偶写揭蚀庵集因一绝。渐江学人。”钤“渐江僧”白文印。

　　“丙申”为清顺治十三年（1656年），弘仁时年77岁。

　　图绘虬龙盘曲的苍松和棱角分明的怪石。弘仁的松石是对黄山松石的真实写照，石涛言：“公游黄山最久，故得黄山之真性情也，即一木一石，皆黄山本色。”图中的松石以粗犷霸悍的行笔、淋漓酣畅的施墨表现，具有弘仁晚年豪放洒脱的画风特点，简洁的构图体现出诗意中的空寂。

　　后段款署“渐江学人弘仁写。”钤“渐江僧”白文印。

　　图绘水墨梅花。梅不畏严寒、高标独立的精神正是作者所追求的人生品格。弘仁一生最喜画梅，自号“梅花古衲”，创作出大量以梅为主题的佳作，此卷便是其中之一。图中的梅枝如曲铁，婉转中呈现刚毅不屈之态。其简约的格局，精谨的笔墨，结构出一派纯净、幽旷而又俊逸的意境。

　　卷首有汤燕生“题渐江师画松四绝句”。另纸有龚贤诗文及跋。龚贤于长诗之后又识“此卷是渐江师杰作”，并言“黄山渐江师每画成必索予题”，点明了他们之间互为知己的深厚友情。钤“曾藏戴之农处”等收藏印。

 

--------Introduction in English--------

 

Songmei Tu Volume, Qing Dynasty, Hongren Painting, Paper Book, Front Segment Colour Setting, Longitudinal 27.8 cm, Transverse 269.7 cm; Later Segment Ink, Longitudinal 27.8 cm, Transverse 86.7 cm.

This volume is divided into two sections. At the end of the previous paragraph, there is a seven-character cliche in Cheng Shou-cai'an's "A Year's Poetry of Jingtang Province" written by Hongren, "Reading the Steles in the Mountains", which states: "The collection of Jie-cai'an occasionally written by Bingshen Spring Day is unique. Gradually learning." Jun "Jianjiang Monk" in white.

Binshen was 13 years old (1656) in Shunzhi of Qing Dynasty, and Hongren was 77 years old.

The picture shows the twisted pines and the strange rocks with distinct edges and corners of Qilong. Hongren's pine stone is a true portrayal of Huangshan pine stone, Shi Taoyan said: "The longest public tour of Huangshan, so the true nature of Huangshan is also, that is, one tree, one stone, are the nature of Huangshan." The Turquoise in the picture shows the bold brushwork and smooth ink application. It has the bold and free style of Hongren in his later years. The concise composition reflects the emptiness of poetry.

Later paragraph of the Department "Jianjiang scholar Hongren wrote." Jun "Jianjiang Monk" in white.

Draw plum blossoms in ink. Mei's spirit of fearlessness of cold and independence is the character of life pursued by the author. Hongren likes to paint plum blossom most in his life. He named himself "Ancient Plum Blossom Ancient Tiao", and created a large number of masterpieces with plum as the theme. This volume is one of them. The plum branch in the picture is like a curved iron, which shows perseverance and perseverance in euphemism. Its simple structure and precise pen and ink form a pure, secluded and handsome artistic conception.

There is Tang Yansheng at the beginning of the scroll, "Title gradually Jiangshi Painting Song Quartet Sentences". Another paper contains Gong Xian's poems and postscripts. After Gong Xianyu's long poems, he realized that "this volume is the masterpiece of Jianjiang Teacher" and said that "every painting of Huangshan Jianjiang Teacher must ask for a title", which indicated their deep friendship with each other. Jun "Zeng Zang Dai's Agricultural Office" and other collection seals.