艺推: 开通会员 艺查网 美术百科
当前位置:美术网 > 美术网学术库 > 名作 > 古画作品欣赏

禹之鼎念堂溪边独立图卷-清朝-人物

古画作品欣赏 浏览 杨丽丽 美术网

《念堂溪边独立图》卷,清,禹之鼎绘,纸本,墨笔,纵29.9厘米,横95.7厘米。

  款题:“溪边古路三义(叉)口,独立斜阳数过人。念堂先生属写东坡诗句,此先生三十初度小照也。漫拟李营丘法,岁戊寅嘉平月,长安客窗分袂作。慎斋禹之鼎。”钤印“禹之鼎”(朱文)、“慎斋”(白文)、“醉酒”(朱文)。戊寅为康熙三十七年(1698年),禹之鼎时年52岁。

  画中立于溪边的男子名叫乔崇修,“念堂”是他的字。乔氏家族为当地望族,书香世家。念堂的父亲乔莱(1642—1694年)字子静、石林,号画川逸叟,著有《易俟》一书。从画题中“此先生三十初度”句可知,乔崇修此时刚过三十而立之年。图中依照苏东坡诗《纵笔三首》中“溪边古路三叉口,独立斜阳数过人”的诗意,绘古木苍虬,念堂于溪边独立。近景中的人物着布衣长袍,头戴斗笠,伫立于岸边,神态悠然自在,表现出一种超然世外的情怀。远处,各色行人往来于小桥之上。图中肖像主要运用白描手法,衣纹线条潇洒飘逸。背景树石墨色清润,意境清远。

 

 

 

--------Introduction in English--------

 

 

"Niantang Stream Independent Map" Volume, Qing Dynasty, Yu Zhiding Painting, Paper, Ink, 29.9 cm in length, 95.7 cm in transverse.

Title: "Sanyi (fork) Kou, Xibian Ancient Road, the number of independent oblique sunshine exceptional. Mr. Niantang wrote Dongpo's poems and sentences. He also took Xiaozhao for the first time at the beginning of the thirtieth century. Li Yingqiu's method was drafted. He was at the age of Wuyin Jiapingyue. Chang'an passenger window was divided into two parts. Shenzhai Yuding Ding." "Yuzhiding" (Zhuwen), "Shenzhai" (Baiwen), "Drunk" (Zhuwen). Wu Yin was thirty-seven years old (1698) in Kangxi, and Yu Zhiding was 52 years old.

The man standing by the stream in the painting is Qiao Chongxiu, whose character is "Nian Tang". The Qiao family is a famous local family and a scholarly family. Nian Tang's father, Joe Lai (1642 - 1694), wrote Jing and Shilin, and drew Chuan Yishu, the author of Yili. From the sentence "Mr. Qiao's Thirty First Degree" in the title, we can see that Qiao Chongxiu was just over thirty years old. According to the poetry of Su Dongpo's poem "Three Longitudinal Brushes" in "Three Forks of Ancient Stream Road, Independent Oblique Sunshine Counts Excellent", the picture depicts ancient wooden cockroaches, chanting halls at the edge of the stream independently. Close-range characters wear clothes and long gowns, wear hats, stand on the shore, look at ease, showing a kind of transcendent feelings. In the distance, pedestrians of all kinds come and go over the bridge. The portraits in the picture mainly use the technique of white sketch, and the lines of clothes are elegant and elegant. The background tree has a clear graphite color and a clear artistic conception.

注:本站发表的所有内容均为原作者或投稿者的观点,不代表本站的立场,请浏览者自行判断取舍,若有观点错误或侵权等信息请联系管理员删除,谢谢配合!转发请标注:美术网(meishu.com) ,多谢支持!本文网址:https://www.meishu.com/zsk/zuopin/2/2019-09-02/2843.html

美术网相关文章 古画作品欣赏最新 名作最新加入会员,免费发稿

陈了了
李小可
马海方
孙温
王元友
侯一民
徐悲鸿
廖静文
齐白石
吴冠中
历史上唐朝时的社会到底有多开放?
人民日报刊文:性教育不是洪水猛兽 应坦然面对
为了画“春宫图”,刘海粟敢跟孙传芳打擂台
这样浪漫的吻只需一次,人间爱情油画
画春宫图的高手,唐伯虎一生足够传奇!
一代帝王-宋太宗让画师现场画秘戏图
如何学术性地欣赏春宫画?
揭秘唐伯虎为什么画这么多“春宫图”?
你以为浮世绘里只有秘戏图?
因“春宫图”一炮而红,朱新建画的美女!