【简介】：

西周共和时器铭。史颂簋共四器同文，此其一也。搨本。大篆。六行，行十至十二字不等。共六十三字。郭沫若《两周金文辞大系图录考释》、文物出版社《商周靑铜器文选》(一)收入。

【赏析】：

西周晚期，金文大篆完全成熟，进入古文字发展线条化、规範化的高峰阶段。结构和章法上的严谨不言而喩，即使是笔法和线条，也出现模式化的唯美主义倾向，《史颂簋》铭文即是这一时期有代表性的作品之一。作品通篇秩序井然，而爲了打破整齐划一可能带来的单调，书写者有意破坏常规，把字形大小变化呈大幅度的摆动，从而使作品获得了参差错杂的生动和新鲜感。在用笔方面，书写者在追求气韵绵长的舒迟和隽永美感的同时，适当地把一些圆转变爲略呈方势和强直的线条形式，产生了和谐统一中的变化节律。秦人承继周人书法风格，于此可以窥见端倪。金文大篆发展到西周晚期，以端庄肃穆、雍容华丽的风格较爲常见，《史颂簋》则在其中添加了一点雄强的意气。是蕴涵着西周晚期的动蕩不安，抑或焦躁愤懑?是体现了四百年西周王室行将没落而欲中兴国势的勇武雄风?我们不得而知。但是，作品不同于往者和后来的时代精神，我们还是可以感受到的。

[introduction]: inscription of the Western Zhou Dynasty. Shi Songzhen has four instruments and the same text, one of which is also. This book. Big seal. Six lines, ranging from ten to twelve characters. A total of 63 words. Guo Moruo's textual research and interpretation of the atlas of the great system of Jin CI in the two weeks and selected works of Shang and Zhou Dynasty bronze ware (I) published by the Cultural Relics Publishing House. [appreciation]: in the late Western Zhou Dynasty, the golden seal script was fully mature and entered the peak stage of the development and standardization of ancient characters. The preciseness of structure and composition is silent. Even the strokes and lines have a tendency of stylized aestheticism. The inscription of Shi Songhe is one of the representative works of this period. The whole work is in good order. In order to break the monotony that may be brought about by uniformity, the writer deliberately breaks the Convention and swings the size of the font by a large margin, so that the work obtains the vividness and freshness of staggering and miscellaneous. In terms of pen use, while pursuing the long, comfortable and meaningful beauty, the writer appropriately transformed some circles into slightly square and strong lines, resulting in the change rhythm in harmony and unity. The Qin people inherited the calligraphy style of the Zhou people, which can be seen here. The golden seal script developed to the late Western Zhou Dynasty. It was common to have a dignified, solemn, graceful and gorgeous style, and "Shi Songzhen" added a little strong spirit to it. Does it imply the unrest in the late Western Zhou Dynasty, or anxiety and anger? Is it the brave and heroic style that reflects the decline of the royal family in the Western Zhou Dynasty and the desire to revive the national power? We don't know. However, the works are different from the past and the later spirit of the times, which we can still feel.