《山水图》轴 ，清康熙十二年（1673年），程邃绘，纸本，墨笔，纵64.6厘米，横29.4厘米。

　　自题：“三昧从来不自知，云寒沙白树参差。是中有句无人道，忆得襄阳五字诗。癸丑冬日客邗上之董子祠作，垢道人邃。”钤“程邃”。 

　　“癸丑”为清康熙十二年（1673年），程邃68岁，时为其绘画艺术的成熟期。

　　全图以枯笔焦墨表现丘峦林壑，带有程邃典型的笔墨特征。其渴笔干墨的行笔线条刚劲有力，具有以书入画的金石味，将山石树木荒拙苍老的筋骨之美表现得别有情致，从而成功地勾画出作者理想中那种摆脱尘嚣缰锁、陶然世外的高人雅境。

 

--------Introduction in English--------

 

"Landscape Map" axis, Qing Kangxi 12 years (1673), Cheng Yong drawing, paper, ink, 64.6 cm vertical, 29.4 cm horizontal.

Self-titled: "Samadhi never knows it, the clouds are cold, the sand and the white trees are uneven. It's a Chinese saying that is inhumane and can recall the five-character poem of Xiangyang. In the ugly winter, Dong Zi's ancestral works on the Hangzhou Passenger Hall are dirty to Taoists. Jun "Cheng Yong".

"Ugly" was the twelfth year of Kangxi (1673) in Qing Dynasty, and Cheng Yong was 68 years old, when his painting art matured.

The whole picture shows hills and mountains with dry brush and burnt ink, with typical features of Cheng Jun's brush and ink. The strong and powerful lines of his thirsty brush and dry ink, with the flavor of diamond and stone painted in books, express the beauty of the barren and old bones and muscles of the rocks and trees in a unique way, thus successfully depicting the elegant world of the author's ideal, which is free from the tyranny of the dust and out of the world.