《日暮归庄图》卷，近现代，傅抱石绘，纸本，设色，纵44厘米，横61.6厘米。

　　本幅自题：“抱石东川作。”钤“傅”朱文方印、“往往醉后”朱文长方印。

　　此图布局取边角之势，寥寥数笔扫出山石结构，山间烟云明灭，四处弥漫，远山为苍茫的暮色所隐去，渐远渐淡……画面下方，归家的农夫荷锄过桥，步履匆匆。桥下的流水与耸立的峰峦构成一片动与静的和谐景象。图中近景、中景、远景层层退后，由实转虚，体现了画家描绘山水时有着极好的把握和控制空间的能力。

　　此图为傅抱石夫人罗时慧捐献。

 

--------Introduction in English--------

 

"Sunset Guizhuang Tu" volume, modern, Fu Baoshi painting, paper, color, 44 cm in length, 61.6 cm in transverse.

The title of this piece is "The works of Dongchuan Baoshi". Jun "Fu" Zhu Wenfang seal and "often drunk" Zhu Wenchang square seal.

The layout of this picture takes the potential of the edges and corners. Few brushes sweep out the structure of rocks and mountains. Smoke and clouds are extinguishing in the mountains and diffuse everywhere. The distant mountains are fading away by the vast twilight and fading away gradually. At the bottom of the picture, the returning farmer hoed across the bridge and walked in a hurry. The flowing water under the bridge and the towering peaks form a harmonious scene of movement and quiet. In the picture, the short, medium and long-range layers retreat from reality to emptiness, reflecting the painter's excellent ability to grasp and control space when describing mountains and rivers.

This picture shows Mrs. Fu Baoshi's donation by Luo Shihui.