《白龙潭图》轴，清，梅清绘，纸本，设色，纵183.1厘米，横48.9厘米。

　　自题：“苍松翠壁瀑声奇，六月来游暑不知。仙子真踪无处觅，白龙潭上立多时。白龙潭摹松雪笔意，瞿山梅清并题。”钤“瞿硎清”、“渊公”印。 

　　梅清曾经游历黄山，并陶醉于其烟云变幻、奇伟瑰丽的迷人景色，因而创作了许多表现黄山胜景的作品。

　　图中所绘为黄山北部松岩溪中五龙潭之一的白龙潭。因雨量充沛，黄山形成了形态各异的水景，河溪、瀑布、深潭往往相互串连，形成黄山最有生命力的景观。梅清绘黄山时从写生入手，又加入自己的主观感受，再以豪放、泼辣的用笔突出黄山奇、峻、险、秀的意境，展示了其雄浑奔放与清秀空灵兼具的绘画风格，给人以强烈的艺术感染。　　　

　　作者构图亦极为讲究，顶天立地式的布局突出了瀑布飞流直下的雄壮气势。几组枝繁叶茂的松树掩映于瀑布的首尾两端，避免了直白的艺术表现，从侧面烘托了画面气氛。用浓重的笔墨点染瀑布两边的石壁，其余部分留出空白，增加了画面的空间感。巧妙的构图、变化有致的笔法、浓淡相宜的墨色使得画面丰满完整而不显杂乱。

 

--------Introduction in English--------

 

"Bailongtan Tu" axis, Qing, Mei Qing, paper, color, 183.1 cm vertical, 48.9 cm horizontal.

Self-titled: "Cangsong Cuibi Waterfall sounds wonderful. I don't know about the summer trip in June. Fairy is nowhere to find, Bailongtan stands for a long time. Bailongtan imitates the meaning of Pine and Snow, and Qushan Meiqing combines the theme. Jun's "Quqingqing" and "Yuangong" seals.

Mei Qing once traveled to Huangshan, and was intoxicated with its changeable smoke and clouds, magnificent and charming scenery, so he created many works to express the scenery of Huangshan.

The picture shows Bailongtan, one of the five dragon pools in Songyan River in the north of Huangshan Mountains. Because of the abundant rainfall, Huangshan has formed various water sceneries. River streams, waterfalls and deep pools often connect with each other to form the most vigorous landscape of Huangshan. When Mei Qing painted Huangshan, he started with sketching and added his subjective feelings. Then he highlighted Huangshan's strange, steep, dangerous and beautiful artistic conception with bold and spicy brushes, showing his bold and unrestrained painting style combined with elegant and spiritual, giving people a strong artistic infection.

The author also pays great attention to the composition of the waterfall, which highlights the magnificent momentum of the waterfall. Several groups of lush pine trees are hidden at the end of the waterfall, avoiding the artistic expression of straightforward, and setting off the atmosphere of the picture from the side. The stone walls on both sides of the waterfall are dyed with heavy ink, leaving blanks in the rest, which increases the spatial sense of the picture. Skillful composition, consistent brushwork and appropriate shades of ink make the picture full and complete without any confusion.